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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21A2BE it is the complementary color #DE5D41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21A2BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21A2BE shade: #26A2B9, #37B4CC, #48C6DF, #59D8F2 and #6AEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21A2BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21A2BE shade: #21A2BE, #1090AB, #007E98, #006C85 and #005A72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21A2BE shade: #21A2BE, #2178BE, #214EBE, #2123BE and #4A21BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21A2BE shade: #21A2BE, #2178BE, #214EBE, #2123BE and #2121BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21A2BE shade matches the following richer shades: #21A2BE and #0FAED0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21A2BE shade: #21A2BE, #3397AC, #458B9A, #587F88 and #6A7476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21A2BE shade: #21BE85, #21BEAF, #21A4BE, #217ABE and #2150BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21A2BE shade: #156678, #1B849B, #21A2BE, #2FBBDA and #52C7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21A2BE shade: #21A2BE, #5B21BE and #BE9A21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21A2BE shade: #21A2BE, #BE21A4 and #A4BE21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21A2BE shade: #21A2BE, #5B21BE, #BE3B21 and #85BE21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21A2BE shade: #21A2BE, #8A21BE, #BE3B21 and #56BE21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

Complementary color

CMYK 0 / 58 / 71 / 13

HEX #DE5D41

RGB 222 93 65

HSL 10.7, 0.7%, 0.56%

LAB 55.83, 48.76, 40.99

 

CMYK 79 / 12 / 0 / 27

HEX #26A2B9

RGB 38 162 185

HSL 189.39, 0.66%, 0.44%

LAB 61.44, -24.61, -21.25

 

CMYK 73 / 12 / 0 / 20

HEX #37B4CC

RGB 55 180 204

HSL 189.66, 0.59%, 0.51%

LAB 67.88, -25.75, -21.95

 

CMYK 68 / 11 / 0 / 13

HEX #48C6DF

RGB 72 198 223

HSL 189.93, 0.7%, 0.58%

LAB 74.25, -26.62, -22.58

 

CMYK 63 / 11 / 0 / 5

HEX #59D8F2

RGB 89 216 242

HSL 190.2, 0.85%, 0.65%

LAB 80.54, -27.29, -23.16

 

CMYK 58 / 8 / 0 / 0

HEX #6AEAFF

RGB 106 234 255

HSL 188.46, 1%, 0.71%

LAB 86.57, -29.49, -20.84

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 91 / 16 / 0 / 33

HEX #1090AB

RGB 16 144 171

HSL 190.45, 0.83%, 0.37%

LAB 55.07, -21.68, -23.1

 

CMYK 100 / 17 / 0 / 40

HEX #007E98

RGB 0 126 152

HSL 190.26, 1%, 0.3%

LAB 48.5, -19.54, -22.23

 

CMYK 100 / 19 / 0 / 48

HEX #006C85

RGB 0 108 133

HSL 191.28, 1%, 0.26%

LAB 41.87, -16.63, -21.17

 

CMYK 100 / 21 / 0 / 55

HEX #005A72

RGB 0 90 114

HSL 192.63, 1%, 0.22%

LAB 35.06, -13.6, -20.11

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 83 / 37 / 0 / 25

HEX #2178BE

RGB 33 120 190

HSL 206.75, 0.7%, 0.44%

LAB 48.85, 0.17, -43.72

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

CMYK 83 / 82 / 0 / 25

HEX #2123BE

RGB 33 35 190

HSL 239.24, 0.7%, 0.44%

LAB 27.42, 52.94, -78.59

 

CMYK 61 / 83 / 0 / 25

HEX #4A21BE

RGB 74 33 190

HSL 255.67, 0.7%, 0.44%

LAB 30.06, 56.82, -74.11

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 83 / 37 / 0 / 25

HEX #2178BE

RGB 33 120 190

HSL 206.75, 0.7%, 0.44%

LAB 48.85, 0.17, -43.72

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

CMYK 83 / 82 / 0 / 25

HEX #2123BE

RGB 33 35 190

HSL 239.24, 0.7%, 0.44%

LAB 27.42, 52.94, -78.59

 

CMYK 83 / 83 / 0 / 25

HEX #2121BE

RGB 33 33 190

HSL 240, 0.7%, 0.44%

LAB 27.1, 53.88, -79.12

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 93 / 16 / 0 / 18

HEX #0FAED0

RGB 15 174 208

HSL 190.57, 0.87%, 0.44%

LAB 65.69, -24.59, -27.56

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 70 / 12 / 0 / 33

HEX #3397AC

RGB 51 151 172

HSL 190.41, 0.54%, 0.44%

LAB 57.86, -21.58, -19.35

 

CMYK 55 / 10 / 0 / 40

HEX #458B9A

RGB 69 139 154

HSL 190.59, 0.38%, 0.44%

LAB 54.09, -17.58, -14.71

 

CMYK 35 / 7 / 0 / 47

HEX #587F88

RGB 88 127 136

HSL 191.25, 0.21%, 0.44%

LAB 50.72, -11.19, -9.23

 

CMYK 10 / 2 / 0 / 54

HEX #6A7476

RGB 106 116 118

HSL 190, 0.05%, 0.44%

LAB 48.09, -3.31, -2.39

 

CMYK 83 / 0 / 30 / 25

HEX #21BE85

RGB 33 190 133

HSL 158.22, 0.7%, 0.44%

LAB 68.64, -52.01, 18.05

 

CMYK 83 / 0 / 8 / 25

HEX #21BEAF

RGB 33 190 175

HSL 174.27, 0.7%, 0.44%

LAB 69.64, -41.37, -3.4

 

CMYK 83 / 14 / 0 / 25

HEX #21A4BE

RGB 33 164 190

HSL 189.94, 0.7%, 0.44%

LAB 62.16, -24.44, -22.96

 

CMYK 83 / 36 / 0 / 25

HEX #217ABE

RGB 33 122 190

HSL 205.99, 0.7%, 0.44%

LAB 49.45, -1.05, -42.78

 

CMYK 83 / 58 / 0 / 25

HEX #2150BE

RGB 33 80 190

HSL 222.04, 0.7%, 0.44%

LAB 37.44, 25.87, -62.09

 

CMYK 83 / 15 / 0 / 53

HEX #156678

RGB 21 102 120

HSL 190.91, 0.7%, 0.28%

LAB 39.61, -16.54, -16.76

 

CMYK 83 / 15 / 0 / 39

HEX #1B849B

RGB 27 132 155

HSL 190.78, 0.7%, 0.36%

LAB 50.81, -20.06, -20.41

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 78 / 14 / 0 / 15

HEX #2FBBDA

RGB 47 187 218

HSL 190.88, 0.7%, 0.52%

LAB 70.32, -25.7, -25.91

 

CMYK 63 / 11 / 0 / 12

HEX #52C7E0

RGB 82 199 224

HSL 190.56, 0.7%, 0.6%

LAB 74.84, -25.29, -22.2

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 0 / 19 / 83 / 25

HEX #BE9A21

RGB 190 154 33

HSL 46.24, 0.7%, 0.44%

LAB 65.1, 2.1, 62.5

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 0 / 83 / 14 / 25

HEX #BE21A4

RGB 190 33 164

HSL 309.94, 0.7%, 0.44%

LAB 45.24, 70.61, -33.3

 

CMYK 14 / 0 / 83 / 25

HEX #A4BE21

RGB 164 190 33

HSL 69.94, 0.7%, 0.44%

LAB 72.78, -27.74, 68.27

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 52 / 83 / 0 / 25

HEX #5B21BE

RGB 91 33 190

HSL 262.17, 0.7%, 0.44%

LAB 31.87, 58.66, -71.06

 

CMYK 0 / 69 / 83 / 25

HEX #BE3B21

RGB 190 59 33

HSL 9.94, 0.7%, 0.44%

LAB 44.5, 51.15, 44.16

 

CMYK 30 / 0 / 83 / 25

HEX #85BE21

RGB 133 190 33

HSL 81.78, 0.7%, 0.44%

LAB 70.82, -40.1, 65.79

 

CMYK 83 / 15 / 0 / 25

HEX #21A2BE

RGB 33 162 190

HSL 190.7, 0.7%, 0.44%

LAB 61.55, -23.41, -23.89

 

CMYK 27 / 83 / 0 / 25

HEX #8A21BE

RGB 138 33 190

HSL 280.13, 0.7%, 0.44%

LAB 38.21, 65.29, -60.43

 

CMYK 0 / 69 / 83 / 25

HEX #BE3B21

RGB 190 59 33

HSL 9.94, 0.7%, 0.44%

LAB 44.5, 51.15, 44.16

 

CMYK 55 / 0 / 83 / 25

HEX #56BE21

RGB 86 190 33

HSL 99.75, 0.7%, 0.44%

LAB 68.69, -55.62, 63.09

 

Description

Color code: HEX #21A2BE | qconv.com Color code: HEX #21A2BE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 162 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 162 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 15 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 15% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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