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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21C92E it is the complementary color #DE36D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21C92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21C92E shade: #26C929, #37DB3C, #48ED4F, #59FF62 and #6AFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21C92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21C92E shade: #21C92E, #10B71B, #00A508, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21C92E shade: #20C92D, #41C920, #6EC920, #9CC920 and #C9C920

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21C92E shade: #20C92D, #20C95B, #20C989, #20C9B6 and #20AFC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21C92E shade matches the following richer shades: #20C92D and #0DDC1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21C92E shade: #20C92D, #33B63D, #46A34D, #59905E and #6C7D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21C92E shade: #6FC920, #42C920, #20C92C, #20C959 and #20C986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21C92E shade: #15821D, #1BA625, #20C92D, #35DE42 and #59E363

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21C92E shade: #21C92E, #209CC9 and #C92059

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21C92E shade: #21C92E, #2C20C9 and #C92C20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21C92E shade: #21C92E, #209CC9, #C920BE and #C94D20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21C92E shade: #21C92E, #206AC9, #C920BE and #C98020

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

Complementary color

CMYK 0 / 76 / 6 / 13

HEX #DE36D1

RGB 222 54 209

HSL 304.64, 0.72%, 0.54%

LAB 54.84, 78.37, -44.04

 

CMYK 81 / 0 / 80 / 21

HEX #26C929

RGB 38 201 41

HSL 121.1, 0.68%, 0.47%

LAB 71.11, -68.07, 62.72

 

CMYK 75 / 0 / 73 / 14

HEX #37DB3C

RGB 55 219 60

HSL 121.83, 0.69%, 0.54%

LAB 77.16, -69.97, 62.62

 

CMYK 70 / 0 / 67 / 7

HEX #48ED4F

RGB 72 237 79

HSL 122.55, 0.82%, 0.61%

LAB 83.18, -71.31, 61.95

 

CMYK 65 / 0 / 62 / 0

HEX #59FF62

RGB 89 255 98

HSL 123.25, 1%, 0.67%

LAB 89.17, -72.23, 60.98

 

CMYK 58 / 0 / 54 / 0

HEX #6AFF75

RGB 106 255 117

HSL 124.43, 1%, 0.71%

LAB 89.8, -66.58, 53.57

 

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

CMYK 91 / 0 / 85 / 28

HEX #10B71B

RGB 16 183 27

HSL 123.95, 0.84%, 0.39%

LAB 65.01, -65.56, 60.72

 

CMYK 100 / 0 / 95 / 35

HEX #00A508

RGB 0 165 8

HSL 122.91, 1%, 0.32%

LAB 58.91, -62.01, 58.91

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 84 / 0 / 78 / 21

HEX #20C92D

RGB 32 201 45

HSL 124.62, 0.73%, 0.46%

LAB 71.06, -68.45, 61.44

 

CMYK 68 / 0 / 84 / 21

HEX #41C920

RGB 65 201 32

HSL 108.28, 0.73%, 0.46%

LAB 71.56, -64.35, 65.69

 

CMYK 45 / 0 / 84 / 21

HEX #6EC920

RGB 110 201 32

HSL 92.31, 0.73%, 0.46%

LAB 73.02, -52.69, 67.55

 

CMYK 22 / 0 / 84 / 21

HEX #9CC920

RGB 156 201 32

HSL 75.98, 0.73%, 0.46%

LAB 75.42, -36.14, 70.57

 

CMYK 0 / 0 / 84 / 21

HEX #C9C920

RGB 201 201 32

HSL 60, 0.73%, 0.46%

LAB 78.63, -17.53, 74.57

 

CMYK 84 / 0 / 78 / 21

HEX #20C92D

RGB 32 201 45

HSL 124.62, 0.73%, 0.46%

LAB 71.06, -68.45, 61.44

 

CMYK 84 / 0 / 55 / 21

HEX #20C95B

RGB 32 201 91

HSL 140.95, 0.73%, 0.46%

LAB 71.44, -63.67, 43.21

 

CMYK 84 / 0 / 32 / 21

HEX #20C989

RGB 32 201 137

HSL 157.28, 0.73%, 0.46%

LAB 72.15, -55.4, 20.74

 

CMYK 84 / 0 / 9 / 21

HEX #20C9B6

RGB 32 201 182

HSL 173.25, 0.73%, 0.46%

LAB 73.19, -44.3, -2

 

CMYK 84 / 13 / 0 / 21

HEX #20AFC9

RGB 32 175 201

HSL 189.23, 0.73%, 0.46%

LAB 65.89, -26.47, -23.37

 

CMYK 84 / 0 / 78 / 21

HEX #20C92D

RGB 32 201 45

HSL 124.62, 0.73%, 0.46%

LAB 71.06, -68.45, 61.44

 

CMYK 94 / 0 / 87 / 14

HEX #0DDC1D

RGB 13 220 29

HSL 124.64, 0.89%, 0.46%

LAB 76.9, -75.92, 70.82

 

CMYK 84 / 0 / 78 / 21

HEX #20C92D

RGB 32 201 45

HSL 124.62, 0.73%, 0.46%

LAB 71.06, -68.45, 61.44

 

CMYK 72 / 0 / 66 / 29

HEX #33B63D

RGB 51 182 61

HSL 124.58, 0.56%, 0.46%

LAB 65.35, -58.65, 49.81

 

CMYK 57 / 0 / 53 / 36

HEX #46A34D

RGB 70 163 77

HSL 124.52, 0.4%, 0.46%

LAB 59.92, -45.73, 36.25

 

CMYK 38 / 0 / 35 / 44

HEX #59905E

RGB 89 144 94

HSL 125.45, 0.24%, 0.46%

LAB 54.95, -29.08, 21

 

CMYK 14 / 0 / 12 / 51

HEX #6C7D6E

RGB 108 125 110

HSL 127.06, 0.07%, 0.46%

LAB 50.67, -9.37, 6.09

 

CMYK 45 / 0 / 84 / 21

HEX #6FC920

RGB 111 201 32

HSL 91.95, 0.73%, 0.46%

LAB 73.06, -52.37, 67.6

 

CMYK 67 / 0 / 84 / 21

HEX #42C920

RGB 66 201 32

HSL 107.93, 0.73%, 0.46%

LAB 71.58, -64.15, 65.72

 

CMYK 84 / 0 / 78 / 21

HEX #20C92C

RGB 32 201 44

HSL 124.26, 0.73%, 0.46%

LAB 71.05, -68.52, 61.75

 

CMYK 84 / 0 / 56 / 21

HEX #20C959

RGB 32 201 89

HSL 140.24, 0.73%, 0.46%

LAB 71.42, -63.95, 44.13

 

CMYK 84 / 0 / 33 / 21

HEX #20C986

RGB 32 201 134

HSL 156.21, 0.73%, 0.46%

LAB 72.1, -56.04, 22.26

 

CMYK 84 / 0 / 78 / 49

HEX #15821D

RGB 21 130 29

HSL 124.4, 0.72%, 0.3%

LAB 47.25, -48.93, 43.45

 

CMYK 84 / 0 / 78 / 35

HEX #1BA625

RGB 27 166 37

HSL 124.32, 0.72%, 0.38%

LAB 59.56, -59.01, 52.82

 

CMYK 84 / 0 / 78 / 21

HEX #20C92D

RGB 32 201 45

HSL 124.62, 0.73%, 0.46%

LAB 71.06, -68.45, 61.44

 

CMYK 76 / 0 / 70 / 13

HEX #35DE42

RGB 53 222 66

HSL 124.62, 0.72%, 0.54%

LAB 78.11, -70.68, 61.42

 

CMYK 61 / 0 / 56 / 11

HEX #59E363

RGB 89 227 99

HSL 124.35, 0.71%, 0.62%

LAB 80.72, -62.51, 50.82

 

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

CMYK 84 / 22 / 0 / 21

HEX #209CC9

RGB 32 156 201

HSL 195.98, 0.73%, 0.46%

LAB 60.16, -16.58, -32.21

 

CMYK 0 / 84 / 56 / 21

HEX #C92059

RGB 201 32 89

HSL 339.76, 0.73%, 0.46%

LAB 44.48, 65.58, 11.71

 

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

CMYK 78 / 84 / 0 / 21

HEX #2C20C9

RGB 44 32 201

HSL 244.26, 0.73%, 0.46%

LAB 28.86, 58.13, -82.64

 

CMYK 0 / 78 / 84 / 21

HEX #C92C20

RGB 201 44 32

HSL 4.26, 0.73%, 0.46%

LAB 44.69, 59.81, 45.61

 

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

CMYK 84 / 22 / 0 / 21

HEX #209CC9

RGB 32 156 201

HSL 195.98, 0.73%, 0.46%

LAB 60.16, -16.58, -32.21

 

CMYK 0 / 84 / 5 / 21

HEX #C920BE

RGB 201 32 190

HSL 303.91, 0.73%, 0.46%

LAB 48.47, 76.69, -43.39

 

CMYK 0 / 62 / 84 / 21

HEX #C94D20

RGB 201 77 32

HSL 15.98, 0.73%, 0.46%

LAB 49.29, 47.28, 49.68

 

CMYK 84 / 0 / 77 / 21

HEX #21C92E

RGB 33 201 46

HSL 124.64, 0.72%, 0.46%

LAB 71.07, -68.29, 61.15

 

CMYK 84 / 47 / 0 / 21

HEX #206AC9

RGB 32 106 201

HSL 213.73, 0.73%, 0.46%

LAB 45.4, 13.08, -55.57

 

CMYK 0 / 84 / 5 / 21

HEX #C920BE

RGB 201 32 190

HSL 303.91, 0.73%, 0.46%

LAB 48.47, 76.69, -43.39

 

CMYK 0 / 36 / 84 / 21

HEX #C98020

RGB 201 128 32

HSL 34.08, 0.73%, 0.46%

LAB 59.85, 21.13, 58.81

 

Description

Color code: HEX #21C92E | qconv.com Color code: HEX #21C92E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 201 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 201 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 77 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 77% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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