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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21B93F it is the complementary color #DE46C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21B93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21B93F shade: #26B93A, #37CB4D, #48DD60, #59EF73 and #6AFF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21B93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21B93F shade: #21B93F, #10A72C, #009519, #008306 and #007100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21B93F shade: #20BA3F, #2BBA20, #55BA20, #7EBA20 and #A8BA20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21B93F shade: #20BA3F, #20BA68, #20BA91, #20B9BA and #2090BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21B93F shade matches the following richer shades: #20BA3F and #0FCC34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21B93F shade: #20BA3F, #32A849, #449654, #56855F and #67736A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21B93F shade: #56BA20, #2DBA20, #20BA3D, #20BA65 and #20BA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21B93F shade: #147427, #1A9733, #20BA3F, #2AD94D and #4EDF6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21B93F shade: #21B93F, #207FBA and #BA2042

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21B93F shade: #21B93F, #3D20BA and #BA3D20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21B93F shade: #21B93F, #207FBA, #BA209E and #BA5B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21B93F shade: #21B93F, #2051BA, #BA209E and #BA8920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

Complementary color

CMYK 0 / 68 / 14 / 13

HEX #DE46C0

RGB 222 70 192

HSL 311.84, 0.7%, 0.57%

LAB 55.8, 70.83, -32.78

 

CMYK 79 / 0 / 69 / 27

HEX #26B93A

RGB 38 185 58

HSL 128.16, 0.66%, 0.44%

LAB 66.07, -61.85, 51.74

 

CMYK 73 / 0 / 62 / 20

HEX #37CB4D

RGB 55 203 77

HSL 128.92, 0.59%, 0.51%

LAB 72.27, -63.25, 50.65

 

CMYK 67 / 0 / 57 / 13

HEX #48DD60

RGB 72 221 96

HSL 129.66, 0.69%, 0.57%

LAB 78.42, -64.16, 49.37

 

CMYK 63 / 0 / 52 / 6

HEX #59EF73

RGB 89 239 115

HSL 130.4, 0.82%, 0.64%

LAB 84.53, -64.73, 48.03

 

CMYK 58 / 0 / 47 / 0

HEX #6AFF86

RGB 106 255 134

HSL 131.28, 1%, 0.71%

LAB 90, -64.32, 45.94

 

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

CMYK 90 / 0 / 74 / 35

HEX #10A72C

RGB 16 167 44

HSL 131.13, 0.83%, 0.36%

LAB 59.82, -59.75, 50.57

 

CMYK 100 / 0 / 83 / 42

HEX #009519

RGB 0 149 25

HSL 130.07, 1%, 0.29%

LAB 53.56, -56.75, 50.75

 

CMYK 100 / 0 / 95 / 49

HEX #008306

RGB 0 131 6

HSL 122.75, 1%, 0.26%

LAB 47.3, -52.35, 49.55

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 83 / 0 / 66 / 27

HEX #20BA3F

RGB 32 186 63

HSL 132.08, 0.71%, 0.43%

LAB 66.35, -62.36, 49.97

 

CMYK 77 / 0 / 83 / 27

HEX #2BBA20

RGB 43 186 32

HSL 115.71, 0.71%, 0.43%

LAB 66.32, -63.41, 60.78

 

CMYK 54 / 0 / 83 / 27

HEX #55BA20

RGB 85 186 32

HSL 99.35, 0.71%, 0.43%

LAB 67.39, -54.49, 62.16

 

CMYK 32 / 0 / 83 / 27

HEX #7EBA20

RGB 126 186 32

HSL 83.38, 0.71%, 0.43%

LAB 69.23, -41.02, 64.49

 

CMYK 10 / 0 / 83 / 27

HEX #A8BA20

RGB 168 186 32

HSL 67.01, 0.71%, 0.43%

LAB 71.92, -24.16, 67.89

 

CMYK 83 / 0 / 66 / 27

HEX #20BA3F

RGB 32 186 63

HSL 132.08, 0.71%, 0.43%

LAB 66.35, -62.36, 49.97

 

CMYK 83 / 0 / 44 / 27

HEX #20BA68

RGB 32 186 104

HSL 148.05, 0.71%, 0.43%

LAB 66.84, -56.48, 30.99

 

CMYK 83 / 0 / 22 / 27

HEX #20BA91

RGB 32 186 145

HSL 164.03, 0.71%, 0.43%

LAB 67.63, -47.69, 10.12

 

CMYK 83 / 1 / 0 / 27

HEX #20B9BA

RGB 32 185 186

HSL 180.39, 0.71%, 0.43%

LAB 68.42, -36, -11.25

 

CMYK 83 / 23 / 0 / 27

HEX #2090BA

RGB 32 144 186

HSL 196.36, 0.71%, 0.43%

LAB 55.89, -15.3, -30.38

 

CMYK 83 / 0 / 66 / 27

HEX #20BA3F

RGB 32 186 63

HSL 132.08, 0.71%, 0.43%

LAB 66.35, -62.36, 49.97

 

CMYK 93 / 0 / 75 / 20

HEX #0FCC34

RGB 15 204 52

HSL 131.75, 0.86%, 0.43%

LAB 71.92, -70.06, 59.95

 

CMYK 83 / 0 / 66 / 27

HEX #20BA3F

RGB 32 186 63

HSL 132.08, 0.71%, 0.43%

LAB 66.35, -62.36, 49.97

 

CMYK 70 / 0 / 57 / 34

HEX #32A849

RGB 50 168 73

HSL 131.69, 0.54%, 0.43%

LAB 60.93, -52.54, 39.31

 

CMYK 55 / 0 / 44 / 41

HEX #449654

RGB 68 150 84

HSL 131.71, 0.38%, 0.43%

LAB 55.77, -39.8, 27.39

 

CMYK 35 / 0 / 29 / 48

HEX #56855F

RGB 86 133 95

HSL 131.49, 0.21%, 0.43%

LAB 51.36, -24.46, 15.55

 

CMYK 10 / 0 / 8 / 55

HEX #67736A

RGB 103 115 106

HSL 135, 0.06%, 0.43%

LAB 47.22, -6.4, 3.44

 

CMYK 54 / 0 / 83 / 27

HEX #56BA20

RGB 86 186 32

HSL 98.96, 0.71%, 0.43%

LAB 67.43, -54.21, 62.2

 

CMYK 76 / 0 / 83 / 27

HEX #2DBA20

RGB 45 186 32

HSL 114.94, 0.71%, 0.43%

LAB 66.35, -63.11, 60.82

 

CMYK 83 / 0 / 67 / 27

HEX #20BA3D

RGB 32 186 61

HSL 131.3, 0.71%, 0.43%

LAB 66.34, -62.57, 50.78

 

CMYK 83 / 0 / 46 / 27

HEX #20BA65

RGB 32 186 101

HSL 146.88, 0.71%, 0.43%

LAB 66.8, -57.02, 32.48

 

CMYK 83 / 0 / 24 / 27

HEX #20BA8E

RGB 32 186 142

HSL 162.86, 0.71%, 0.43%

LAB 67.56, -48.43, 11.66

 

CMYK 83 / 0 / 66 / 55

HEX #147427

RGB 20 116 39

HSL 131.88, 0.71%, 0.27%

LAB 42.44, -43.31, 34.14

 

CMYK 83 / 0 / 66 / 41

HEX #1A9733

RGB 26 151 51

HSL 132, 0.71%, 0.35%

LAB 54.65, -53.06, 42.24

 

CMYK 83 / 0 / 66 / 27

HEX #20BA3F

RGB 32 186 63

HSL 132.08, 0.71%, 0.43%

LAB 66.35, -62.36, 49.97

 

CMYK 81 / 0 / 65 / 15

HEX #2AD94D

RGB 42 217 77

HSL 132, 0.7%, 0.51%

LAB 76.47, -69.45, 55.29

 

CMYK 65 / 0 / 52 / 13

HEX #4EDF6A

RGB 78 223 106

HSL 131.59, 0.69%, 0.59%

LAB 79.29, -62.43, 45.81

 

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

CMYK 83 / 32 / 0 / 27

HEX #207FBA

RGB 32 127 186

HSL 202.99, 0.71%, 0.43%

LAB 50.72, -5.62, -38.46

 

CMYK 0 / 83 / 65 / 27

HEX #BA2042

RGB 186 32 66

HSL 346.75, 0.71%, 0.43%

LAB 41, 60.13, 20.93

 

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

CMYK 67 / 83 / 0 / 27

HEX #3D20BA

RGB 61 32 186

HSL 251.3, 0.71%, 0.43%

LAB 28.3, 54.93, -74.7

 

CMYK 0 / 67 / 83 / 27

HEX #BA3D20

RGB 186 61 32

HSL 11.3, 0.71%, 0.43%

LAB 44.06, 48.94, 43.99

 

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

CMYK 83 / 32 / 0 / 27

HEX #207FBA

RGB 32 127 186

HSL 202.99, 0.71%, 0.43%

LAB 50.72, -5.62, -38.46

 

CMYK 0 / 83 / 15 / 27

HEX #BA209E

RGB 186 32 158

HSL 310.91, 0.71%, 0.43%

LAB 44.15, 69.17, -31.47

 

CMYK 0 / 51 / 83 / 27

HEX #BA5B20

RGB 186 91 32

HSL 22.99, 0.71%, 0.43%

LAB 49.53, 34.69, 48.98

 

CMYK 82 / 0 / 66 / 27

HEX #21B93F

RGB 33 185 63

HSL 131.84, 0.7%, 0.43%

LAB 66.04, -61.93, 49.63

 

CMYK 83 / 56 / 0 / 27

HEX #2051BA

RGB 32 81 186

HSL 220.91, 0.71%, 0.43%

LAB 37.37, 23.57, -59.87

 

CMYK 0 / 83 / 15 / 27

HEX #BA209E

RGB 186 32 158

HSL 310.91, 0.71%, 0.43%

LAB 44.15, 69.17, -31.47

 

CMYK 0 / 26 / 83 / 27

HEX #BA8920

RGB 186 137 32

HSL 40.91, 0.71%, 0.43%

LAB 60.28, 9.57, 58.48

 

Description

Color code: HEX #21B93F | qconv.com Color code: HEX #21B93F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 185 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 185 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 66 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 66% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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