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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21E953 it is the complementary color #DE16AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21E953. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21E953 shade: #26E94E, #37FB61, #48FF74, #59FF87 and #6AFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21E953. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21E953 shade: #21E953, #10D740, #00C52D, #00B31A and #00A107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21E953 shade: #20E852, #24E820, #5AE820, #90E820 and #C6E820

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21E953 shade: #20E852, #20E888, #20E8BE, #20DDE8 and #20A6E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21E953 shade matches the following richer shades: #20E852 and #0CFC48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21E953 shade: #20E852, #34D55C, #47C166, #5BAD70 and #6F997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21E953 shade: #59E820, #23E820, #20E852, #20E887 and #20E8BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21E953 shade: #10A635, #14CB42, #20E852, #45EC6F and #6BF08C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21E953 shade: #21E953, #208EE8 and #E8203E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21E953 shade: #21E953, #5220E8 and #E85220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21E953 shade: #21E953, #208EE8, #E820B6 and #E87A20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21E953 shade: #21E953, #2052E8, #E820B6 and #E8B620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

Complementary color

CMYK 0 / 90 / 23 / 13

HEX #DE16AC

RGB 222 22 172

HSL 315, 0.82%, 0.48%

LAB 50.78, 80.02, -28.95

 

CMYK 84 / 0 / 67 / 9

HEX #26E94E

RGB 38 233 78

HSL 132.31, 0.82%, 0.53%

LAB 81.42, -74.6, 60.29

 

CMYK 78 / 0 / 61 / 2

HEX #37FB61

RGB 55 251 97

HSL 132.86, 0.96%, 0.6%

LAB 87.32, -76.28, 59.15

 

CMYK 72 / 0 / 55 / 0

HEX #48FF74

RGB 72 255 116

HSL 134.43, 1%, 0.64%

LAB 89, -73, 52.88

 

CMYK 65 / 0 / 47 / 0

HEX #59FF87

RGB 89 255 135

HSL 136.63, 1%, 0.67%

LAB 89.58, -67.54, 44.84

 

CMYK 58 / 0 / 40 / 0

HEX #6AFF9A

RGB 106 255 154

HSL 139.33, 1%, 0.71%

LAB 90.28, -61.23, 36.61

 

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

CMYK 93 / 0 / 70 / 16

HEX #10D740

RGB 16 215 64

HSL 134.47, 0.86%, 0.45%

LAB 75.5, -72.18, 59.32

 

CMYK 100 / 0 / 77 / 23

HEX #00C52D

RGB 0 197 45

HSL 133.71, 1%, 0.39%

LAB 69.56, -69.22, 59.91

 

CMYK 100 / 0 / 85 / 30

HEX #00B31A

RGB 0 179 26

HSL 128.72, 1%, 0.35%

LAB 63.6, -65.28, 59.66

 

CMYK 100 / 0 / 96 / 37

HEX #00A107

RGB 0 161 7

HSL 122.61, 1%, 0.32%

LAB 57.56, -60.91, 57.94

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 84 / 0 / 86 / 9

HEX #24E820

RGB 36 232 32

HSL 118.8, 0.81%, 0.52%

LAB 80.85, -77.59, 73.75

 

CMYK 61 / 0 / 86 / 9

HEX #5AE820

RGB 90 232 32

HSL 102.6, 0.81%, 0.52%

LAB 81.83, -69.09, 75

 

CMYK 38 / 0 / 86 / 9

HEX #90E820

RGB 144 232 32

HSL 86.4, 0.81%, 0.52%

LAB 83.83, -53.7, 77.51

 

CMYK 15 / 0 / 86 / 9

HEX #C6E820

RGB 198 232 32

HSL 70.2, 0.81%, 0.52%

LAB 86.91, -33.58, 81.32

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 86 / 0 / 41 / 9

HEX #20E888

RGB 32 232 136

HSL 151.2, 0.81%, 0.52%

LAB 81.73, -66.67, 34.09

 

CMYK 86 / 0 / 18 / 9

HEX #20E8BE

RGB 32 232 190

HSL 167.4, 0.81%, 0.52%

LAB 82.77, -55.01, 7.63

 

CMYK 86 / 5 / 0 / 9

HEX #20DDE8

RGB 32 221 232

HSL 183.3, 0.81%, 0.52%

LAB 80.65, -38.76, -17.76

 

CMYK 86 / 28 / 0 / 9

HEX #20A6E8

RGB 32 166 232

HSL 199.8, 0.81%, 0.52%

LAB 64.49, -11.11, -42.65

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 95 / 0 / 71 / 1

HEX #0CFC48

RGB 12 252 72

HSL 135, 0.98%, 0.52%

LAB 87.08, -82.1, 68.43

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 76 / 0 / 57 / 16

HEX #34D55C

RGB 52 213 92

HSL 134.91, 0.66%, 0.52%

LAB 75.51, -65.17, 47.66

 

CMYK 63 / 0 / 47 / 24

HEX #47C166

RGB 71 193 102

HSL 135.25, 0.5%, 0.52%

LAB 69.78, -53.42, 35.93

 

CMYK 47 / 0 / 35 / 32

HEX #5BAD70

RGB 91 173 112

HSL 135.37, 0.33%, 0.52%

LAB 64.39, -38.66, 23.81

 

CMYK 27 / 0 / 20 / 40

HEX #6F997A

RGB 111 153 122

HSL 135.71, 0.17%, 0.52%

LAB 59.5, -20.95, 11.74

 

CMYK 62 / 0 / 86 / 9

HEX #59E820

RGB 89 232 32

HSL 102.9, 0.81%, 0.52%

LAB 81.81, -69.32, 74.97

 

CMYK 85 / 0 / 86 / 9

HEX #23E820

RGB 35 232 32

HSL 119.1, 0.81%, 0.52%

LAB 80.84, -77.68, 73.74

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 86 / 0 / 42 / 9

HEX #20E887

RGB 32 232 135

HSL 150.9, 0.81%, 0.52%

LAB 81.71, -66.85, 34.57

 

CMYK 86 / 0 / 19 / 9

HEX #20E8BD

RGB 32 232 189

HSL 167.1, 0.81%, 0.52%

LAB 82.75, -55.26, 8.12

 

CMYK 90 / 0 / 68 / 35

HEX #10A635

RGB 16 166 53

HSL 134.8, 0.82%, 0.36%

LAB 59.56, -58.58, 46.72

 

CMYK 90 / 0 / 67 / 20

HEX #14CB42

RGB 20 203 66

HSL 135.08, 0.82%, 0.44%

LAB 71.73, -68.25, 54.54

 

CMYK 86 / 0 / 65 / 9

HEX #20E852

RGB 32 232 82

HSL 135, 0.81%, 0.52%

LAB 81.09, -74.4, 58.31

 

CMYK 71 / 0 / 53 / 7

HEX #45EC6F

RGB 69 236 111

HSL 135.09, 0.81%, 0.6%

LAB 83.13, -67.81, 48.08

 

CMYK 55 / 0 / 42 / 6

HEX #6BF08C

RGB 107 240 140

HSL 134.89, 0.82%, 0.68%

LAB 85.68, -57.55, 37.52

 

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

CMYK 86 / 39 / 0 / 9

HEX #208EE8

RGB 32 142 232

HSL 207, 0.81%, 0.52%

LAB 57.54, 2.67, -53.64

 

CMYK 0 / 86 / 73 / 9

HEX #E8203E

RGB 232 32 62

HSL 351, 0.81%, 0.52%

LAB 50.14, 72.15, 36.65

 

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

CMYK 65 / 86 / 0 / 9

HEX #5220E8

RGB 82 32 232

HSL 255, 0.81%, 0.52%

LAB 35.31, 68.93, -89.75

 

CMYK 0 / 65 / 86 / 9

HEX #E85220

RGB 232 82 32

HSL 15, 0.81%, 0.52%

LAB 55.37, 55.97, 56.93

 

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

CMYK 86 / 39 / 0 / 9

HEX #208EE8

RGB 32 142 232

HSL 207, 0.81%, 0.52%

LAB 57.54, 2.67, -53.64

 

CMYK 0 / 86 / 22 / 9

HEX #E820B6

RGB 232 32 182

HSL 315, 0.81%, 0.52%

LAB 53.56, 81.71, -30.34

 

CMYK 0 / 47 / 86 / 9

HEX #E87A20

RGB 232 122 32

HSL 27, 0.81%, 0.52%

LAB 62.66, 37.2, 62.82

 

CMYK 86 / 0 / 64 / 9

HEX #21E953

RGB 33 233 83

HSL 135, 0.82%, 0.52%

LAB 81.42, -74.51, 58.26

 

CMYK 86 / 65 / 0 / 9

HEX #2052E8

RGB 32 82 232

HSL 225, 0.81%, 0.52%

LAB 41.48, 40.31, -79.64

 

CMYK 0 / 86 / 22 / 9

HEX #E820B6

RGB 232 32 182

HSL 315, 0.81%, 0.52%

LAB 53.56, 81.71, -30.34

 

CMYK 0 / 22 / 86 / 9

HEX #E8B620

RGB 232 182 32

HSL 45, 0.81%, 0.52%

LAB 76.51, 5.61, 74

 

Description

Color code: HEX #21E953 | qconv.com Color code: HEX #21E953 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 233 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 233 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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