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Color name
HEX #2174F2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2174F2 it is the complementary color #DE8B0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2174F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2174F2 shade: #2674ED, #3786FF, #4898FF, #59AAFF and #6ABCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2174F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2174F2 shade: #2174F2, #1062DF, #0050CC, #003EB9 and #002CA6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2174F2 shade: #2174F2, #213BF2, #3E21F2, #7721F2 and #AF21F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2174F2 shade: #2174F2, #213BF2 and #2121F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2174F2 shade matches the following richer shades: #2174F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2174F2 shade: #2174F2, #3478DF, #477CCC, #5A7FB9 and #6D83A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2174F2 shade: #21E4F2, #21ACF2, #2174F2, #213DF2 and #3D21F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2174F2 shade: #0A4EB6, #0C5FDD, #2174F2, #488CF4 and #6FA5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2174F2 shade: #2174F2, #C821F2 and #C8F221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2174F2 shade: #2174F2, #F22174 and #74F221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2174F2 shade: #2174F2, #C821F2, #F29E21 and #4BF221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2174F2 shade: #2174F2, #F221DD, #F29E21 and #21F236

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

Complementary color

CMYK 0 / 37 / 94 / 13

HEX #DE8B0D

RGB 222 139 13

HSL 36.17, 0.89%, 0.46%

LAB 64.98, 23.85, 68.63

 

CMYK 84 / 51 / 0 / 7

HEX #2674ED

RGB 38 116 237

HSL 216.48, 0.85%, 0.54%

LAB 50.71, 20.99, -67.4

 

CMYK 78 / 47 / 0 / 0

HEX #3786FF

RGB 55 134 255

HSL 216.3, 1%, 0.61%

LAB 57.16, 17.96, -66.95

 

CMYK 72 / 40 / 0 / 0

HEX #4898FF

RGB 72 152 255

HSL 213.77, 1%, 0.64%

LAB 62.55, 9.06, -58.27

 

CMYK 65 / 33 / 0 / 0

HEX #59AAFF

RGB 89 170 255

HSL 210.72, 1%, 0.67%

LAB 68.09, 1.12, -49.45

 

CMYK 58 / 26 / 0 / 0

HEX #6ABCFF

RGB 106 188 255

HSL 206.98, 1%, 0.71%

LAB 73.71, -5.9, -40.59

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 93 / 56 / 0 / 13

HEX #1062DF

RGB 16 98 223

HSL 216.23, 0.87%, 0.47%

LAB 44.48, 25.91, -69.65

 

CMYK 100 / 61 / 0 / 20

HEX #0050CC

RGB 0 80 204

HSL 216.47, 1%, 0.4%

LAB 38.02, 29.76, -69.32

 

CMYK 100 / 66 / 0 / 27

HEX #003EB9

RGB 0 62 185

HSL 219.89, 1%, 0.36%

LAB 31.69, 34.2, -68.59

 

CMYK 100 / 73 / 0 / 35

HEX #002CA6

RGB 0 44 166

HSL 224.1, 1%, 0.33%

LAB 25.43, 38.57, -67.57

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 86 / 76 / 0 / 5

HEX #213BF2

RGB 33 59 242

HSL 232.54, 0.89%, 0.54%

LAB 37.59, 57.28, -91.71

 

CMYK 74 / 86 / 0 / 5

HEX #3E21F2

RGB 62 33 242

HSL 248.33, 0.89%, 0.54%

LAB 35.05, 70.03, -95.9

 

CMYK 51 / 86 / 0 / 5

HEX #7721F2

RGB 119 33 242

HSL 264.69, 0.89%, 0.54%

LAB 40.28, 74.23, -87.07

 

CMYK 28 / 86 / 0 / 5

HEX #AF21F2

RGB 175 33 242

HSL 280.77, 0.89%, 0.54%

LAB 47.77, 80.94, -74.5

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 86 / 76 / 0 / 5

HEX #213BF2

RGB 33 59 242

HSL 232.54, 0.89%, 0.54%

LAB 37.59, 57.28, -91.71

 

CMYK 86 / 86 / 0 / 5

HEX #2121F2

RGB 33 33 242

HSL 240, 0.89%, 0.54%

LAB 33.61, 68.97, -98.34

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 77 / 46 / 0 / 13

HEX #3478DF

RGB 52 120 223

HSL 216.14, 0.73%, 0.54%

LAB 51.26, 14.53, -58.64

 

CMYK 65 / 39 / 0 / 20

HEX #477CCC

RGB 71 124 204

HSL 216.09, 0.57%, 0.54%

LAB 51.97, 7.89, -46.71

 

CMYK 51 / 31 / 0 / 27

HEX #5A7FB9

RGB 90 127 185

HSL 216.63, 0.4%, 0.54%

LAB 52.79, 3.65, -34.49

 

CMYK 34 / 21 / 0 / 35

HEX #6D83A6

RGB 109 131 166

HSL 216.84, 0.24%, 0.54%

LAB 54.28, 0.81, -21.17

 

CMYK 86 / 6 / 0 / 5

HEX #21E4F2

RGB 33 228 242

HSL 184.02, 0.89%, 0.54%

LAB 83.03, -38.91, -19.47

 

CMYK 86 / 29 / 0 / 5

HEX #21ACF2

RGB 33 172 242

HSL 200.1, 0.89%, 0.54%

LAB 66.7, -10.8, -44.65

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 86 / 75 / 0 / 5

HEX #213DF2

RGB 33 61 242

HSL 231.96, 0.89%, 0.54%

LAB 37.97, 56.21, -91.09

 

CMYK 75 / 86 / 0 / 5

HEX #3D21F2

RGB 61 33 242

HSL 248.04, 0.89%, 0.54%

LAB 34.98, 69.98, -96.01

 

CMYK 95 / 57 / 0 / 29

HEX #0A4EB6

RGB 10 78 182

HSL 216.28, 0.9%, 0.38%

LAB 35.77, 22.65, -60.13

 

CMYK 95 / 57 / 0 / 13

HEX #0C5FDD

RGB 12 95 221

HSL 216.17, 0.9%, 0.46%

LAB 43.48, 26.94, -70.14

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 70 / 43 / 0 / 4

HEX #488CF4

RGB 72 140 244

HSL 216.28, 0.89%, 0.62%

LAB 58.66, 12.36, -58.44

 

CMYK 55 / 33 / 0 / 4

HEX #6FA5F6

RGB 111 165 246

HSL 216, 0.88%, 0.7%

LAB 67.23, 5.14, -45.83

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 17 / 86 / 0 / 5

HEX #C821F2

RGB 200 33 242

HSL 287.94, 0.89%, 0.54%

LAB 51.59, 84.59, -68.13

 

CMYK 17 / 0 / 86 / 5

HEX #C8F221

RGB 200 242 33

HSL 72.06, 0.89%, 0.54%

LAB 89.81, -37.29, 83.59

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 0 / 86 / 52 / 5

HEX #F22174

RGB 242 33 116

HSL 336.17, 0.89%, 0.54%

LAB 53.2, 77.41, 8.54

 

CMYK 52 / 0 / 86 / 5

HEX #74F221

RGB 116 242 33

HSL 96.17, 0.89%, 0.54%

LAB 85.67, -65.96, 78.43

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 17 / 86 / 0 / 5

HEX #C821F2

RGB 200 33 242

HSL 287.94, 0.89%, 0.54%

LAB 51.59, 84.59, -68.13

 

CMYK 0 / 35 / 86 / 5

HEX #F29E21

RGB 242 158 33

HSL 35.89, 0.89%, 0.54%

LAB 71.85, 22.57, 70.46

 

CMYK 69 / 0 / 86 / 5

HEX #4BF221

RGB 75 242 33

HSL 107.94, 0.89%, 0.54%

LAB 84.54, -75.23, 77.02

 

CMYK 86 / 52 / 0 / 5

HEX #2174F2

RGB 33 116 242

HSL 216.17, 0.89%, 0.54%

LAB 50.95, 22.55, -69.81

 

CMYK 0 / 86 / 9 / 5

HEX #F221DD

RGB 242 33 221

HSL 306.03, 0.89%, 0.54%

LAB 57.26, 88.44, -46.82

 

CMYK 0 / 35 / 86 / 5

HEX #F29E21

RGB 242 158 33

HSL 35.89, 0.89%, 0.54%

LAB 71.85, 22.57, 70.46

 

CMYK 86 / 0 / 78 / 5

HEX #21F236

RGB 33 242 54

HSL 126.03, 0.89%, 0.54%

LAB 84.01, -79.52, 71.21

 

Description

Color code: HEX #2174F2 | qconv.com Color code: HEX #2174F2 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 116 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 116 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 52 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 52% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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