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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21B822 it is the complementary color #DE47DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21B822. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21B822 shade: #26B81D, #37CA30, #48DC43, #59EE56 and #6AFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21B822. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21B822 shade: #21B822, #10A60F, #009400, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21B822 shade: #20BA21, #49BA20, #72BA20, #9CBA20 and #BAAF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21B822 shade: #20BA21, #20BA4B, #20BA74, #20BA9E and #20ADBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21B822 shade matches the following richer shades: #20BA21 and #0FCC10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21B822 shade: #20BA21, #32A833, #449644, #568556 and #677367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21B822 shade: #72BA20, #49BA20, #20BA20, #20BA49 and #20BA72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21B822 shade: #147415, #1A971B, #20BA21, #2AD92C and #4EDF4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21B822 shade: #21B822, #209BBA and #BA205E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21B822 shade: #21B822, #2020BA and #BA2020

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21B822 shade: #21B822, #209BBA, #BA20BA and #BA3F20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21B822 shade: #21B822, #206DBA, #BA20BA and #BA6D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

Complementary color

CMYK 0 / 68 / 0 / 13

HEX #DE47DD

RGB 222 71 221

HSL 300.4, 0.7%, 0.57%

LAB 57.32, 74.88, -46.92

 

CMYK 79 / 0 / 84 / 28

HEX #26B81D

RGB 38 184 29

HSL 116.52, 0.73%, 0.42%

LAB 65.58, -63.64, 60.84

 

CMYK 73 / 0 / 76 / 21

HEX #37CA30

RGB 55 202 48

HSL 117.27, 0.62%, 0.49%

LAB 71.74, -65.56, 61.26

 

CMYK 67 / 0 / 70 / 14

HEX #48DC43

RGB 72 220 67

HSL 118.04, 0.69%, 0.56%

LAB 77.86, -66.87, 60.9

 

CMYK 63 / 0 / 64 / 7

HEX #59EE56

RGB 89 238 86

HSL 118.82, 0.82%, 0.64%

LAB 83.94, -67.75, 60.09

 

CMYK 58 / 0 / 59 / 0

HEX #6AFF69

RGB 106 255 105

HSL 119.6, 1%, 0.71%

LAB 89.68, -67.97, 58.72

 

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

CMYK 90 / 0 / 91 / 35

HEX #10A60F

RGB 16 166 15

HSL 119.6, 0.83%, 0.35%

LAB 59.36, -61.16, 58.26

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 83 / 0 / 82 / 27

HEX #20BA21

RGB 32 186 33

HSL 120.39, 0.71%, 0.43%

LAB 66.16, -64.75, 60.31

 

CMYK 61 / 0 / 83 / 27

HEX #49BA20

RGB 73 186 32

HSL 104.03, 0.71%, 0.43%

LAB 67, -57.6, 61.66

 

CMYK 39 / 0 / 83 / 27

HEX #72BA20

RGB 114 186 32

HSL 88.05, 0.71%, 0.43%

LAB 68.61, -45.35, 63.7

 

CMYK 16 / 0 / 83 / 27

HEX #9CBA20

RGB 156 186 32

HSL 71.69, 0.71%, 0.43%

LAB 71.07, -29.18, 66.82

 

CMYK 0 / 6 / 83 / 27

HEX #BAAF20

RGB 186 175 32

HSL 55.71, 0.71%, 0.43%

LAB 70.32, -10.83, 67.09

 

CMYK 83 / 0 / 82 / 27

HEX #20BA21

RGB 32 186 33

HSL 120.39, 0.71%, 0.43%

LAB 66.16, -64.75, 60.31

 

CMYK 83 / 0 / 60 / 27

HEX #20BA4B

RGB 32 186 75

HSL 136.75, 0.71%, 0.43%

LAB 66.47, -60.95, 44.81

 

CMYK 83 / 0 / 38 / 27

HEX #20BA74

RGB 32 186 116

HSL 152.73, 0.71%, 0.43%

LAB 67.04, -54.2, 24.96

 

CMYK 83 / 0 / 15 / 27

HEX #20BA9E

RGB 32 186 158

HSL 169.09, 0.71%, 0.43%

LAB 67.94, -44.36, 3.45

 

CMYK 83 / 7 / 0 / 27

HEX #20ADBA

RGB 32 173 186

HSL 185.06, 0.71%, 0.43%

LAB 64.76, -30.3, -16.78

 

CMYK 83 / 0 / 82 / 27

HEX #20BA21

RGB 32 186 33

HSL 120.39, 0.71%, 0.43%

LAB 66.16, -64.75, 60.31

 

CMYK 93 / 0 / 92 / 20

HEX #0FCC10

RGB 15 204 16

HSL 120.32, 0.86%, 0.43%

LAB 71.77, -71.89, 68.63

 

CMYK 83 / 0 / 82 / 27

HEX #20BA21

RGB 32 186 33

HSL 120.39, 0.71%, 0.43%

LAB 66.16, -64.75, 60.31

 

CMYK 70 / 0 / 70 / 34

HEX #32A833

RGB 50 168 51

HSL 120.51, 0.54%, 0.43%

LAB 60.71, -55.07, 48.93

 

CMYK 55 / 0 / 55 / 41

HEX #449644

RGB 68 150 68

HSL 120, 0.38%, 0.43%

LAB 55.54, -42.23, 35.45

 

CMYK 35 / 0 / 35 / 48

HEX #568556

RGB 86 133 86

HSL 120, 0.21%, 0.43%

LAB 51.18, -26.11, 20.42

 

CMYK 10 / 0 / 10 / 55

HEX #677367

RGB 103 115 103

HSL 120, 0.06%, 0.43%

LAB 47.14, -7, 5.11

 

CMYK 39 / 0 / 83 / 27

HEX #72BA20

RGB 114 186 32

HSL 88.05, 0.71%, 0.43%

LAB 68.61, -45.35, 63.7

 

CMYK 61 / 0 / 83 / 27

HEX #49BA20

RGB 73 186 32

HSL 104.03, 0.71%, 0.43%

LAB 67, -57.6, 61.66

 

CMYK 83 / 0 / 83 / 27

HEX #20BA20

RGB 32 186 32

HSL 120, 0.71%, 0.43%

LAB 66.16, -64.81, 60.58

 

CMYK 83 / 0 / 61 / 27

HEX #20BA49

RGB 32 186 73

HSL 135.97, 0.71%, 0.43%

LAB 66.45, -61.21, 45.7

 

CMYK 83 / 0 / 39 / 27

HEX #20BA72

RGB 32 186 114

HSL 151.95, 0.71%, 0.43%

LAB 67.01, -54.6, 25.98

 

CMYK 83 / 0 / 82 / 55

HEX #147415

RGB 20 116 21

HSL 120.63, 0.71%, 0.27%

LAB 42.3, -45.06, 41.42

 

CMYK 83 / 0 / 82 / 41

HEX #1A971B

RGB 26 151 27

HSL 120.48, 0.71%, 0.35%

LAB 54.48, -55.15, 51.11

 

CMYK 83 / 0 / 82 / 27

HEX #20BA21

RGB 32 186 33

HSL 120.39, 0.71%, 0.43%

LAB 66.16, -64.75, 60.31

 

CMYK 81 / 0 / 80 / 15

HEX #2AD92C

RGB 42 217 44

HSL 120.69, 0.7%, 0.51%

LAB 76.25, -72.14, 66.74

 

CMYK 65 / 0 / 65 / 13

HEX #4EDF4F

RGB 78 223 79

HSL 120.41, 0.69%, 0.59%

LAB 79.02, -65.61, 57.47

 

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

CMYK 83 / 17 / 0 / 27

HEX #209BBA

RGB 32 155 186

HSL 192.08, 0.71%, 0.43%

LAB 59.25, -21.21, -25.19

 

CMYK 0 / 83 / 49 / 27

HEX #BA205E

RGB 186 32 94

HSL 335.84, 0.71%, 0.43%

LAB 41.66, 62.08, 4.17

 

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

CMYK 83 / 83 / 0 / 27

HEX #2020BA

RGB 32 32 186

HSL 240, 0.71%, 0.43%

LAB 26.41, 53.06, -77.9

 

CMYK 0 / 83 / 83 / 27

HEX #BA2020

RGB 186 32 32

HSL 0, 0.71%, 0.43%

LAB 40.53, 58.72, 40.68

 

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

CMYK 83 / 17 / 0 / 27

HEX #209BBA

RGB 32 155 186

HSL 192.08, 0.71%, 0.43%

LAB 59.25, -21.21, -25.19

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 66 / 83 / 27

HEX #BA3F20

RGB 186 63 32

HSL 12.08, 0.71%, 0.43%

LAB 44.37, 48.1, 44.28

 

CMYK 82 / 0 / 82 / 28

HEX #21B822

RGB 33 184 34

HSL 120.4, 0.7%, 0.43%

LAB 65.53, -63.99, 59.46

 

CMYK 83 / 41 / 0 / 27

HEX #206DBA

RGB 32 109 186

HSL 210, 0.71%, 0.43%

LAB 45.34, 5.35, -47

 

CMYK 0 / 83 / 0 / 27

HEX #BA20BA

RGB 186 32 186

HSL 300, 0.71%, 0.43%

LAB 45.66, 73.26, -45.69

 

CMYK 0 / 41 / 83 / 27

HEX #BA6D20

RGB 186 109 32

HSL 30, 0.71%, 0.43%

LAB 53.47, 25.04, 52.51

 

Description

Color code: HEX #21B822 | qconv.com Color code: HEX #21B822 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 184 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 184 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 82 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 82% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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