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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219135 it is the complementary color #DE6ECA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219135 shade: #269130, #37A343, #48B556, #59C769 and #6AD97C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219135 shade: #219135, #107F22, #006D0F, #005B00 and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219135 shade: #219135, #2B9121, #499121, #679121 and #869121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219135 shade: #219135, #219153, #219171, #219190 and #217491

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219135 shade matches the following richer shades: #219135, #129F2B and #04AE22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219135 shade: #219135, #2F833E, #3D7447, #4C6650 and #5A575A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219135 shade: #4A9121, #2C9121, #219133, #219151 and #21916F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219135 shade: #114E1C, #196F28, #219135, #28B341 and #34D050

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219135 shade: #219135, #216891 and #91213B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219135 shade: #219135, #332191 and #913321

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219135 shade: #219135, #216891, #91217E and #914A21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219135 shade: #219135, #214691, #91217E and #916B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

Complementary color

CMYK 0 / 50 / 9 / 13

HEX #DE6ECA

RGB 222 110 202

HSL 310.71, 0.63%, 0.65%

LAB 62.46, 55.39, -28.15

 

CMYK 74 / 0 / 67 / 43

HEX #269130

RGB 38 145 48

HSL 125.61, 0.58%, 0.36%

LAB 52.81, -49.61, 41.61

 

CMYK 66 / 0 / 59 / 36

HEX #37A343

RGB 55 163 67

HSL 126.67, 0.5%, 0.43%

LAB 59.35, -50.54, 40.37

 

CMYK 60 / 0 / 52 / 29

HEX #48B556

RGB 72 181 86

HSL 127.71, 0.43%, 0.5%

LAB 65.82, -51.02, 38.99

 

CMYK 55 / 0 / 47 / 22

HEX #59C769

RGB 89 199 105

HSL 128.73, 0.5%, 0.56%

LAB 72.22, -51.21, 37.61

 

CMYK 51 / 0 / 43 / 15

HEX #6AD97C

RGB 106 217 124

HSL 129.73, 0.59%, 0.63%

LAB 78.55, -51.22, 36.27

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 87 / 0 / 73 / 50

HEX #107F22

RGB 16 127 34

HSL 129.73, 0.78%, 0.28%

LAB 46.18, -48.07, 40.39

 

CMYK 100 / 0 / 86 / 57

HEX #006D0F

RGB 0 109 15

HSL 128.26, 1%, 0.21%

LAB 39.53, -45.33, 40.65

 

CMYK 100 / 0 / 100 / 64

HEX #005B00

RGB 0 91 0

HSL 120, 1%, 0.18%

LAB 32.88, -40.61, 39.19

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 70 / 0 / 77 / 43

HEX #2B9121

RGB 43 145 33

HSL 114.64, 0.63%, 0.35%

LAB 52.81, -50.05, 47.66

 

CMYK 50 / 0 / 77 / 43

HEX #499121

RGB 73 145 33

HSL 98.57, 0.63%, 0.35%

LAB 53.79, -42.23, 48.95

 

CMYK 29 / 0 / 77 / 43

HEX #679121

RGB 103 145 33

HSL 82.5, 0.63%, 0.35%

LAB 55.32, -31.39, 50.96

 

CMYK 8 / 0 / 77 / 43

HEX #869121

RGB 134 145 33

HSL 65.89, 0.63%, 0.35%

LAB 57.49, -18.23, 53.77

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 77 / 0 / 43 / 43

HEX #219153

RGB 33 145 83

HSL 146.79, 0.63%, 0.35%

LAB 53.17, -45.13, 24.37

 

CMYK 77 / 0 / 22 / 43

HEX #219171

RGB 33 145 113

HSL 162.86, 0.63%, 0.35%

LAB 53.78, -38.4, 8.35

 

CMYK 77 / 0 / 1 / 43

HEX #219190

RGB 33 145 144

HSL 179.46, 0.63%, 0.35%

LAB 54.65, -29.66, -8.21

 

CMYK 77 / 20 / 0 / 43

HEX #217491

RGB 33 116 145

HSL 195.54, 0.63%, 0.35%

LAB 45.44, -14.11, -22.79

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 89 / 0 / 73 / 38

HEX #129F2B

RGB 18 159 43

HSL 130.64, 0.8%, 0.35%

LAB 57.17, -57.23, 48.23

 

CMYK 98 / 0 / 80 / 32

HEX #04AE22

RGB 4 174 34

HSL 130.59, 0.96%, 0.35%

LAB 62.01, -63.22, 56.06

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 64 / 0 / 53 / 49

HEX #2F833E

RGB 47 131 62

HSL 130.71, 0.47%, 0.35%

LAB 48.49, -40.7, 29.8

 

CMYK 47 / 0 / 39 / 55

HEX #3D7447

RGB 61 116 71

HSL 130.91, 0.31%, 0.35%

LAB 44.14, -28.78, 19.37

 

CMYK 25 / 0 / 22 / 60

HEX #4C6650

RGB 76 102 80

HSL 129.23, 0.15%, 0.35%

LAB 40.6, -14.57, 9.36

 

CMYK 0 / 3 / 0 / 65

HEX #5A575A

RGB 90 87 90

HSL 300, 0.02%, 0.35%

LAB 37.35, 1.84, -1.31

 

CMYK 49 / 0 / 77 / 43

HEX #4A9121

RGB 74 145 33

HSL 98.04, 0.63%, 0.35%

LAB 53.83, -41.91, 49.01

 

CMYK 70 / 0 / 77 / 43

HEX #2C9121

RGB 44 145 33

HSL 114.11, 0.63%, 0.35%

LAB 52.84, -49.85, 47.69

 

CMYK 77 / 0 / 65 / 43

HEX #219133

RGB 33 145 51

HSL 129.64, 0.63%, 0.35%

LAB 52.74, -50.09, 40.16

 

CMYK 77 / 0 / 44 / 43

HEX #219151

RGB 33 145 81

HSL 145.71, 0.63%, 0.35%

LAB 53.13, -45.51, 25.41

 

CMYK 77 / 0 / 23 / 43

HEX #21916F

RGB 33 145 111

HSL 161.79, 0.63%, 0.35%

LAB 53.73, -38.9, 9.42

 

CMYK 78 / 0 / 64 / 69

HEX #114E1C

RGB 17 78 28

HSL 130.82, 0.64%, 0.19%

LAB 28.52, -31.02, 23.78

 

CMYK 77 / 0 / 64 / 56

HEX #196F28

RGB 25 111 40

HSL 130.47, 0.63%, 0.27%

LAB 40.78, -40.61, 31.8

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 78 / 0 / 64 / 30

HEX #28B341

RGB 40 179 65

HSL 130.79, 0.63%, 0.43%

LAB 64.22, -58.91, 46.77

 

CMYK 75 / 0 / 62 / 18

HEX #34D050

RGB 52 208 80

HSL 130.77, 0.62%, 0.51%

LAB 73.82, -65, 51.09

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 77 / 28 / 0 / 43

HEX #216891

RGB 33 104 145

HSL 201.96, 0.63%, 0.35%

LAB 41.64, -7.11, -28.7

 

CMYK 0 / 77 / 59 / 43

HEX #91213B

RGB 145 33 59

HSL 346.07, 0.63%, 0.35%

LAB 32.75, 47.55, 12.99

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 65 / 77 / 0 / 43

HEX #332191

RGB 51 33 145

HSL 249.64, 0.63%, 0.35%

LAB 23.12, 41.16, -58.45

 

CMYK 0 / 65 / 77 / 43

HEX #913321

RGB 145 51 33

HSL 9.64, 0.63%, 0.35%

LAB 35, 38.69, 31.95

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 77 / 28 / 0 / 43

HEX #216891

RGB 33 104 145

HSL 201.96, 0.63%, 0.35%

LAB 41.64, -7.11, -28.7

 

CMYK 0 / 77 / 13 / 43

HEX #91217E

RGB 145 33 126

HSL 310.18, 0.63%, 0.35%

LAB 35.23, 55.18, -26.41

 

CMYK 0 / 49 / 77 / 43

HEX #914A21

RGB 145 74 33

HSL 21.96, 0.63%, 0.35%

LAB 39.63, 26.78, 36.82

 

CMYK 77 / 0 / 63 / 43

HEX #219135

RGB 33 145 53

HSL 130.71, 0.63%, 0.35%

LAB 52.76, -49.85, 39.25

 

CMYK 77 / 52 / 0 / 43

HEX #214691

RGB 33 70 145

HSL 220.18, 0.63%, 0.35%

LAB 31.23, 14.9, -45.26

 

CMYK 0 / 77 / 13 / 43

HEX #91217E

RGB 145 33 126

HSL 310.18, 0.63%, 0.35%

LAB 35.23, 55.18, -26.41

 

CMYK 0 / 26 / 77 / 43

HEX #916B21

RGB 145 107 33

HSL 39.64, 0.63%, 0.35%

LAB 47.81, 7.82, 44.98

 

Description

Color code: HEX #219135 | qconv.com Color code: HEX #219135 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 145 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 145 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 63 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 63% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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