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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #219690 it is the complementary color #DE696F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #219690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #219690 shade: #26968B, #37A89E, #48BAB1, #59CCC4 and #6ADED7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #219690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #219690 shade: #219690, #10847D, #00726A, #006057 and #004E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #219690 shade: #219690, #219670, #219651, #219631 and #309621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #219690 shade: #219690, #217C96, #215D96, #213D96 and #212196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #219690 shade matches the following richer shades: #219690, #12A59D and #03B4AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #219690 shade: #219690, #2F8783, #3E7875, #4D6968 and #5C5B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #219690 shade: #219650, #21966F, #21968E, #217F96 and #215F96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #219690 shade: #12524F, #197470, #219690, #28B8B0 and #37D3CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #219690 shade: #219690, #302196 and #965F21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #219690 shade: #219690, #8E2196 and #968E21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #219690 shade: #219690, #302196, #962128 and #869621

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #219690 shade: #219690, #532196, #962128 and #639621

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

Complementary color

CMYK 0 / 53 / 50 / 13

HEX #DE696F

RGB 222 105 111

HSL 356.92, 0.64%, 0.64%

LAB 58.77, 46.2, 18.74

 

CMYK 75 / 0 / 7 / 41

HEX #26968B

RGB 38 150 139

HSL 174.11, 0.6%, 0.37%

LAB 56.18, -32.94, -3.06

 

CMYK 67 / 0 / 6 / 34

HEX #37A89E

RGB 55 168 158

HSL 174.69, 0.51%, 0.44%

LAB 62.75, -33.61, -4.09

 

CMYK 61 / 0 / 5 / 27

HEX #48BAB1

RGB 72 186 177

HSL 175.26, 0.45%, 0.51%

LAB 69.23, -34.03, -5.01

 

CMYK 56 / 0 / 4 / 20

HEX #59CCC4

RGB 89 204 196

HSL 175.83, 0.53%, 0.57%

LAB 75.63, -34.3, -5.85

 

CMYK 52 / 0 / 3 / 13

HEX #6ADED7

RGB 106 222 215

HSL 176.38, 0.64%, 0.64%

LAB 81.95, -34.46, -6.62

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 88 / 0 / 5 / 48

HEX #10847D

RGB 16 132 125

HSL 176.38, 0.78%, 0.29%

LAB 49.61, -30.81, -4.69

 

CMYK 100 / 0 / 7 / 55

HEX #00726A

RGB 0 114 106

HSL 175.79, 1%, 0.22%

LAB 42.88, -29.14, -3.38

 

CMYK 100 / 0 / 9 / 62

HEX #006057

RGB 0 96 87

HSL 174.38, 1%, 0.19%

LAB 36.09, -26.51, -1.77

 

CMYK 100 / 0 / 13 / 69

HEX #004E44

RGB 0 78 68

HSL 172.31, 1%, 0.15%

LAB 29.07, -23.79, -0.06

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 78 / 0 / 25 / 41

HEX #219670

RGB 33 150 112

HSL 160.51, 0.64%, 0.36%

LAB 55.39, -40.79, 11.19

 

CMYK 78 / 0 / 46 / 41

HEX #219651

RGB 33 150 81

HSL 144.62, 0.64%, 0.36%

LAB 54.79, -47.4, 27.56

 

CMYK 78 / 0 / 67 / 41

HEX #219631

RGB 33 150 49

HSL 128.21, 0.64%, 0.36%

LAB 54.4, -52.02, 42.89

 

CMYK 68 / 0 / 78 / 41

HEX #309621

RGB 48 150 33

HSL 112.31, 0.64%, 0.36%

LAB 54.61, -50.75, 49.46

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 78 / 17 / 0 / 41

HEX #217C96

RGB 33 124 150

HSL 193.33, 0.64%, 0.36%

LAB 48.19, -16.82, -21.5

 

CMYK 78 / 38 / 0 / 41

HEX #215D96

RGB 33 93 150

HSL 209.23, 0.64%, 0.36%

LAB 38.47, 1.62, -36.69

 

CMYK 78 / 59 / 0 / 41

HEX #213D96

RGB 33 61 150

HSL 225.64, 0.64%, 0.36%

LAB 29.06, 23.05, -51.83

 

CMYK 78 / 78 / 0 / 41

HEX #212196

RGB 33 33 150

HSL 240, 0.64%, 0.36%

LAB 22.35, 41, -62.86

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 89 / 0 / 5 / 35

HEX #12A59D

RGB 18 165 157

HSL 176.73, 0.8%, 0.36%

LAB 61.2, -36.39, -5.89

 

CMYK 98 / 0 / 5 / 29

HEX #03B4AB

RGB 3 180 171

HSL 176.95, 0.97%, 0.36%

LAB 66.21, -39.62, -6.28

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 65 / 0 / 3 / 47

HEX #2F8783

RGB 47 135 131

HSL 177.27, 0.48%, 0.36%

LAB 51.35, -26.66, -5.55

 

CMYK 48 / 0 / 3 / 53

HEX #3E7875

RGB 62 120 117

HSL 176.9, 0.32%, 0.36%

LAB 46.63, -19.74, -4.24

 

CMYK 27 / 0 / 1 / 59

HEX #4D6968

RGB 77 105 104

HSL 177.86, 0.15%, 0.36%

LAB 42.28, -10.44, -2.78

 

CMYK 0 / 1 / 1 / 64

HEX #5C5B5B

RGB 92 91 91

HSL 0, 0.01%, 0.36%

LAB 38.75, 0.4, 0.14

 

CMYK 78 / 0 / 47 / 41

HEX #219650

RGB 33 150 80

HSL 144.1, 0.64%, 0.36%

LAB 54.78, -47.58, 28.07

 

CMYK 78 / 0 / 26 / 41

HEX #21966F

RGB 33 150 111

HSL 160, 0.64%, 0.36%

LAB 55.36, -41.03, 11.72

 

CMYK 78 / 0 / 5 / 41

HEX #21968E

RGB 33 150 142

HSL 175.9, 0.64%, 0.36%

LAB 56.18, -32.66, -4.79

 

CMYK 78 / 15 / 0 / 41

HEX #217F96

RGB 33 127 150

HSL 191.79, 0.64%, 0.36%

LAB 49.14, -18.46, -20.04

 

CMYK 78 / 37 / 0 / 41

HEX #215F96

RGB 33 95 150

HSL 208.21, 0.64%, 0.36%

LAB 39.09, 0.35, -35.71

 

CMYK 78 / 0 / 4 / 68

HEX #12524F

RGB 18 82 79

HSL 177.19, 0.64%, 0.2%

LAB 31.18, -20.12, -3.96

 

CMYK 78 / 0 / 3 / 55

HEX #197470

RGB 25 116 112

HSL 177.36, 0.65%, 0.28%

LAB 44.04, -26.18, -5.22

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 78 / 0 / 4 / 28

HEX #28B8B0

RGB 40 184 176

HSL 176.67, 0.64%, 0.44%

LAB 67.92, -37.78, -6.48

 

CMYK 74 / 0 / 4 / 17

HEX #37D3CB

RGB 55 211 203

HSL 176.92, 0.64%, 0.52%

LAB 77.11, -40.75, -7.53

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 68 / 78 / 0 / 41

HEX #302196

RGB 48 33 150

HSL 247.69, 0.64%, 0.36%

LAB 23.4, 42.4, -61.09

 

CMYK 0 / 37 / 78 / 41

HEX #965F21

RGB 150 95 33

HSL 31.79, 0.64%, 0.36%

LAB 45.33, 17.06, 42.77

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 5 / 78 / 0 / 41

HEX #8E2196

RGB 142 33 150

HSL 295.9, 0.64%, 0.36%

LAB 36.06, 58.43, -39.93

 

CMYK 0 / 5 / 78 / 41

HEX #968E21

RGB 150 142 33

HSL 55.9, 0.64%, 0.36%

LAB 57.98, -9.46, 54.72

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 68 / 78 / 0 / 41

HEX #302196

RGB 48 33 150

HSL 247.69, 0.64%, 0.36%

LAB 23.4, 42.4, -61.09

 

CMYK 0 / 78 / 73 / 41

HEX #962128

RGB 150 33 40

HSL 356.41, 0.64%, 0.36%

LAB 33.4, 47.96, 26.24

 

CMYK 11 / 0 / 78 / 41

HEX #869621

RGB 134 150 33

HSL 68.21, 0.64%, 0.36%

LAB 58.97, -20.8, 55.14

 

CMYK 78 / 0 / 4 / 41

HEX #219690

RGB 33 150 144

HSL 176.92, 0.64%, 0.36%

LAB 56.24, -32.06, -5.85

 

CMYK 45 / 78 / 0 / 41

HEX #532196

RGB 83 33 150

HSL 265.64, 0.64%, 0.36%

LAB 27.1, 47.21, -54.87

 

CMYK 0 / 78 / 73 / 41

HEX #962128

RGB 150 33 40

HSL 356.41, 0.64%, 0.36%

LAB 33.4, 47.96, 26.24

 

CMYK 34 / 0 / 78 / 41

HEX #639621

RGB 99 150 33

HSL 86.15, 0.64%, 0.36%

LAB 56.66, -35.24, 52.15

 

Description

Color code: HEX #219690 | qconv.com Color code: HEX #219690 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 150 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 150 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 4 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 4% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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