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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219D84 it is the complementary color #DE627B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219D84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219D84 shade: #269D7F, #37AF92, #48C1A5, #59D3B8 and #6AE5CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219D84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219D84 shade: #219D84, #108B71, #00795E, #00674B and #005538

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219D84 shade: #219B82, #219B61, #219B40, #229B21 and #439B21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219D84 shade: #219B82, #21939B, #21729B, #21519B and #21309B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219D84 shade matches the following richer shades: #219B82, #11AA8C and #02BA95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219D84 shade: #219B82, #308C79, #3F7D70, #4E6D67 and #5E5E5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219D84 shade: #219B3F, #219B60, #219B81, #21959B and #21749B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219D84 shade: #125749, #197966, #219B82, #28BD9F and #3AD5B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219D84 shade: #219D84, #21239B and #9B5021

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219D84 shade: #219D84, #81219B and #9B8121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219D84 shade: #219D84, #21239B, #9B213B and #9B9921

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219D84 shade: #219D84, #43219B, #9B213B and #789B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

Complementary color

CMYK 0 / 56 / 45 / 13

HEX #DE627B

RGB 222 98 123

HSL 347.9, 0.65%, 0.63%

LAB 57.75, 50.69, 10.34

 

CMYK 76 / 0 / 19 / 38

HEX #269D7F

RGB 38 157 127

HSL 164.87, 0.61%, 0.38%

LAB 58.09, -39.39, 6.55

 

CMYK 69 / 0 / 17 / 31

HEX #37AF92

RGB 55 175 146

HSL 165.5, 0.52%, 0.45%

LAB 64.6, -39.99, 5.3

 

CMYK 63 / 0 / 15 / 24

HEX #48C1A5

RGB 72 193 165

HSL 166.12, 0.49%, 0.52%

LAB 71.03, -40.34, 4.18

 

CMYK 58 / 0 / 13 / 17

HEX #59D3B8

RGB 89 211 184

HSL 166.72, 0.58%, 0.59%

LAB 77.38, -40.53, 3.17

 

CMYK 54 / 0 / 11 / 10

HEX #6AE5CB

RGB 106 229 203

HSL 167.32, 0.7%, 0.66%

LAB 83.66, -40.62, 2.24

 

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

CMYK 88 / 0 / 19 / 45

HEX #108B71

RGB 16 139 113

HSL 167.32, 0.79%, 0.3%

LAB 51.57, -37.49, 5.17

 

CMYK 100 / 0 / 22 / 53

HEX #00795E

RGB 0 121 94

HSL 166.61, 1%, 0.24%

LAB 44.92, -35.89, 6.75

 

CMYK 100 / 0 / 27 / 60

HEX #00674B

RGB 0 103 75

HSL 163.69, 1%, 0.2%

LAB 38.21, -33.27, 8.66

 

CMYK 100 / 0 / 34 / 67

HEX #005538

RGB 0 85 56

HSL 159.53, 1%, 0.17%

LAB 31.31, -30.54, 10.71

 

CMYK 79 / 0 / 16 / 39

HEX #219B82

RGB 33 155 130

HSL 167.7, 0.65%, 0.37%

LAB 57.44, -38.33, 3.9

 

CMYK 79 / 0 / 37 / 39

HEX #219B61

RGB 33 155 97

HSL 151.48, 0.65%, 0.37%

LAB 56.71, -46.21, 21.39

 

CMYK 79 / 0 / 59 / 39

HEX #219B40

RGB 33 155 64

HSL 135.25, 0.65%, 0.37%

LAB 56.22, -51.9, 38.02

 

CMYK 78 / 0 / 79 / 39

HEX #229B21

RGB 34 155 33

HSL 119.51, 0.65%, 0.37%

LAB 55.98, -54.94, 50.7

 

CMYK 57 / 0 / 79 / 39

HEX #439B21

RGB 67 155 33

HSL 103.28, 0.65%, 0.37%

LAB 56.83, -47.91, 51.81

 

CMYK 79 / 0 / 16 / 39

HEX #219B82

RGB 33 155 130

HSL 167.7, 0.65%, 0.37%

LAB 57.44, -38.33, 3.9

 

CMYK 79 / 5 / 0 / 39

HEX #21939B

RGB 33 147 155

HSL 183.93, 0.65%, 0.37%

LAB 55.64, -27.21, -13.04

 

CMYK 79 / 26 / 0 / 39

HEX #21729B

RGB 33 114 155

HSL 200.16, 0.65%, 0.37%

LAB 45.25, -9.35, -28.99

 

CMYK 79 / 48 / 0 / 39

HEX #21519B

RGB 33 81 155

HSL 216.39, 0.65%, 0.37%

LAB 35.15, 11.44, -45.01

 

CMYK 79 / 69 / 0 / 39

HEX #21309B

RGB 33 48 155

HSL 232.62, 0.65%, 0.37%

LAB 26.17, 33.65, -59.62

 

CMYK 79 / 0 / 16 / 39

HEX #219B82

RGB 33 155 130

HSL 167.7, 0.65%, 0.37%

LAB 57.44, -38.33, 3.9

 

CMYK 90 / 0 / 18 / 33

HEX #11AA8C

RGB 17 170 140

HSL 168.24, 0.82%, 0.37%

LAB 62.31, -43.44, 5.26

 

CMYK 99 / 0 / 20 / 27

HEX #02BA95

RGB 2 186 149

HSL 167.93, 0.98%, 0.37%

LAB 67.5, -48.31, 7.73

 

CMYK 79 / 0 / 16 / 39

HEX #219B82

RGB 33 155 130

HSL 167.7, 0.65%, 0.37%

LAB 57.44, -38.33, 3.9

 

CMYK 66 / 0 / 14 / 45

HEX #308C79

RGB 48 140 121

HSL 167.61, 0.49%, 0.37%

LAB 52.69, -31.72, 2.23

 

CMYK 50 / 0 / 10 / 51

HEX #3F7D70

RGB 63 125 112

HSL 167.42, 0.33%, 0.37%

LAB 48.13, -23.44, 0.92

 

CMYK 28 / 0 / 6 / 57

HEX #4E6D67

RGB 78 109 103

HSL 168.39, 0.17%, 0.37%

LAB 43.56, -12.63, -0.29

 

CMYK 0 / 0 / 0 / 63

HEX #5E5E5E

RGB 94 94 94

HSL 0, 0%, 0.37%

LAB 39.9, 0, -0.01

 

CMYK 79 / 0 / 59 / 39

HEX #219B3F

RGB 33 155 63

HSL 134.75, 0.65%, 0.37%

LAB 56.21, -52.03, 38.49

 

CMYK 79 / 0 / 38 / 39

HEX #219B60

RGB 33 155 96

HSL 150.98, 0.65%, 0.37%

LAB 56.69, -46.42, 21.92

 

CMYK 79 / 0 / 17 / 39

HEX #219B81

RGB 33 155 129

HSL 167.21, 0.65%, 0.37%

LAB 57.42, -38.59, 4.43

 

CMYK 79 / 4 / 0 / 39

HEX #21959B

RGB 33 149 155

HSL 182.95, 0.65%, 0.37%

LAB 56.27, -28.21, -12.09

 

CMYK 79 / 25 / 0 / 39

HEX #21749B

RGB 33 116 155

HSL 199.18, 0.65%, 0.37%

LAB 45.88, -10.51, -28.01

 

CMYK 79 / 0 / 16 / 66

HEX #125749

RGB 18 87 73

HSL 167.83, 0.66%, 0.21%

LAB 32.76, -24.58, 2.15

 

CMYK 79 / 0 / 16 / 53

HEX #197966

RGB 25 121 102

HSL 168.13, 0.66%, 0.29%

LAB 45.42, -31.57, 2.76

 

CMYK 79 / 0 / 16 / 39

HEX #219B82

RGB 33 155 130

HSL 167.7, 0.65%, 0.37%

LAB 57.44, -38.33, 3.9

 

CMYK 79 / 0 / 16 / 26

HEX #28BD9F

RGB 40 189 159

HSL 167.92, 0.65%, 0.45%

LAB 69, -44.63, 4.45

 

CMYK 73 / 0 / 15 / 16

HEX #3AD5B5

RGB 58 213 181

HSL 167.61, 0.65%, 0.53%

LAB 77.18, -47.1, 4.38

 

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

CMYK 79 / 77 / 0 / 39

HEX #21239B

RGB 33 35 155

HSL 239.02, 0.65%, 0.37%

LAB 23.31, 41.57, -64.34

 

CMYK 0 / 48 / 79 / 39

HEX #9B5021

RGB 155 80 33

HSL 23.11, 0.65%, 0.37%

LAB 42.48, 27.74, 40.2

 

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

CMYK 17 / 79 / 0 / 39

HEX #81219B

RGB 129 33 155

HSL 287.21, 0.65%, 0.37%

LAB 34.23, 56.72, -46.03

 

CMYK 0 / 17 / 79 / 39

HEX #9B8121

RGB 155 129 33

HSL 47.21, 0.65%, 0.37%

LAB 54.84, -0.04, 52.01

 

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

CMYK 79 / 77 / 0 / 39

HEX #21239B

RGB 33 35 155

HSL 239.02, 0.65%, 0.37%

LAB 23.31, 41.57, -64.34

 

CMYK 0 / 79 / 62 / 39

HEX #9B213B

RGB 155 33 59

HSL 347.21, 0.65%, 0.37%

LAB 34.75, 50.57, 16.01

 

CMYK 0 / 1 / 79 / 39

HEX #9B9921

RGB 155 153 33

HSL 59.02, 0.65%, 0.37%

LAB 61.53, -13.06, 58.1

 

CMYK 79 / 0 / 16 / 38

HEX #219D84

RGB 33 157 132

HSL 167.9, 0.65%, 0.37%

LAB 58.13, -38.67, 3.77

 

CMYK 57 / 79 / 0 / 39

HEX #43219B

RGB 67 33 155

HSL 256.72, 0.65%, 0.37%

LAB 25.71, 46.21, -60.29

 

CMYK 0 / 79 / 62 / 39

HEX #9B213B

RGB 155 33 59

HSL 347.21, 0.65%, 0.37%

LAB 34.75, 50.57, 16.01

 

CMYK 23 / 0 / 79 / 39

HEX #789B21

RGB 120 155 33

HSL 77.21, 0.65%, 0.37%

LAB 59.48, -29.22, 55.25

 

Description

Color code: HEX #219D84 | qconv.com Color code: HEX #219D84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 157 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 157 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 16 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 16% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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