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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217AC7 it is the complementary color #DE8538. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217AC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217AC7 shade: #267AC2, #378CD5, #489EE8, #59B0FB and #6AC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217AC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217AC7 shade: #217AC7, #1068B4, #0056A1, #00448E and #00327B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217AC7 shade: #2078C5, #204CC5, #2020C5, #4D20C5 and #7920C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217AC7 shade: #2078C5, #204CC5 and #2020C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217AC7 shade matches the following richer shades: #2078C5 and #0D7AD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217AC7 shade: #2078C5, #3277B2, #4576A0, #57748D and #6A737B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217AC7 shade: #20C5B7, #20A7C5, #207BC5, #204EC5 and #2022C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217AC7 shade: #144D7E, #1A63A1, #2078C5, #318DDD and #54A1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217AC7 shade: #217AC7, #8B20C5 and #BDC520

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217AC7 shade: #217AC7, #C5207B and #7BC520

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217AC7 shade: #217AC7, #8B20C5, #C56A20 and #59C520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217AC7 shade: #217AC7, #BD20C5, #C56A20 and #28C520

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

Complementary color

CMYK 0 / 40 / 75 / 13

HEX #DE8538

RGB 222 133 56

HSL 27.83, 0.72%, 0.55%

LAB 63.83, 28.18, 53.99

 

CMYK 80 / 37 / 0 / 24

HEX #267AC2

RGB 38 122 194

HSL 207.69, 0.67%, 0.45%

LAB 49.77, 0.94, -44.56

 

CMYK 74 / 34 / 0 / 16

HEX #378CD5

RGB 55 140 213

HSL 207.72, 0.65%, 0.53%

LAB 56.46, -0.91, -44.71

 

CMYK 69 / 32 / 0 / 9

HEX #489EE8

RGB 72 158 232

HSL 207.75, 0.78%, 0.6%

LAB 63.06, -2.38, -44.84

 

CMYK 65 / 30 / 0 / 2

HEX #59B0FB

RGB 89 176 251

HSL 207.78, 0.95%, 0.67%

LAB 69.57, -3.56, -44.95

 

CMYK 58 / 24 / 0 / 0

HEX #6AC2FF

RGB 106 194 255

HSL 204.56, 1%, 0.71%

LAB 75.37, -9.15, -38.01

 

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

CMYK 91 / 42 / 0 / 29

HEX #1068B4

RGB 16 104 180

HSL 207.8, 0.84%, 0.38%

LAB 43.22, 4.98, -46.92

 

CMYK 100 / 47 / 0 / 37

HEX #0056A1

RGB 0 86 161

HSL 207.95, 1%, 0.32%

LAB 36.42, 8.19, -46.6

 

CMYK 100 / 52 / 0 / 44

HEX #00448E

RGB 0 68 142

HSL 211.27, 1%, 0.28%

LAB 29.63, 12.39, -46.04

 

CMYK 100 / 59 / 0 / 52

HEX #00327B

RGB 0 50 123

HSL 215.61, 1%, 0.24%

LAB 22.69, 16.95, -45.45

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

CMYK 84 / 61 / 0 / 23

HEX #204CC5

RGB 32 76 197

HSL 224, 0.72%, 0.45%

LAB 36.94, 31.11, -66.99

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 61 / 84 / 0 / 23

HEX #4D20C5

RGB 77 32 197

HSL 256.36, 0.72%, 0.45%

LAB 30.98, 59.38, -76.71

 

CMYK 39 / 84 / 0 / 23

HEX #7920C5

RGB 121 32 197

HSL 272.36, 0.72%, 0.45%

LAB 36.23, 64.52, -67.87

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

CMYK 84 / 61 / 0 / 23

HEX #204CC5

RGB 32 76 197

HSL 224, 0.72%, 0.45%

LAB 36.94, 31.11, -66.99

 

CMYK 84 / 84 / 0 / 23

HEX #2020C5

RGB 32 32 197

HSL 240, 0.72%, 0.45%

LAB 27.77, 56.41, -82.13

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

CMYK 94 / 43 / 0 / 16

HEX #0D7AD7

RGB 13 122 215

HSL 207.62, 0.89%, 0.45%

LAB 50.58, 7.35, -55.24

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

CMYK 72 / 33 / 0 / 30

HEX #3277B2

RGB 50 119 178

HSL 207.66, 0.56%, 0.45%

LAB 48.37, -1.67, -37.53

 

CMYK 57 / 26 / 0 / 37

HEX #4576A0

RGB 69 118 160

HSL 207.69, 0.4%, 0.45%

LAB 47.96, -3.81, -27.63

 

CMYK 38 / 18 / 0 / 45

HEX #57748D

RGB 87 116 141

HSL 207.78, 0.24%, 0.45%

LAB 47.55, -3.81, -16.99

 

CMYK 14 / 7 / 0 / 52

HEX #6A737B

RGB 106 115 123

HSL 208.24, 0.07%, 0.45%

LAB 47.95, -1.6, -5.56

 

CMYK 84 / 0 / 7 / 23

HEX #20C5B7

RGB 32 197 183

HSL 174.91, 0.72%, 0.45%

LAB 72, -42.28, -4.3

 

CMYK 84 / 15 / 0 / 23

HEX #20A7C5

RGB 32 167 197

HSL 190.91, 0.72%, 0.45%

LAB 63.32, -23.73, -25.09

 

CMYK 84 / 38 / 0 / 23

HEX #207BC5

RGB 32 123 197

HSL 206.91, 0.72%, 0.45%

LAB 50.1, 0.91, -45.75

 

CMYK 84 / 60 / 0 / 23

HEX #204EC5

RGB 32 78 197

HSL 223.27, 0.72%, 0.45%

LAB 37.46, 29.8, -66.15

 

CMYK 84 / 83 / 0 / 23

HEX #2022C5

RGB 32 34 197

HSL 239.27, 0.72%, 0.45%

LAB 28.07, 55.52, -81.63

 

CMYK 84 / 39 / 0 / 51

HEX #144D7E

RGB 20 77 126

HSL 207.74, 0.73%, 0.29%

LAB 31.72, 0.93, -32.77

 

CMYK 84 / 39 / 0 / 37

HEX #1A63A1

RGB 26 99 161

HSL 207.56, 0.72%, 0.37%

LAB 40.76, 1.35, -39.64

 

CMYK 84 / 39 / 0 / 23

HEX #2078C5

RGB 32 120 197

HSL 208, 0.72%, 0.45%

LAB 49.22, 2.74, -47.16

 

CMYK 78 / 36 / 0 / 13

HEX #318DDD

RGB 49 141 221

HSL 207.91, 0.72%, 0.53%

LAB 57, 0.68, -48.35

 

CMYK 63 / 29 / 0 / 11

HEX #54A1E3

RGB 84 161 227

HSL 207.69, 0.72%, 0.61%

LAB 64.1, -3.81, -40.42

 

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

CMYK 29 / 84 / 0 / 23

HEX #8B20C5

RGB 139 32 197

HSL 278.91, 0.72%, 0.45%

LAB 38.82, 67.15, -63.54

 

CMYK 4 / 0 / 84 / 23

HEX #BDC520

RGB 189 197 32

HSL 62.91, 0.72%, 0.45%

LAB 76.59, -20.66, 72.49

 

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

CMYK 0 / 84 / 38 / 23

HEX #C5207B

RGB 197 32 123

HSL 326.91, 0.72%, 0.45%

LAB 44.71, 67.49, -9.17

 

CMYK 38 / 0 / 84 / 23

HEX #7BC520

RGB 123 197 32

HSL 86.91, 0.72%, 0.45%

LAB 72.39, -46.76, 67.23

 

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

CMYK 29 / 84 / 0 / 23

HEX #8B20C5

RGB 139 32 197

HSL 278.91, 0.72%, 0.45%

LAB 38.82, 67.15, -63.54

 

CMYK 0 / 46 / 84 / 23

HEX #C56A20

RGB 197 106 32

HSL 26.91, 0.72%, 0.45%

LAB 54.33, 31.3, 53.84

 

CMYK 55 / 0 / 84 / 23

HEX #59C520

RGB 89 197 32

HSL 99.27, 0.72%, 0.45%

LAB 70.98, -57.38, 65.44

 

CMYK 83 / 39 / 0 / 22

HEX #217AC7

RGB 33 122 199

HSL 207.83, 0.72%, 0.45%

LAB 49.94, 2.36, -47.16

 

CMYK 4 / 84 / 0 / 23

HEX #BD20C5

RGB 189 32 197

HSL 297.09, 0.72%, 0.45%

LAB 46.82, 75.53, -50.22

 

CMYK 0 / 46 / 84 / 23

HEX #C56A20

RGB 197 106 32

HSL 26.91, 0.72%, 0.45%

LAB 54.33, 31.3, 53.84

 

CMYK 80 / 0 / 84 / 23

HEX #28C520

RGB 40 197 32

HSL 117.09, 0.72%, 0.45%

LAB 69.82, -67.13, 63.95

 

Description

Color code: HEX #217AC7 | qconv.com Color code: HEX #217AC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 122 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 122 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 39 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 39% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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