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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21A91D it is the complementary color #DE56E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21A91D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21A91D shade: #26A918, #37BB2B, #48CD3E, #59DF51 and #6AF164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21A91D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21A91D shade: #21A91D, #10970A, #008500, #007300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21A91D shade: #20AA1C, #46AA1C, #6DAA1C, #93AA1C and #AA9A1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21A91D shade: #20AA1C, #1CAA3E, #1CAA64, #1CAA8B and #1CA2AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21A91D shade matches the following richer shades: #20AA1C and #11BA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21A91D shade: #20AA1C, #30992C, #3F893D, #4E794D and #5D695D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21A91D shade: #6CAA1C, #47AA1C, #21AA1C, #1CAA3D and #1CAA63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21A91D shade: #136310, #1A8616, #20AA1C, #27CD22 and #40DD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21A91D shade: #21A91D, #1C92AA and #AA1C5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21A91D shade: #21A91D, #1C21AA and #AA1C21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21A91D shade: #21A91D, #1C92AA, #A51CAA and #AA341C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21A91D shade: #21A91D, #1C68AA, #A51CAA and #AA5E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

Complementary color

CMYK 2 / 62 / 0 / 11

HEX #DE56E2

RGB 222 86 226

HSL 298.29, 0.71%, 0.61%

LAB 59.6, 70.05, -46.14

 

CMYK 78 / 0 / 86 / 34

HEX #26A918

RGB 38 169 24

HSL 114.21, 0.75%, 0.38%

LAB 60.65, -59.29, 57.63

 

CMYK 71 / 0 / 77 / 27

HEX #37BB2B

RGB 55 187 43

HSL 115, 0.63%, 0.45%

LAB 66.92, -61.11, 58.19

 

CMYK 65 / 0 / 70 / 20

HEX #48CD3E

RGB 72 205 62

HSL 115.8, 0.59%, 0.52%

LAB 73.15, -62.31, 57.86

 

CMYK 60 / 0 / 64 / 13

HEX #59DF51

RGB 89 223 81

HSL 116.62, 0.69%, 0.6%

LAB 79.32, -63.07, 57.06

 

CMYK 56 / 0 / 59 / 5

HEX #6AF164

RGB 106 241 100

HSL 117.45, 0.83%, 0.67%

LAB 85.45, -63.53, 56.02

 

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

CMYK 89 / 0 / 93 / 41

HEX #10970A

RGB 16 151 10

HSL 117.45, 0.88%, 0.32%

LAB 54.31, -56.94, 54.8

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 81 / 0 / 84 / 33

HEX #20AA1C

RGB 32 170 28

HSL 118.31, 0.72%, 0.39%

LAB 60.91, -60.21, 56.81

 

CMYK 59 / 0 / 84 / 33

HEX #46AA1C

RGB 70 170 28

HSL 102.25, 0.72%, 0.39%

LAB 61.77, -52.9, 57.92

 

CMYK 36 / 0 / 84 / 33

HEX #6DAA1C

RGB 109 170 28

HSL 85.77, 0.72%, 0.39%

LAB 63.41, -40.55, 60.01

 

CMYK 14 / 0 / 84 / 33

HEX #93AA1C

RGB 147 170 28

HSL 69.72, 0.72%, 0.39%

LAB 65.78, -25.36, 63

 

CMYK 0 / 9 / 84 / 33

HEX #AA9A1C

RGB 170 154 28

HSL 53.24, 0.72%, 0.39%

LAB 63.13, -7.03, 61.47

 

CMYK 81 / 0 / 84 / 33

HEX #20AA1C

RGB 32 170 28

HSL 118.31, 0.72%, 0.39%

LAB 60.91, -60.21, 56.81

 

CMYK 84 / 0 / 64 / 33

HEX #1CAA3E

RGB 28 170 62

HSL 134.37, 0.72%, 0.39%

LAB 61.08, -57.78, 44.53

 

CMYK 84 / 0 / 41 / 33

HEX #1CAA64

RGB 28 170 100

HSL 150.42, 0.72%, 0.39%

LAB 61.58, -51.85, 26.22

 

CMYK 84 / 0 / 18 / 33

HEX #1CAA8B

RGB 28 170 139

HSL 166.9, 0.72%, 0.39%

LAB 62.39, -42.92, 5.95

 

CMYK 84 / 5 / 0 / 33

HEX #1CA2AA

RGB 28 162 170

HSL 183.38, 0.72%, 0.39%

LAB 60.77, -30.31, -13.84

 

CMYK 81 / 0 / 84 / 33

HEX #20AA1C

RGB 32 170 28

HSL 118.31, 0.72%, 0.39%

LAB 60.91, -60.21, 56.81

 

CMYK 91 / 0 / 94 / 27

HEX #11BA0C

RGB 17 186 12

HSL 118.28, 0.88%, 0.39%

LAB 65.95, -66.88, 64.3

 

CMYK 81 / 0 / 84 / 33

HEX #20AA1C

RGB 32 170 28

HSL 118.31, 0.72%, 0.39%

LAB 60.91, -60.21, 56.81

 

CMYK 69 / 0 / 71 / 40

HEX #30992C

RGB 48 153 44

HSL 117.8, 0.55%, 0.39%

LAB 55.68, -50.91, 46.44

 

CMYK 54 / 0 / 55 / 46

HEX #3F893D

RGB 63 137 61

HSL 118.42, 0.38%, 0.39%

LAB 51.02, -39.18, 33.52

 

CMYK 36 / 0 / 36 / 53

HEX #4E794D

RGB 78 121 77

HSL 118.64, 0.22%, 0.39%

LAB 46.75, -24.48, 19.55

 

CMYK 11 / 0 / 11 / 59

HEX #5D695D

RGB 93 105 93

HSL 120, 0.06%, 0.39%

LAB 43.09, -7.12, 5.21

 

CMYK 36 / 0 / 84 / 33

HEX #6CAA1C

RGB 108 170 28

HSL 86.2, 0.72%, 0.39%

LAB 63.36, -40.91, 59.95

 

CMYK 58 / 0 / 84 / 33

HEX #47AA1C

RGB 71 170 28

HSL 101.83, 0.72%, 0.39%

LAB 61.8, -52.64, 57.96

 

CMYK 81 / 0 / 84 / 33

HEX #21AA1C

RGB 33 170 28

HSL 117.89, 0.72%, 0.39%

LAB 60.92, -60.08, 56.83

 

CMYK 84 / 0 / 64 / 33

HEX #1CAA3D

RGB 28 170 61

HSL 133.94, 0.72%, 0.39%

LAB 61.07, -57.9, 44.97

 

CMYK 84 / 0 / 42 / 33

HEX #1CAA63

RGB 28 170 99

HSL 150, 0.72%, 0.39%

LAB 61.57, -52.04, 26.73

 

CMYK 81 / 0 / 84 / 61

HEX #136310

RGB 19 99 16

HSL 117.83, 0.72%, 0.23%

LAB 36.18, -39.77, 37.25

 

CMYK 81 / 0 / 84 / 47

HEX #1A8616

RGB 26 134 22

HSL 117.86, 0.72%, 0.31%

LAB 48.67, -50.05, 47.17

 

CMYK 81 / 0 / 84 / 33

HEX #20AA1C

RGB 32 170 28

HSL 118.31, 0.72%, 0.39%

LAB 60.91, -60.21, 56.81

 

CMYK 81 / 0 / 83 / 20

HEX #27CD22

RGB 39 205 34

HSL 118.25, 0.72%, 0.47%

LAB 72.37, -69.52, 65.77

 

CMYK 71 / 0 / 73 / 13

HEX #40DD3B

RGB 64 221 59

HSL 118.15, 0.7%, 0.55%

LAB 77.95, -69.26, 63.81

 

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

CMYK 84 / 14 / 0 / 33

HEX #1C92AA

RGB 28 146 170

HSL 190.14, 0.72%, 0.39%

LAB 55.79, -22.25, -21.41

 

CMYK 0 / 84 / 47 / 33

HEX #AA1C5A

RGB 170 28 90

HSL 333.8, 0.72%, 0.39%

LAB 38.05, 58.56, 1.09

 

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

CMYK 84 / 81 / 0 / 33

HEX #1C21AA

RGB 28 33 170

HSL 237.89, 0.72%, 0.39%

LAB 24.44, 47.33, -71.59

 

CMYK 0 / 84 / 81 / 33

HEX #AA1C21

RGB 170 28 33

HSL 357.89, 0.72%, 0.39%

LAB 36.9, 55.15, 35.45

 

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

CMYK 84 / 14 / 0 / 33

HEX #1C92AA

RGB 28 146 170

HSL 190.14, 0.72%, 0.39%

LAB 55.79, -22.25, -21.41

 

CMYK 3 / 84 / 0 / 33

HEX #A51CAA

RGB 165 28 170

HSL 297.89, 0.72%, 0.39%

LAB 40.79, 67.65, -44.22

 

CMYK 0 / 69 / 84 / 33

HEX #AA341C

RGB 170 52 28

HSL 10.14, 0.72%, 0.39%

LAB 39.72, 47.02, 40.88

 

CMYK 80 / 0 / 83 / 34

HEX #21A91D

RGB 33 169 29

HSL 118.29, 0.71%, 0.39%

LAB 60.59, -59.72, 56.26

 

CMYK 84 / 39 / 0 / 33

HEX #1C68AA

RGB 28 104 170

HSL 207.89, 0.72%, 0.39%

LAB 42.84, 1.9, -41.65

 

CMYK 3 / 84 / 0 / 33

HEX #A51CAA

RGB 165 28 170

HSL 297.89, 0.72%, 0.39%

LAB 40.79, 67.65, -44.22

 

CMYK 0 / 45 / 84 / 33

HEX #AA5E1C

RGB 170 94 28

HSL 27.89, 0.72%, 0.39%

LAB 47.8, 26.27, 48.19

 

Description

Color code: HEX #21A91D | qconv.com Color code: HEX #21A91D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 169 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 169 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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