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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21DD85 it is the complementary color #DE227A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21DD85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21DD85 shade: #26DD80, #37EF93, #48FFA6, #59FFB9 and #6AFFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21DD85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21DD85 shade: #21DD85, #10CB72, #00B95F, #00A74C and #009539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21DD85 shade: #21DD85, #21DD52, #22DD21, #55DD21 and #88DD21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21DD85 shade: #21DD85, #21DDB8, #21D0DD, #219DDD and #216ADD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21DD85 shade matches the following richer shades: #21DD85 and #0CF286

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21DD85 shade: #21DD85, #35C984, #4AB482, #5F9F81 and #738B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21DD85 shade: #24DD21, #21DD50, #21DD82, #21DDB4 and #21D4DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21DD85 shade: #16965A, #1BB96F, #21DD85, #45E399 and #68E8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21DD85 shade: #21DD85, #2156DD and #DD3721

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21DD85 shade: #21DD85, #8221DD and #DD8221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21DD85 shade: #21DD85, #2156DD, #DD217C and #DDA821

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21DD85 shade: #21DD85, #2421DD, #DD217C and #DADD21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

Complementary color

CMYK 0 / 85 / 45 / 13

HEX #DE227A

RGB 222 34 122

HSL 331.91, 0.74%, 0.5%

LAB 49.59, 72.94, -0.79

 

CMYK 83 / 0 / 42 / 13

HEX #26DD80

RGB 38 221 128

HSL 149.51, 0.73%, 0.51%

LAB 78.28, -63.86, 33.61

 

CMYK 77 / 0 / 38 / 6

HEX #37EF93

RGB 55 239 147

HSL 150, 0.85%, 0.58%

LAB 84.3, -64.95, 32.01

 

CMYK 72 / 0 / 35 / 0

HEX #48FFA6

RGB 72 255 166

HSL 150.82, 1%, 0.64%

LAB 89.7, -64.98, 29.72

 

CMYK 65 / 0 / 27 / 0

HEX #59FFB9

RGB 89 255 185

HSL 154.7, 1%, 0.67%

LAB 90.39, -58.65, 21.09

 

CMYK 58 / 0 / 20 / 0

HEX #6AFFCC

RGB 106 255 204

HSL 159.46, 1%, 0.71%

LAB 91.21, -51.59, 12.56

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 92 / 0 / 44 / 20

HEX #10CB72

RGB 16 203 114

HSL 151.44, 0.85%, 0.43%

LAB 72.25, -61.73, 32.84

 

CMYK 100 / 0 / 49 / 27

HEX #00B95F

RGB 0 185 95

HSL 150.81, 1%, 0.36%

LAB 66.15, -59.65, 34.67

 

CMYK 100 / 0 / 54 / 35

HEX #00A74C

RGB 0 167 76

HSL 147.31, 1%, 0.33%

LAB 60.03, -56.79, 36.62

 

CMYK 100 / 0 / 62 / 42

HEX #009539

RGB 0 149 57

HSL 142.95, 1%, 0.29%

LAB 53.8, -53.68, 38.47

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 85 / 0 / 63 / 13

HEX #21DD52

RGB 33 221 82

HSL 135.64, 0.74%, 0.5%

LAB 77.67, -71.01, 54.5

 

CMYK 85 / 0 / 85 / 13

HEX #22DD21

RGB 34 221 33

HSL 119.68, 0.74%, 0.5%

LAB 77.38, -74.66, 70.48

 

CMYK 62 / 0 / 85 / 13

HEX #55DD21

RGB 85 221 33

HSL 103.4, 0.74%, 0.5%

LAB 78.32, -66.58, 71.67

 

CMYK 38 / 0 / 85 / 13

HEX #88DD21

RGB 136 221 33

HSL 87.13, 0.74%, 0.5%

LAB 80.21, -51.99, 74.05

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 85 / 0 / 17 / 13

HEX #21DDB8

RGB 33 221 184

HSL 168.19, 0.74%, 0.5%

LAB 79.33, -52.05, 5.84

 

CMYK 85 / 6 / 0 / 13

HEX #21D0DD

RGB 33 208 221

HSL 184.15, 0.74%, 0.5%

LAB 76.47, -36.03, -18.19

 

CMYK 85 / 29 / 0 / 13

HEX #219DDD

RGB 33 157 221

HSL 200.43, 0.74%, 0.5%

LAB 61.36, -9.97, -41.49

 

CMYK 85 / 52 / 0 / 13

HEX #216ADD

RGB 33 106 221

HSL 216.7, 0.74%, 0.5%

LAB 46.78, 20.89, -64.76

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 95 / 0 / 45 / 5

HEX #0CF286

RGB 12 242 134

HSL 151.83, 0.91%, 0.5%

LAB 84.64, -71.34, 38.83

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 74 / 0 / 34 / 21

HEX #35C984

RGB 53 201 132

HSL 152.03, 0.58%, 0.5%

LAB 72.36, -54.14, 23.72

 

CMYK 59 / 0 / 28 / 29

HEX #4AB482

RGB 74 180 130

HSL 151.7, 0.42%, 0.5%

LAB 66.3, -42.37, 16.57

 

CMYK 40 / 0 / 19 / 38

HEX #5F9F81

RGB 95 159 129

HSL 151.88, 0.25%, 0.5%

LAB 60.62, -27.59, 9.27

 

CMYK 17 / 0 / 8 / 45

HEX #738B80

RGB 115 139 128

HSL 152.5, 0.09%, 0.5%

LAB 55.75, -10.91, 3.03

 

CMYK 84 / 0 / 85 / 13

HEX #24DD21

RGB 36 221 33

HSL 119.04, 0.74%, 0.5%

LAB 77.4, -74.47, 70.5

 

CMYK 85 / 0 / 64 / 13

HEX #21DD50

RGB 33 221 80

HSL 135, 0.74%, 0.5%

LAB 77.65, -71.23, 55.32

 

CMYK 85 / 0 / 41 / 13

HEX #21DD82

RGB 33 221 130

HSL 150.96, 0.74%, 0.5%

LAB 78.26, -63.91, 32.56

 

CMYK 85 / 0 / 19 / 13

HEX #21DDB4

RGB 33 221 180

HSL 166.91, 0.74%, 0.5%

LAB 79.23, -53.05, 7.83

 

CMYK 85 / 4 / 0 / 13

HEX #21D4DD

RGB 33 212 221

HSL 182.87, 0.74%, 0.5%

LAB 77.66, -37.88, -16.4

 

CMYK 85 / 0 / 40 / 41

HEX #16965A

RGB 22 150 90

HSL 151.88, 0.74%, 0.34%

LAB 54.78, -46.94, 22.64

 

CMYK 85 / 0 / 40 / 27

HEX #1BB96F

RGB 27 185 111

HSL 151.9, 0.75%, 0.42%

LAB 66.58, -55.27, 26.98

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 70 / 0 / 33 / 11

HEX #45E399

RGB 69 227 153

HSL 151.9, 0.74%, 0.58%

LAB 81.02, -57.52, 24.57

 

CMYK 55 / 0 / 26 / 9

HEX #68E8AC

RGB 104 232 172

HSL 151.88, 0.74%, 0.66%

LAB 83.78, -49.19, 18.66

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 85 / 61 / 0 / 13

HEX #2156DD

RGB 33 86 221

HSL 223.09, 0.74%, 0.5%

LAB 41.53, 33.77, -73.31

 

CMYK 0 / 75 / 85 / 13

HEX #DD3721

RGB 221 55 33

HSL 7.02, 0.74%, 0.5%

LAB 49.76, 62.44, 51.04

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 41 / 85 / 0 / 13

HEX #8221DD

RGB 130 33 221

HSL 270.96, 0.74%, 0.5%

LAB 39.67, 70.71, -76.08

 

CMYK 0 / 41 / 85 / 13

HEX #DD8221

RGB 221 130 33

HSL 30.96, 0.74%, 0.5%

LAB 62.88, 28.57, 62.07

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 85 / 61 / 0 / 13

HEX #2156DD

RGB 33 86 221

HSL 223.09, 0.74%, 0.5%

LAB 41.53, 33.77, -73.31

 

CMYK 0 / 85 / 44 / 13

HEX #DD217C

RGB 221 33 124

HSL 330.96, 0.74%, 0.5%

LAB 49.39, 73.07, -2.32

 

CMYK 0 / 24 / 85 / 13

HEX #DDA821

RGB 221 168 33

HSL 43.09, 0.74%, 0.5%

LAB 71.88, 8.26, 69.51

 

CMYK 85 / 0 / 40 / 13

HEX #21DD85

RGB 33 221 133

HSL 151.91, 0.74%, 0.5%

LAB 78.3, -63.36, 31.1

 

CMYK 84 / 85 / 0 / 13

HEX #2421DD

RGB 36 33 221

HSL 240.96, 0.74%, 0.5%

LAB 31.07, 63.16, -90.58

 

CMYK 0 / 85 / 44 / 13

HEX #DD217C

RGB 221 33 124

HSL 330.96, 0.74%, 0.5%

LAB 49.39, 73.07, -2.32

 

CMYK 1 / 0 / 85 / 13

HEX #DADD21

RGB 218 221 33

HSL 60.96, 0.74%, 0.5%

LAB 85.37, -20.16, 80.46

 

Description

Color code: HEX #21DD85 | qconv.com Color code: HEX #21DD85 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 221 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 221 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 40 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 40% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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