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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219858 it is the complementary color #DE67A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219858. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219858 shade: #269853, #37AA66, #48BC79, #59CE8C and #6AE09F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219858. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219858 shade: #219858, #108645, #007432, #00621F and #00500C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219858 shade: #219657, #219637, #2A9621, #499621 and #699621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219858 shade: #219657, #219677, #219696, #217696 and #215796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219858 shade matches the following richer shades: #219657, #12A556 and #03B455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219858 shade: #219657, #2F8758, #3E7859, #4D695A and #5C5B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219858 shade: #2A9621, #219636, #219655, #219675 and #219694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219858 shade: #125230, #197443, #219657, #28B86A and #37D37F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219858 shade: #219858, #214A96 and #962621

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219858 shade: #219858, #552196 and #965521

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219858 shade: #219858, #214A96, #962161 and #966D21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219858 shade: #219858, #212696, #962161 and #969021

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

Complementary color

CMYK 0 / 54 / 25 / 13

HEX #DE67A7

RGB 222 103 167

HSL 327.73, 0.64%, 0.64%

LAB 59.91, 53.5, -12.07

 

CMYK 75 / 0 / 45 / 40

HEX #269853

RGB 38 152 83

HSL 143.68, 0.6%, 0.37%

LAB 55.58, -47.07, 27.51

 

CMYK 68 / 0 / 40 / 33

HEX #37AA66

RGB 55 170 102

HSL 144.52, 0.51%, 0.44%

LAB 62.1, -47.67, 25.93

 

CMYK 62 / 0 / 36 / 26

HEX #48BC79

RGB 72 188 121

HSL 145.34, 0.46%, 0.51%

LAB 68.55, -47.95, 24.48

 

CMYK 57 / 0 / 32 / 19

HEX #59CE8C

RGB 89 206 140

HSL 146.15, 0.54%, 0.58%

LAB 74.93, -48.03, 23.14

 

CMYK 53 / 0 / 29 / 12

HEX #6AE09F

RGB 106 224 159

HSL 146.95, 0.66%, 0.65%

LAB 81.22, -47.98, 21.91

 

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

CMYK 88 / 0 / 49 / 47

HEX #108645

RGB 16 134 69

HSL 146.95, 0.79%, 0.29%

LAB 49, -45.59, 26.56

 

CMYK 100 / 0 / 57 / 55

HEX #007432

RGB 0 116 50

HSL 145.86, 1%, 0.23%

LAB 42.34, -43.68, 28.43

 

CMYK 100 / 0 / 68 / 62

HEX #00621F

RGB 0 98 31

HSL 138.98, 1%, 0.19%

LAB 35.66, -40.28, 30.34

 

CMYK 100 / 0 / 85 / 69

HEX #00500C

RGB 0 80 12

HSL 129, 1%, 0.16%

LAB 28.81, -36.28, 31.48

 

CMYK 78 / 0 / 42 / 41

HEX #219657

RGB 33 150 87

HSL 147.69, 0.64%, 0.36%

LAB 54.89, -46.28, 24.45

 

CMYK 78 / 0 / 63 / 41

HEX #219637

RGB 33 150 55

HSL 131.28, 0.64%, 0.36%

LAB 54.46, -51.33, 40.25

 

CMYK 72 / 0 / 78 / 41

HEX #2A9621

RGB 42 150 33

HSL 115.38, 0.64%, 0.36%

LAB 54.46, -51.95, 49.28

 

CMYK 51 / 0 / 78 / 41

HEX #499621

RGB 73 150 33

HSL 99.49, 0.64%, 0.36%

LAB 55.42, -44.24, 50.53

 

CMYK 30 / 0 / 78 / 41

HEX #699621

RGB 105 150 33

HSL 83.08, 0.64%, 0.36%

LAB 57, -32.92, 52.6

 

CMYK 78 / 0 / 42 / 41

HEX #219657

RGB 33 150 87

HSL 147.69, 0.64%, 0.36%

LAB 54.89, -46.28, 24.45

 

CMYK 78 / 0 / 21 / 41

HEX #219677

RGB 33 150 119

HSL 164.1, 0.64%, 0.36%

LAB 55.55, -39.03, 7.45

 

CMYK 78 / 0 / 0 / 41

HEX #219696

RGB 33 150 150

HSL 180, 0.64%, 0.36%

LAB 56.42, -30.25, -9

 

CMYK 78 / 21 / 0 / 41

HEX #217696

RGB 33 118 150

HSL 196.41, 0.64%, 0.36%

LAB 46.29, -13.46, -24.43

 

CMYK 78 / 42 / 0 / 41

HEX #215796

RGB 33 87 150

HSL 212.31, 0.64%, 0.36%

LAB 36.63, 5.5, -39.62

 

CMYK 78 / 0 / 42 / 41

HEX #219657

RGB 33 150 87

HSL 147.69, 0.64%, 0.36%

LAB 54.89, -46.28, 24.45

 

CMYK 89 / 0 / 48 / 35

HEX #12A556

RGB 18 165 86

HSL 147.76, 0.8%, 0.36%

LAB 59.63, -53.49, 31.05

 

CMYK 98 / 0 / 53 / 29

HEX #03B455

RGB 3 180 85

HSL 147.8, 0.97%, 0.36%

LAB 64.42, -59.5, 37.52

 

CMYK 78 / 0 / 42 / 41

HEX #219657

RGB 33 150 87

HSL 147.69, 0.64%, 0.36%

LAB 54.89, -46.28, 24.45

 

CMYK 65 / 0 / 35 / 47

HEX #2F8758

RGB 47 135 88

HSL 147.95, 0.48%, 0.36%

LAB 50.26, -37.6, 17.77

 

CMYK 48 / 0 / 26 / 53

HEX #3E7859

RGB 62 120 89

HSL 147.93, 0.32%, 0.36%

LAB 45.88, -26.75, 11.26

 

CMYK 27 / 0 / 14 / 59

HEX #4D695A

RGB 77 105 90

HSL 147.86, 0.15%, 0.36%

LAB 41.87, -13.75, 5.12

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 72 / 0 / 78 / 41

HEX #2A9621

RGB 42 150 33

HSL 115.38, 0.64%, 0.36%

LAB 54.46, -51.95, 49.28

 

CMYK 78 / 0 / 64 / 41

HEX #219636

RGB 33 150 54

HSL 130.77, 0.64%, 0.36%

LAB 54.45, -51.46, 40.7

 

CMYK 78 / 0 / 43 / 41

HEX #219655

RGB 33 150 85

HSL 146.67, 0.64%, 0.36%

LAB 54.86, -46.66, 25.49

 

CMYK 78 / 0 / 22 / 41

HEX #219675

RGB 33 150 117

HSL 163.08, 0.64%, 0.36%

LAB 55.5, -39.54, 8.52

 

CMYK 78 / 0 / 1 / 41

HEX #219694

RGB 33 150 148

HSL 178.97, 0.64%, 0.36%

LAB 56.36, -30.86, -7.95

 

CMYK 78 / 0 / 41 / 68

HEX #125230

RGB 18 82 48

HSL 148.13, 0.64%, 0.2%

LAB 30.34, -28.78, 14.39

 

CMYK 78 / 0 / 42 / 55

HEX #197443

RGB 25 116 67

HSL 147.69, 0.65%, 0.28%

LAB 42.92, -37.99, 19.83

 

CMYK 78 / 0 / 42 / 41

HEX #219657

RGB 33 150 87

HSL 147.69, 0.64%, 0.36%

LAB 54.89, -46.28, 24.45

 

CMYK 78 / 0 / 42 / 28

HEX #28B86A

RGB 40 184 106

HSL 147.5, 0.64%, 0.44%

LAB 66.35, -54.52, 29.33

 

CMYK 74 / 0 / 40 / 17

HEX #37D37F

RGB 55 211 127

HSL 147.69, 0.64%, 0.52%

LAB 75.41, -58.56, 30.4

 

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

CMYK 78 / 51 / 0 / 41

HEX #214A96

RGB 33 74 150

HSL 218.97, 0.64%, 0.36%

LAB 32.75, 14.17, -45.85

 

CMYK 0 / 75 / 78 / 41

HEX #962621

RGB 150 38 33

HSL 2.56, 0.64%, 0.36%

LAB 33.94, 45.9, 31.1

 

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

CMYK 43 / 78 / 0 / 41

HEX #552196

RGB 85 33 150

HSL 266.67, 0.64%, 0.36%

LAB 27.36, 47.54, -54.44

 

CMYK 0 / 43 / 78 / 41

HEX #965521

RGB 150 85 33

HSL 26.67, 0.64%, 0.36%

LAB 42.9, 22.78, 40.37

 

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

CMYK 78 / 51 / 0 / 41

HEX #214A96

RGB 33 74 150

HSL 218.97, 0.64%, 0.36%

LAB 32.75, 14.17, -45.85

 

CMYK 0 / 78 / 35 / 41

HEX #962161

RGB 150 33 97

HSL 327.18, 0.64%, 0.36%

LAB 34.87, 52.59, -8.53

 

CMYK 0 / 27 / 78 / 41

HEX #966D21

RGB 150 109 33

HSL 38.97, 0.64%, 0.36%

LAB 48.92, 8.99, 46.25

 

CMYK 78 / 0 / 42 / 40

HEX #219858

RGB 33 152 88

HSL 147.73, 0.64%, 0.36%

LAB 55.57, -46.85, 24.79

 

CMYK 78 / 75 / 0 / 41

HEX #212696

RGB 33 38 150

HSL 237.44, 0.64%, 0.36%

LAB 23.38, 38.1, -61.16

 

CMYK 0 / 78 / 35 / 41

HEX #962161

RGB 150 33 97

HSL 327.18, 0.64%, 0.36%

LAB 34.87, 52.59, -8.53

 

CMYK 0 / 4 / 78 / 41

HEX #969021

RGB 150 144 33

HSL 56.92, 0.64%, 0.36%

LAB 58.55, -10.53, 55.24

 

Description

Color code: HEX #219858 | qconv.com Color code: HEX #219858 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 152 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 152 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 42 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 42% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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