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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #21812F it is the complementary color #DE7ED0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #21812F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #21812F shade: #26812A, #37933D, #48A550, #59B763 and #6AC976

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #21812F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #21812F shade: #21812F, #106F1C, #005D09, #004B00 and #003900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #21812F shade: #21812F, #2D8121, #478121, #618121 and #7B8121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #21812F shade: #21812F, #218149, #218163, #21817D and #216C81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #21812F shade matches the following richer shades: #21812F, #148E26 and #079C1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #21812F shade: #21812F, #2E7438, #3B6742, #495A4B and #564C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #21812F shade: #478121, #2E8121, #21812E, #218147 and #218161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #21812F shade: #104017, #186023, #21812F, #29A23B and #32C347

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #21812F shade: #21812F, #216181 and #81213B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #21812F shade: #21812F, #2E2181 and #812E21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #21812F shade: #21812F, #216181, #812174 and #814121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #21812F shade: #21812F, #214481, #812174 and #815E21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

Complementary color

CMYK 0 / 43 / 6 / 13

HEX #DE7ED0

RGB 222 126 208

HSL 308.75, 0.59%, 0.68%

LAB 65.75, 48.45, -26.45

 

CMYK 71 / 0 / 67 / 49

HEX #26812A

RGB 38 129 42

HSL 122.64, 0.54%, 0.33%

LAB 47.34, -44.55, 38.29

 

CMYK 63 / 0 / 59 / 42

HEX #37933D

RGB 55 147 61

HSL 123.91, 0.46%, 0.4%

LAB 54.04, -45.29, 37.04

 

CMYK 56 / 0 / 52 / 35

HEX #48A550

RGB 72 165 80

HSL 125.16, 0.39%, 0.46%

LAB 60.66, -45.59, 35.67

 

CMYK 51 / 0 / 46 / 28

HEX #59B763

RGB 89 183 99

HSL 126.38, 0.39%, 0.53%

LAB 67.2, -45.65, 34.29

 

CMYK 47 / 0 / 41 / 21

HEX #6AC976

RGB 106 201 118

HSL 127.58, 0.47%, 0.6%

LAB 73.64, -45.57, 32.97

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 86 / 0 / 75 / 56

HEX #106F1C

RGB 16 111 28

HSL 127.58, 0.75%, 0.25%

LAB 40.51, -43.32, 36.97

 

CMYK 100 / 0 / 90 / 64

HEX #005D09

RGB 0 93 9

HSL 125.81, 1%, 0.18%

LAB 33.67, -40.68, 37.01

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 100 / 0 / 100 / 78

HEX #003900

RGB 0 57 0

HSL 120, 1%, 0.11%

LAB 19.75, -29.7, 27.07

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 65 / 0 / 74 / 49

HEX #2D8121

RGB 45 129 33

HSL 112.5, 0.59%, 0.32%

LAB 47.45, -43.88, 42.3

 

CMYK 45 / 0 / 74 / 49

HEX #478121

RGB 71 129 33

HSL 96.25, 0.59%, 0.32%

LAB 48.45, -36.19, 43.63

 

CMYK 25 / 0 / 74 / 49

HEX #618121

RGB 97 129 33

HSL 80, 0.59%, 0.32%

LAB 49.92, -26.16, 45.58

 

CMYK 5 / 0 / 74 / 49

HEX #7B8121

RGB 123 129 33

HSL 63.75, 0.59%, 0.32%

LAB 51.86, -14.75, 48.14

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 74 / 0 / 43 / 49

HEX #218149

RGB 33 129 73

HSL 145, 0.59%, 0.32%

LAB 47.63, -40.77, 22.65

 

CMYK 74 / 0 / 23 / 49

HEX #218163

RGB 33 129 99

HSL 161.25, 0.59%, 0.32%

LAB 48.17, -34.92, 8.48

 

CMYK 74 / 0 / 3 / 49

HEX #21817D

RGB 33 129 125

HSL 177.5, 0.59%, 0.32%

LAB 48.89, -27.62, -5.73

 

CMYK 74 / 16 / 0 / 49

HEX #216C81

RGB 33 108 129

HSL 193.13, 0.59%, 0.32%

LAB 42.21, -15.22, -18.21

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 86 / 0 / 73 / 44

HEX #148E26

RGB 20 142 38

HSL 128.85, 0.75%, 0.32%

LAB 51.42, -52.14, 44.24

 

CMYK 96 / 0 / 82 / 39

HEX #079C1C

RGB 7 156 28

HSL 128.46, 0.91%, 0.32%

LAB 55.99, -58.2, 52.17

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 60 / 0 / 52 / 55

HEX #2E7438

RGB 46 116 56

HSL 128.57, 0.43%, 0.32%

LAB 43.3, -35.68, 26.58

 

CMYK 43 / 0 / 36 / 60

HEX #3B6742

RGB 59 103 66

HSL 129.55, 0.27%, 0.32%

LAB 39.62, -23.98, 16.24

 

CMYK 19 / 0 / 17 / 65

HEX #495A4B

RGB 73 90 75

HSL 127.06, 0.1%, 0.32%

LAB 36.44, -9.92, 6.52

 

CMYK 0 / 12 / 2 / 66

HEX #564C54

RGB 86 76 84

HSL 312, 0.06%, 0.32%

LAB 33.54, 5.81, -3.2

 

CMYK 45 / 0 / 74 / 49

HEX #478121

RGB 71 129 33

HSL 96.25, 0.59%, 0.32%

LAB 48.45, -36.19, 43.63

 

CMYK 64 / 0 / 74 / 49

HEX #2E8121

RGB 46 129 33

HSL 111.88, 0.59%, 0.32%

LAB 47.48, -43.64, 42.34

 

CMYK 74 / 0 / 64 / 49

HEX #21812E

RGB 33 129 46

HSL 128.13, 0.59%, 0.32%

LAB 47.26, -45.04, 36.31

 

CMYK 74 / 0 / 45 / 49

HEX #218147

RGB 33 129 71

HSL 143.75, 0.59%, 0.32%

LAB 47.6, -41.15, 23.72

 

CMYK 74 / 0 / 25 / 49

HEX #218161

RGB 33 129 97

HSL 160, 0.59%, 0.32%

LAB 48.12, -35.43, 9.58

 

CMYK 75 / 0 / 64 / 75

HEX #104017

RGB 16 64 23

HSL 128.75, 0.6%, 0.16%

LAB 23.13, -26.14, 20.22

 

CMYK 75 / 0 / 64 / 62

HEX #186023

RGB 24 96 35

HSL 129.17, 0.6%, 0.24%

LAB 35.36, -35.77, 28.09

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 75 / 0 / 64 / 36

HEX #29A23B

RGB 41 162 59

HSL 128.93, 0.6%, 0.4%

LAB 58.63, -53.75, 43.17

 

CMYK 74 / 0 / 64 / 24

HEX #32C347

RGB 50 195 71

HSL 128.69, 0.59%, 0.48%

LAB 69.59, -62.06, 50.21

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 74 / 25 / 0 / 49

HEX #216181

RGB 33 97 129

HSL 200, 0.59%, 0.32%

LAB 38.65, -8.82, -23.7

 

CMYK 0 / 74 / 54 / 49

HEX #81213B

RGB 129 33 59

HSL 343.75, 0.59%, 0.32%

LAB 29.59, 42.54, 8.14

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 64 / 74 / 0 / 49

HEX #2E2181

RGB 46 33 129

HSL 248.13, 0.59%, 0.32%

LAB 21.03, 35.32, -51.89

 

CMYK 0 / 64 / 74 / 49

HEX #812E21

RGB 129 46 33

HSL 8.13, 0.59%, 0.32%

LAB 31.19, 35.03, 26.92

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 74 / 25 / 0 / 49

HEX #216181

RGB 33 97 129

HSL 200, 0.59%, 0.32%

LAB 38.65, -8.82, -23.7

 

CMYK 0 / 74 / 10 / 49

HEX #812174

RGB 129 33 116

HSL 308.13, 0.59%, 0.32%

LAB 31.84, 49.73, -25.64

 

CMYK 0 / 50 / 74 / 49

HEX #814121

RGB 129 65 33

HSL 20, 0.59%, 0.32%

LAB 35.12, 24.93, 31.29

 

CMYK 74 / 0 / 64 / 49

HEX #21812F

RGB 33 129 47

HSL 128.75, 0.59%, 0.32%

LAB 47.27, -44.91, 35.85

 

CMYK 74 / 47 / 0 / 49

HEX #214481

RGB 33 68 129

HSL 218.13, 0.59%, 0.32%

LAB 29.52, 9.9, -38.13

 

CMYK 0 / 74 / 10 / 49

HEX #812174

RGB 129 33 116

HSL 308.13, 0.59%, 0.32%

LAB 31.84, 49.73, -25.64

 

CMYK 0 / 27 / 74 / 49

HEX #815E21

RGB 129 94 33

HSL 38.13, 0.59%, 0.32%

LAB 42.43, 7.91, 39

 

Description

Color code: HEX #21812F | qconv.com Color code: HEX #21812F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 129 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 129 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 64 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 64% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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