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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #214754 it is the complementary color #DEB8AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #214754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #214754 shade: #26474F, #375962, #486B75, #597D88 and #6A8F9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #214754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #214754 shade: #214754, #103541, #00232E, #00111B and #000008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #214754 shade: #204754, #203954, #202B54, #242054 and #322054

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #214754 shade: #204754, #203954, #202B54 and #202054

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #214754 shade matches the following richer shades: #204754, #174B5D, #0D5067 and #045570

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #214754 shade: #204754, #2A424A, #333D41, #3D3937 and #46342E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #214754 shade: #205445, #205453, #204754, #203954 and #202C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #214754 shade: #091519, #152E36, #204754, #2C6072 and #37798F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #214754 shade: #214754, #382054 and #544C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #214754 shade: #214754, #542047 and #475420

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #214754 shade: #214754, #382054, #542D20 and #3D5420

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #214754 shade: #214754, #472054, #542D20 and #2D5420

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

Complementary color

CMYK 0 / 17 / 23 / 13

HEX #DEB8AB

RGB 222 184 171

HSL 15.29, 0.44%, 0.77%

LAB 77.73, 11.68, 11.71

 

CMYK 52 / 10 / 0 / 69

HEX #26474F

RGB 38 71 79

HSL 191.71, 0.35%, 0.23%

LAB 28.07, -9.56, -8.55

 

CMYK 44 / 9 / 0 / 62

HEX #375962

RGB 55 89 98

HSL 192.56, 0.28%, 0.3%

LAB 35.67, -9.68, -9.07

 

CMYK 38 / 9 / 0 / 54

HEX #486B75

RGB 72 107 117

HSL 193.33, 0.24%, 0.37%

LAB 43.03, -9.74, -9.57

 

CMYK 35 / 8 / 0 / 47

HEX #597D88

RGB 89 125 136

HSL 194.04, 0.21%, 0.44%

LAB 50.18, -9.77, -10.04

 

CMYK 32 / 8 / 0 / 39

HEX #6A8F9B

RGB 106 143 155

HSL 194.69, 0.2%, 0.51%

LAB 57.15, -9.79, -10.5

 

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

CMYK 75 / 18 / 0 / 75

HEX #103541

RGB 16 53 65

HSL 194.69, 0.6%, 0.16%

LAB 20.2, -8.5, -11.34

 

CMYK 100 / 24 / 0 / 82

HEX #00232E

RGB 0 35 46

HSL 194.35, 1%, 0.09%

LAB 11.95, -7.59, -10.82

 

CMYK 100 / 37 / 0 / 89

HEX #00111B

RGB 0 17 27

HSL 202.22, 1%, 0.05%

LAB 4.34, -2.37, -8.29

 

CMYK 100 / 100 / 0 / 97

HEX #000008

RGB 0 0 8

HSL 240, 1%, 0.02%

LAB 0.16, 1.11, -3.03

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 62 / 32 / 0 / 67

HEX #203954

RGB 32 57 84

HSL 211.15, 0.45%, 0.23%

LAB 23.25, -0.35, -19.26

 

CMYK 62 / 49 / 0 / 67

HEX #202B54

RGB 32 43 84

HSL 227.31, 0.45%, 0.23%

LAB 18.69, 9.52, -26.47

 

CMYK 57 / 62 / 0 / 67

HEX #242054

RGB 36 32 84

HSL 244.62, 0.45%, 0.23%

LAB 15.74, 18.43, -31.2

 

CMYK 40 / 62 / 0 / 67

HEX #322054

RGB 50 32 84

HSL 260.77, 0.45%, 0.23%

LAB 17.23, 22.02, -28.72

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 62 / 32 / 0 / 67

HEX #203954

RGB 32 57 84

HSL 211.15, 0.45%, 0.23%

LAB 23.25, -0.35, -19.26

 

CMYK 62 / 49 / 0 / 67

HEX #202B54

RGB 32 43 84

HSL 227.31, 0.45%, 0.23%

LAB 18.69, 9.52, -26.47

 

CMYK 62 / 62 / 0 / 67

HEX #202054

RGB 32 32 84

HSL 240, 0.45%, 0.23%

LAB 15.38, 17.52, -31.79

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 75 / 19 / 0 / 64

HEX #174B5D

RGB 23 75 93

HSL 195.43, 0.6%, 0.23%

LAB 29.42, -10.4, -15.56

 

CMYK 87 / 22 / 0 / 60

HEX #0D5067

RGB 13 80 103

HSL 195.33, 0.78%, 0.23%

LAB 31.35, -10.91, -18.96

 

CMYK 96 / 24 / 0 / 56

HEX #045570

RGB 4 85 112

HSL 195, 0.93%, 0.23%

LAB 33.33, -11.12, -21.54

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 43 / 11 / 0 / 71

HEX #2A424A

RGB 42 66 74

HSL 195, 0.28%, 0.23%

LAB 26.4, -6.84, -7.79

 

CMYK 22 / 6 / 0 / 75

HEX #333D41

RGB 51 61 65

HSL 197.14, 0.12%, 0.23%

LAB 25.02, -3.08, -3.84

 

CMYK 0 / 7 / 10 / 76

HEX #3D3937

RGB 61 57 55

HSL 20, 0.05%, 0.23%

LAB 24.3, 1.31, 1.86

 

CMYK 0 / 26 / 34 / 73

HEX #46342E

RGB 70 52 46

HSL 15, 0.21%, 0.23%

LAB 23.52, 7.07, 6.91

 

CMYK 62 / 0 / 18 / 67

HEX #205445

RGB 32 84 69

HSL 162.69, 0.45%, 0.23%

LAB 31.98, -21.49, 3.61

 

CMYK 62 / 0 / 1 / 67

HEX #205453

RGB 32 84 83

HSL 178.85, 0.45%, 0.23%

LAB 32.42, -17.35, -4.62

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 62 / 32 / 0 / 67

HEX #203954

RGB 32 57 84

HSL 211.15, 0.45%, 0.23%

LAB 23.25, -0.35, -19.26

 

CMYK 62 / 48 / 0 / 67

HEX #202C54

RGB 32 44 84

HSL 226.15, 0.45%, 0.23%

LAB 19.01, 8.8, -25.97

 

CMYK 64 / 16 / 0 / 90

HEX #091519

RGB 9 21 25

HSL 195, 0.47%, 0.07%

LAB 6, -3.09, -4.21

 

CMYK 61 / 15 / 0 / 79

HEX #152E36

RGB 21 46 54

HSL 194.55, 0.44%, 0.15%

LAB 17.37, -6.89, -8.1

 

CMYK 62 / 15 / 0 / 67

HEX #204754

RGB 32 71 84

HSL 195, 0.45%, 0.23%

LAB 27.99, -9.41, -11.94

 

CMYK 61 / 16 / 0 / 55

HEX #2C6072

RGB 44 96 114

HSL 195.43, 0.44%, 0.31%

LAB 38.05, -11.51, -15.42

 

CMYK 62 / 15 / 0 / 44

HEX #37798F

RGB 55 121 143

HSL 195, 0.44%, 0.39%

LAB 47.59, -14.03, -18.25

 

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

CMYK 33 / 62 / 0 / 67

HEX #382054

RGB 56 32 84

HSL 267.69, 0.45%, 0.23%

LAB 17.98, 23.71, -27.47

 

CMYK 0 / 10 / 62 / 67

HEX #544C20

RGB 84 76 32

HSL 50.77, 0.45%, 0.23%

LAB 32.16, -3.12, 26.92

 

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

CMYK 0 / 62 / 15 / 67

HEX #542047

RGB 84 32 71

HSL 315, 0.45%, 0.23%

LAB 21.48, 29.59, -12.87

 

CMYK 15 / 0 / 62 / 67

HEX #475420

RGB 71 84 32

HSL 75, 0.45%, 0.23%

LAB 33.53, -14.08, 28.17

 

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

CMYK 33 / 62 / 0 / 67

HEX #382054

RGB 56 32 84

HSL 267.69, 0.45%, 0.23%

LAB 17.98, 23.71, -27.47

 

CMYK 0 / 46 / 62 / 67

HEX #542D20

RGB 84 45 32

HSL 15, 0.45%, 0.23%

LAB 23.22, 16.46, 16.15

 

CMYK 27 / 0 / 62 / 67

HEX #3D5420

RGB 61 84 32

HSL 86.54, 0.45%, 0.23%

LAB 32.78, -18.58, 27.11

 

CMYK 61 / 15 / 0 / 67

HEX #214754

RGB 33 71 84

HSL 195.29, 0.44%, 0.23%

LAB 28.03, -9.18, -11.86

 

CMYK 15 / 62 / 0 / 67

HEX #472054

RGB 71 32 84

HSL 285, 0.45%, 0.23%

LAB 20.09, 28.14, -23.98

 

CMYK 0 / 46 / 62 / 67

HEX #542D20

RGB 84 45 32

HSL 15, 0.45%, 0.23%

LAB 23.22, 16.46, 16.15

 

CMYK 46 / 0 / 62 / 67

HEX #2D5420

RGB 45 84 32

HSL 105, 0.45%, 0.23%

LAB 31.81, -25.03, 25.74

 

Description

Color code: HEX #214754 | qconv.com Color code: HEX #214754 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 71 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 71 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 15 magenta, none yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 15% 0% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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