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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21B94C it is the complementary color #DE46B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21B94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21B94C shade: #26B947, #37CB5A, #48DD6D, #59EF80 and #6AFF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21B94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21B94C shade: #21B94C, #10A739, #009526, #008313 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21B94C shade: #20BA4C, #20BA22, #48BA20, #71BA20 and #9BBA20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21B94C shade: #20BA4C, #20BA75, #20BA9F, #20ACBA and #2082BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21B94C shade matches the following richer shades: #20BA4C and #0FCC44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21B94C shade: #20BA4C, #32A854, #44965B, #568563 and #67736B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21B94C shade: #49BA20, #20BA20, #20BA49, #20BA72 and #20BA9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21B94C shade: #14742F, #1A973D, #20BA4C, #2AD95C and #4EDF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21B94C shade: #21B94C, #2072BA and #BA2035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21B94C shade: #21B94C, #4920BA and #BA4920

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21B94C shade: #21B94C, #2072BA, #BA2091 and #BA6820

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21B94C shade: #21B94C, #2044BA, #BA2091 and #BA9620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

Complementary color

CMYK 0 / 68 / 19 / 13

HEX #DE46B3

RGB 222 70 179

HSL 316.97, 0.7%, 0.57%

LAB 55.24, 69.02, -26.13

 

CMYK 79 / 0 / 62 / 27

HEX #26B947

RGB 38 185 71

HSL 133.47, 0.66%, 0.44%

LAB 66.19, -60.44, 46.32

 

CMYK 73 / 0 / 56 / 20

HEX #37CB5A

RGB 55 203 90

HSL 134.19, 0.59%, 0.51%

LAB 72.4, -61.65, 44.91

 

CMYK 67 / 0 / 51 / 13

HEX #48DD6D

RGB 72 221 109

HSL 134.9, 0.69%, 0.57%

LAB 78.58, -62.41, 43.47

 

CMYK 63 / 0 / 46 / 6

HEX #59EF80

RGB 89 239 128

HSL 135.6, 0.82%, 0.64%

LAB 84.7, -62.87, 42.05

 

CMYK 58 / 0 / 42 / 0

HEX #6AFF93

RGB 106 255 147

HSL 136.51, 1%, 0.71%

LAB 90.18, -62.36, 39.91

 

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

CMYK 90 / 0 / 66 / 35

HEX #10A739

RGB 16 167 57

HSL 136.29, 0.83%, 0.36%

LAB 59.93, -58.46, 45.42

 

CMYK 100 / 0 / 74 / 42

HEX #009526

RGB 0 149 38

HSL 135.3, 1%, 0.29%

LAB 53.64, -55.78, 46.47

 

CMYK 100 / 0 / 85 / 49

HEX #008313

RGB 0 131 19

HSL 128.7, 1%, 0.26%

LAB 47.34, -51.78, 46.7

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 83 / 0 / 82 / 27

HEX #20BA22

RGB 32 186 34

HSL 120.78, 0.71%, 0.43%

LAB 66.17, -64.7, 60.04

 

CMYK 61 / 0 / 83 / 27

HEX #48BA20

RGB 72 186 32

HSL 104.42, 0.71%, 0.43%

LAB 66.98, -57.84, 61.62

 

CMYK 39 / 0 / 83 / 27

HEX #71BA20

RGB 113 186 32

HSL 88.44, 0.71%, 0.43%

LAB 68.56, -45.7, 63.64

 

CMYK 17 / 0 / 83 / 27

HEX #9BBA20

RGB 155 186 32

HSL 72.08, 0.71%, 0.43%

LAB 71, -29.59, 66.73

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 83 / 0 / 37 / 27

HEX #20BA75

RGB 32 186 117

HSL 153.12, 0.71%, 0.43%

LAB 67.06, -54, 24.46

 

CMYK 83 / 0 / 15 / 27

HEX #20BA9F

RGB 32 186 159

HSL 169.48, 0.71%, 0.43%

LAB 67.97, -44.1, 2.94

 

CMYK 83 / 8 / 0 / 27

HEX #20ACBA

RGB 32 172 186

HSL 185.45, 0.71%, 0.43%

LAB 64.45, -29.81, -17.24

 

CMYK 83 / 30 / 0 / 27

HEX #2082BA

RGB 32 130 186

HSL 201.82, 0.71%, 0.43%

LAB 51.63, -7.38, -37.04

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 93 / 0 / 67 / 20

HEX #0FCC44

RGB 15 204 68

HSL 136.83, 0.86%, 0.43%

LAB 72.03, -68.62, 54.06

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 70 / 0 / 50 / 34

HEX #32A854

RGB 50 168 84

HSL 137.29, 0.54%, 0.43%

LAB 61.07, -50.92, 34

 

CMYK 55 / 0 / 39 / 41

HEX #44965B

RGB 68 150 91

HSL 136.83, 0.38%, 0.43%

LAB 55.88, -38.58, 23.74

 

CMYK 35 / 0 / 26 / 48

HEX #568563

RGB 86 133 99

HSL 136.6, 0.21%, 0.43%

LAB 51.44, -23.68, 13.37

 

CMYK 10 / 0 / 7 / 55

HEX #67736B

RGB 103 115 107

HSL 140, 0.06%, 0.43%

LAB 47.24, -6.19, 2.89

 

CMYK 61 / 0 / 83 / 27

HEX #49BA20

RGB 73 186 32

HSL 104.03, 0.71%, 0.43%

LAB 67, -57.6, 61.66

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 83 / 0 / 61 / 27

HEX #20BA49

RGB 32 186 73

HSL 135.97, 0.71%, 0.43%

LAB 66.45, -61.21, 45.7

 

CMYK 83 / 0 / 39 / 27

HEX #20BA72

RGB 32 186 114

HSL 151.95, 0.71%, 0.43%

LAB 67.01, -54.6, 25.98

 

CMYK 83 / 0 / 17 / 27

HEX #20BA9B

RGB 32 186 155

HSL 167.92, 0.71%, 0.43%

LAB 67.87, -45.15, 4.99

 

CMYK 83 / 0 / 59 / 55

HEX #14742F

RGB 20 116 47

HSL 136.88, 0.71%, 0.27%

LAB 42.53, -42.23, 30.27

 

CMYK 83 / 0 / 60 / 41

HEX #1A973D

RGB 26 151 61

HSL 136.8, 0.71%, 0.35%

LAB 54.75, -51.82, 37.72

 

CMYK 83 / 0 / 59 / 27

HEX #20BA4C

RGB 32 186 76

HSL 137.14, 0.71%, 0.43%

LAB 66.48, -60.82, 44.36

 

CMYK 81 / 0 / 58 / 15

HEX #2AD95C

RGB 42 217 92

HSL 137.14, 0.7%, 0.51%

LAB 76.61, -67.69, 48.93

 

CMYK 65 / 0 / 47 / 13

HEX #4EDF77

RGB 78 223 119

HSL 136.97, 0.69%, 0.59%

LAB 79.46, -60.54, 39.75

 

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

CMYK 83 / 39 / 0 / 27

HEX #2072BA

RGB 32 114 186

HSL 208.05, 0.71%, 0.43%

LAB 46.83, 2.23, -44.64

 

CMYK 0 / 83 / 72 / 27

HEX #BA2035

RGB 186 32 53

HSL 351.82, 0.71%, 0.43%

LAB 40.78, 59.47, 28.73

 

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

CMYK 61 / 83 / 0 / 27

HEX #4920BA

RGB 73 32 186

HSL 255.97, 0.71%, 0.43%

LAB 29.4, 56.03, -72.85

 

CMYK 0 / 61 / 83 / 27

HEX #BA4920

RGB 186 73 32

HSL 15.97, 0.71%, 0.43%

LAB 46.05, 43.62, 45.82

 

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

CMYK 83 / 39 / 0 / 27

HEX #2072BA

RGB 32 114 186

HSL 208.05, 0.71%, 0.43%

LAB 46.83, 2.23, -44.64

 

CMYK 0 / 83 / 22 / 27

HEX #BA2091

RGB 186 32 145

HSL 315.97, 0.71%, 0.43%

LAB 43.53, 67.46, -24.59

 

CMYK 0 / 44 / 83 / 27

HEX #BA6820

RGB 186 104 32

HSL 28.05, 0.71%, 0.43%

LAB 52.34, 27.77, 51.5

 

CMYK 82 / 0 / 59 / 27

HEX #21B94C

RGB 33 185 76

HSL 136.97, 0.7%, 0.43%

LAB 66.17, -60.39, 44

 

CMYK 83 / 63 / 0 / 27

HEX #2044BA

RGB 32 68 186

HSL 225.97, 0.71%, 0.43%

LAB 33.95, 32.16, -65.44

 

CMYK 0 / 83 / 22 / 27

HEX #BA2091

RGB 186 32 145

HSL 315.97, 0.71%, 0.43%

LAB 43.53, 67.46, -24.59

 

CMYK 0 / 19 / 83 / 27

HEX #BA9620

RGB 186 150 32

HSL 45.97, 0.71%, 0.43%

LAB 63.64, 2.45, 61.38

 

Description

Color code: HEX #21B94C | qconv.com Color code: HEX #21B94C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 185 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 185 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 59 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 59% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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