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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214991 it is the complementary color #DEB66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214991 shade: #26498C, #375B9F, #486DB2, #597FC5 and #6A91D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214991 shade: #214991, #10377E, #00256B, #001358 and #000145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214991 shade: #214991, #212A91, #352191, #532191 and #722191

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214991 shade: #214991, #212A91 and #212191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214991 shade matches the following richer shades: #214991, #12459F and #0440AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214991 shade: #214991, #2F4D83, #3D5174, #4C5566 and #5A5957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214991 shade: #218691, #216891, #214A91, #212C91 and #332191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214991 shade: #11274E, #19386F, #214991, #285AB3 and #346CD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214991 shade: #214991, #7E2191 and #779121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214991 shade: #214991, #91214A and #4A9121

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214991 shade: #214991, #7E2191, #916821 and #339121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214991 shade: #214991, #912182, #916821 and #219130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

Complementary color

CMYK 0 / 18 / 50 / 13

HEX #DEB66E

RGB 222 182 110

HSL 38.57, 0.63%, 0.65%

LAB 76.14, 5.58, 41.84

 

CMYK 73 / 48 / 0 / 45

HEX #26498C

RGB 38 73 140

HSL 219.41, 0.57%, 0.35%

LAB 31.97, 11.59, -40.99

 

CMYK 65 / 43 / 0 / 38

HEX #375B9F

RGB 55 91 159

HSL 219.23, 0.49%, 0.42%

LAB 39.24, 9.74, -40.81

 

CMYK 60 / 39 / 0 / 30

HEX #486DB2

RGB 72 109 178

HSL 219.06, 0.42%, 0.49%

LAB 46.35, 8.34, -40.66

 

CMYK 55 / 36 / 0 / 23

HEX #597FC5

RGB 89 127 197

HSL 218.89, 0.48%, 0.56%

LAB 53.31, 7.24, -40.54

 

CMYK 51 / 33 / 0 / 15

HEX #6A91D8

RGB 106 145 216

HSL 218.73, 0.59%, 0.63%

LAB 60.13, 6.35, -40.46

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 87 / 56 / 0 / 51

HEX #10377E

RGB 16 55 126

HSL 218.73, 0.77%, 0.28%

LAB 24.79, 15.74, -43.92

 

CMYK 100 / 65 / 0 / 58

HEX #00256B

RGB 0 37 107

HSL 219.25, 1%, 0.21%

LAB 17.39, 19.45, -43.85

 

CMYK 100 / 78 / 0 / 65

HEX #001358

RGB 0 19 88

HSL 227.05, 1%, 0.17%

LAB 10.34, 24.39, -42.84

 

CMYK 100 / 99 / 0 / 73

HEX #000145

RGB 0 1 69

HSL 239.13, 1%, 0.14%

LAB 4.08, 26.04, -40.03

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 77 / 71 / 0 / 43

HEX #212A91

RGB 33 42 145

HSL 235.18, 0.63%, 0.35%

LAB 23.75, 33.83, -57.46

 

CMYK 63 / 77 / 0 / 43

HEX #352191

RGB 53 33 145

HSL 250.71, 0.63%, 0.35%

LAB 23.3, 41.4, -58.14

 

CMYK 43 / 77 / 0 / 43

HEX #532191

RGB 83 33 145

HSL 266.79, 0.63%, 0.35%

LAB 26.65, 45.91, -52.52

 

CMYK 21 / 77 / 0 / 43

HEX #722191

RGB 114 33 145

HSL 283.39, 0.63%, 0.35%

LAB 31.14, 51.73, -45.03

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 77 / 71 / 0 / 43

HEX #212A91

RGB 33 42 145

HSL 235.18, 0.63%, 0.35%

LAB 23.75, 33.83, -57.46

 

CMYK 77 / 77 / 0 / 43

HEX #212191

RGB 33 33 145

HSL 240, 0.63%, 0.35%

LAB 21.78, 39.3, -60.7

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 89 / 57 / 0 / 38

HEX #12459F

RGB 18 69 159

HSL 218.3, 0.8%, 0.35%

LAB 31.55, 19.82, -53.27

 

CMYK 98 / 63 / 0 / 32

HEX #0440AE

RGB 4 64 174

HSL 218.82, 0.96%, 0.35%

LAB 31.23, 28.66, -62.81

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 64 / 41 / 0 / 49

HEX #2F4D83

RGB 47 77 131

HSL 218.57, 0.47%, 0.35%

LAB 33.03, 7.08, -33.73

 

CMYK 47 / 30 / 0 / 55

HEX #3D5174

RGB 61 81 116

HSL 218.18, 0.31%, 0.35%

LAB 34.27, 2.62, -22.42

 

CMYK 25 / 17 / 0 / 60

HEX #4C5566

RGB 76 85 102

HSL 219.23, 0.15%, 0.35%

LAB 35.97, 0.7, -10.98

 

CMYK 0 / 1 / 3 / 65

HEX #5A5957

RGB 90 89 87

HSL 40, 0.02%, 0.35%

LAB 37.85, -0.01, 1.29

 

CMYK 77 / 8 / 0 / 43

HEX #218691

RGB 33 134 145

HSL 185.89, 0.63%, 0.35%

LAB 51.17, -23.83, -14.01

 

CMYK 77 / 28 / 0 / 43

HEX #216891

RGB 33 104 145

HSL 201.96, 0.63%, 0.35%

LAB 41.64, -7.11, -28.7

 

CMYK 77 / 49 / 0 / 43

HEX #214A91

RGB 33 74 145

HSL 218.04, 0.63%, 0.35%

LAB 32.4, 12.18, -43.36

 

CMYK 77 / 70 / 0 / 43

HEX #212C91

RGB 33 44 145

HSL 234.11, 0.63%, 0.35%

LAB 24.22, 32.54, -56.68

 

CMYK 65 / 77 / 0 / 43

HEX #332191

RGB 51 33 145

HSL 249.64, 0.63%, 0.35%

LAB 23.12, 41.16, -58.45

 

CMYK 78 / 50 / 0 / 69

HEX #11274E

RGB 17 39 78

HSL 218.36, 0.64%, 0.19%

LAB 16.11, 6.9, -26.61

 

CMYK 77 / 50 / 0 / 56

HEX #19386F

RGB 25 56 111

HSL 218.37, 0.63%, 0.27%

LAB 24.27, 9.76, -35.23

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 78 / 50 / 0 / 30

HEX #285AB3

RGB 40 90 179

HSL 218.42, 0.63%, 0.43%

LAB 39.61, 15.7, -52.1

 

CMYK 75 / 48 / 0 / 18

HEX #346CD0

RGB 52 108 208

HSL 218.46, 0.62%, 0.51%

LAB 46.99, 16.51, -57

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 13 / 77 / 0 / 43

HEX #7E2191

RGB 126 33 145

HSL 289.82, 0.63%, 0.35%

LAB 33.07, 54.19, -41.82

 

CMYK 18 / 0 / 77 / 43

HEX #779121

RGB 119 145 33

HSL 73.93, 0.63%, 0.35%

LAB 56.37, -24.77, 52.32

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 0 / 77 / 49 / 43

HEX #91214A

RGB 145 33 74

HSL 338.04, 0.63%, 0.35%

LAB 33.14, 48.79, 3.71

 

CMYK 49 / 0 / 77 / 43

HEX #4A9121

RGB 74 145 33

HSL 98.04, 0.63%, 0.35%

LAB 53.83, -41.91, 49.01

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 13 / 77 / 0 / 43

HEX #7E2191

RGB 126 33 145

HSL 289.82, 0.63%, 0.35%

LAB 33.07, 54.19, -41.82

 

CMYK 0 / 28 / 77 / 43

HEX #916821

RGB 145 104 33

HSL 38.04, 0.63%, 0.35%

LAB 47.01, 9.56, 44.2

 

CMYK 65 / 0 / 77 / 43

HEX #339121

RGB 51 145 33

HSL 110.36, 0.63%, 0.35%

LAB 53.02, -48.31, 47.94

 

CMYK 77 / 50 / 0 / 43

HEX #214991

RGB 33 73 145

HSL 218.57, 0.63%, 0.35%

LAB 32.11, 12.86, -43.84

 

CMYK 0 / 77 / 10 / 43

HEX #912182

RGB 145 33 130

HSL 308.04, 0.63%, 0.35%

LAB 35.44, 55.79, -28.58

 

CMYK 0 / 28 / 77 / 43

HEX #916821

RGB 145 104 33

HSL 38.04, 0.63%, 0.35%

LAB 47.01, 9.56, 44.2

 

CMYK 77 / 0 / 67 / 43

HEX #219130

RGB 33 145 48

HSL 128.04, 0.63%, 0.35%

LAB 52.72, -50.43, 41.48

 

Description

Color code: HEX #214991 | qconv.com Color code: HEX #214991 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 73 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 73 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 50 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 50% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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