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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #217919 it is the complementary color #DE86E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #217919. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #217919 shade: #267914, #378B27, #489D3A, #59AF4D and #6AC160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #217919. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #217919 shade: #217919, #106706, #005500, #004300 and #003100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #217919 shade: #217A19, #3B7A19, #557A19, #707A19 and #7A6A19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #217919 shade: #217A19, #197A2B, #197A45, #197A5F and #197A7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #217919 shade matches the following richer shades: #217A19, #17860D and #0D9201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #217919 shade: #217A19, #2B6E25, #356231, #3F563D and #494A49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #217919 shade: #557A19, #3B7A19, #217A19, #197A2B and #197A45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #217919 shade: #0E360B, #175812, #217A19, #2A9D20 and #33BF27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #217919 shade: #217919, #196F7A and #7A1948

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #217919 shade: #217919, #19217A and #7A1921

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #217919 shade: #217919, #196F7A, #72197A and #7A2419

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #217919 shade: #217919, #19527A, #72197A and #7A4119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

Complementary color

CMYK 3 / 42 / 0 / 10

HEX #DE86E6

RGB 222 134 230

HSL 295, 0.66%, 0.71%

LAB 68.24, 48.28, -34.83

 

CMYK 69 / 0 / 83 / 53

HEX #267914

RGB 38 121 20

HSL 109.31, 0.72%, 0.28%

LAB 44.43, -43.53, 43.91

 

CMYK 60 / 0 / 72 / 45

HEX #378B27

RGB 55 139 39

HSL 110.4, 0.56%, 0.35%

LAB 51.18, -44.62, 43.83

 

CMYK 54 / 0 / 63 / 38

HEX #489D3A

RGB 72 157 58

HSL 111.52, 0.46%, 0.42%

LAB 57.84, -45.16, 42.98

 

CMYK 49 / 0 / 56 / 31

HEX #59AF4D

RGB 89 175 77

HSL 112.65, 0.39%, 0.49%

LAB 64.42, -45.38, 41.82

 

CMYK 45 / 0 / 50 / 24

HEX #6AC160

RGB 106 193 96

HSL 113.81, 0.44%, 0.57%

LAB 70.9, -45.4, 40.57

 

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

CMYK 84 / 0 / 94 / 60

HEX #106706

RGB 16 103 6

HSL 113.81, 0.89%, 0.21%

LAB 37.52, -42.16, 41.34

 

CMYK 100 / 0 / 100 / 67

HEX #005500

RGB 0 85 0

HSL 120, 1%, 0.17%

LAB 30.63, -38.74, 37.39

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 52 / 0 / 80 / 52

HEX #3B7A19

RGB 59 122 25

HSL 98.97, 0.66%, 0.29%

LAB 45.52, -37.81, 43.54

 

CMYK 30 / 0 / 80 / 52

HEX #557A19

RGB 85 122 25

HSL 82.89, 0.66%, 0.29%

LAB 46.87, -28.21, 45.3

 

CMYK 8 / 0 / 80 / 52

HEX #707A19

RGB 112 122 25

HSL 66.19, 0.66%, 0.29%

LAB 48.8, -16.42, 47.8

 

CMYK 0 / 13 / 80 / 52

HEX #7A6A19

RGB 122 106 25

HSL 50.1, 0.66%, 0.29%

LAB 44.96, -2.83, 44.59

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 80 / 0 / 65 / 52

HEX #197A2B

RGB 25 122 43

HSL 131.13, 0.66%, 0.29%

LAB 44.66, -44.22, 34.76

 

CMYK 80 / 0 / 43 / 52

HEX #197A45

RGB 25 122 69

HSL 147.22, 0.66%, 0.29%

LAB 45.02, -39.99, 21.46

 

CMYK 80 / 0 / 22 / 52

HEX #197A5F

RGB 25 122 95

HSL 163.3, 0.66%, 0.29%

LAB 45.57, -33.94, 7.13

 

CMYK 80 / 0 / 0 / 52

HEX #197A7A

RGB 25 122 122

HSL 180, 0.66%, 0.29%

LAB 46.35, -26.04, -7.75

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 83 / 0 / 90 / 47

HEX #17860D

RGB 23 134 13

HSL 115.04, 0.82%, 0.29%

LAB 48.59, -50.91, 49.38

 

CMYK 91 / 0 / 99 / 43

HEX #0D9201

RGB 13 146 1

HSL 115.03, 0.99%, 0.29%

LAB 52.56, -55.98, 54.84

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 61 / 0 / 66 / 57

HEX #2B6E25

RGB 43 110 37

HSL 115.07, 0.5%, 0.29%

LAB 40.89, -36.59, 33.53

 

CMYK 46 / 0 / 50 / 62

HEX #356231

RGB 53 98 49

HSL 115.1, 0.33%, 0.29%

LAB 37.32, -26.53, 23.08

 

CMYK 27 / 0 / 29 / 66

HEX #3F563D

RGB 63 86 61

HSL 115.2, 0.17%, 0.29%

LAB 34.09, -14.39, 11.8

 

CMYK 1 / 0 / 1 / 71

HEX #494A49

RGB 73 74 73

HSL 120, 0.01%, 0.29%

LAB 31.34, -0.63, 0.45

 

CMYK 30 / 0 / 80 / 52

HEX #557A19

RGB 85 122 25

HSL 82.89, 0.66%, 0.29%

LAB 46.87, -28.21, 45.3

 

CMYK 52 / 0 / 80 / 52

HEX #3B7A19

RGB 59 122 25

HSL 98.97, 0.66%, 0.29%

LAB 45.52, -37.81, 43.54

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 80 / 0 / 65 / 52

HEX #197A2B

RGB 25 122 43

HSL 131.13, 0.66%, 0.29%

LAB 44.66, -44.22, 34.76

 

CMYK 80 / 0 / 43 / 52

HEX #197A45

RGB 25 122 69

HSL 147.22, 0.66%, 0.29%

LAB 45.02, -39.99, 21.46

 

CMYK 74 / 0 / 80 / 79

HEX #0E360B

RGB 14 54 11

HSL 115.81, 0.66%, 0.13%

LAB 19.04, -23.94, 21.86

 

CMYK 74 / 0 / 80 / 65

HEX #175812

RGB 23 88 18

HSL 115.71, 0.66%, 0.21%

LAB 32.27, -34.84, 32.71

 

CMYK 73 / 0 / 80 / 52

HEX #217A19

RGB 33 122 25

HSL 115.05, 0.66%, 0.29%

LAB 44.68, -44.61, 42.43

 

CMYK 73 / 0 / 80 / 38

HEX #2A9D20

RGB 42 157 32

HSL 115.2, 0.66%, 0.37%

LAB 56.79, -54.36, 51.86

 

CMYK 73 / 0 / 80 / 25

HEX #33BF27

RGB 51 191 39

HSL 115.26, 0.66%, 0.45%

LAB 68.1, -63.33, 60.54

 

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

CMYK 80 / 9 / 0 / 52

HEX #196F7A

RGB 25 111 122

HSL 186.8, 0.66%, 0.29%

LAB 42.73, -20.33, -13.2

 

CMYK 0 / 80 / 41 / 52

HEX #7A1948

RGB 122 25 72

HSL 330.93, 0.66%, 0.29%

LAB 27.57, 44.57, -3.64

 

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

CMYK 80 / 73 / 0 / 52

HEX #19217A

RGB 25 33 122

HSL 235.05, 0.66%, 0.29%

LAB 18.8, 30.32, -51.17

 

CMYK 0 / 80 / 73 / 52

HEX #7A1921

RGB 122 25 33

HSL 355.05, 0.66%, 0.29%

LAB 26.57, 41.39, 21.19

 

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

CMYK 80 / 9 / 0 / 52

HEX #196F7A

RGB 25 111 122

HSL 186.8, 0.66%, 0.29%

LAB 42.73, -20.33, -13.2

 

CMYK 7 / 80 / 0 / 52

HEX #72197A

RGB 114 25 122

HSL 295.05, 0.66%, 0.29%

LAB 28.58, 50, -34.77

 

CMYK 0 / 70 / 80 / 52

HEX #7A2419

RGB 122 36 25

HSL 6.8, 0.66%, 0.29%

LAB 28.03, 36.68, 27.87

 

CMYK 73 / 0 / 79 / 53

HEX #217919

RGB 33 121 25

HSL 115, 0.66%, 0.29%

LAB 44.33, -44.26, 42.09

 

CMYK 80 / 33 / 0 / 52

HEX #19527A

RGB 25 82 122

HSL 204.74, 0.66%, 0.29%

LAB 33.24, -3.33, -27.89

 

CMYK 7 / 80 / 0 / 52

HEX #72197A

RGB 114 25 122

HSL 295.05, 0.66%, 0.29%

LAB 28.58, 50, -34.77

 

CMYK 0 / 47 / 80 / 52

HEX #7A4119

RGB 122 65 25

HSL 24.74, 0.66%, 0.29%

LAB 33.96, 21.42, 33.99

 

Description

Color code: HEX #217919 | qconv.com Color code: HEX #217919 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 121 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 121 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 79 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 79% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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