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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20CF72 it is the complementary color #DF308D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20CF72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20CF72 shade: #25CF6D, #36E180, #47F393, #58FFA6 and #69FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20CF72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20CF72 shade: #20CF72, #0FBD5F, #00AB4C, #009939 and #008726

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20CF72 shade: #20CF72, #20CF43, #2CCF20, #5BCF20 and #8BCF20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20CF72 shade: #20CF72, #20CFA1, #20CDCF, #209ECF and #206FCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20CF72 shade matches the following richer shades: #20CF72 and #0CE271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20CF72 shade: #20CF72, #33BB73, #47A874, #5A9576 and #6D8177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20CF72 shade: #2CCF20, #20CF43, #20CF72, #20CFA0 and #20CFCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20CF72 shade: #15874A, #1AAB5E, #20CF72, #38E087 and #5CE59C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20CF72 shade: #20CF72, #205ACF and #CF2C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20CF72 shade: #20CF72, #7220CF and #CF7220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20CF72 shade: #20CF72, #205ACF, #CF207D and #CF9520

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20CF72 shade: #20CF72, #2026CF, #CF207D and #CFC920

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

Complementary color

CMYK 0 / 78 / 37 / 13

HEX #DF308D

RGB 223 48 141

HSL 328.11, 0.73%, 0.53%

LAB 51.52, 71.7, -9.37

 

CMYK 82 / 0 / 47 / 19

HEX #25CF6D

RGB 37 207 109

HSL 145.41, 0.7%, 0.48%

LAB 73.63, -62.42, 37.15

 

CMYK 76 / 0 / 43 / 12

HEX #36E180

RGB 54 225 128

HSL 145.96, 0.74%, 0.55%

LAB 79.72, -63.53, 35.53

 

CMYK 71 / 0 / 40 / 5

HEX #47F393

RGB 71 243 147

HSL 146.51, 0.88%, 0.62%

LAB 85.78, -64.27, 34.01

 

CMYK 65 / 0 / 35 / 0

HEX #58FFA6

RGB 88 255 166

HSL 148.02, 1%, 0.67%

LAB 90.02, -62.53, 30.21

 

CMYK 59 / 0 / 27 / 0

HEX #69FFB9

RGB 105 255 185

HSL 152, 1%, 0.71%

LAB 90.79, -55.76, 21.71

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 92 / 0 / 50 / 26

HEX #0FBD5F

RGB 15 189 95

HSL 147.59, 0.85%, 0.4%

LAB 67.52, -60.34, 36.4

 

CMYK 100 / 0 / 56 / 33

HEX #00AB4C

RGB 0 171 76

HSL 146.67, 1%, 0.34%

LAB 61.35, -58.09, 38.21

 

CMYK 100 / 0 / 63 / 40

HEX #009939

RGB 0 153 57

HSL 142.35, 1%, 0.3%

LAB 55.15, -54.96, 40.02

 

CMYK 100 / 0 / 72 / 47

HEX #008726

RGB 0 135 38

HSL 136.89, 1%, 0.26%

LAB 48.84, -51.49, 41.49

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 0 / 68 / 19

HEX #20CF43

RGB 32 207 67

HSL 132, 0.73%, 0.47%

LAB 73.11, -68.43, 55.67

 

CMYK 79 / 0 / 85 / 19

HEX #2CCF20

RGB 44 207 32

HSL 115.89, 0.73%, 0.47%

LAB 73.07, -69.59, 66.9

 

CMYK 56 / 0 / 85 / 19

HEX #5BCF20

RGB 91 207 32

HSL 99.77, 0.73%, 0.47%

LAB 74.16, -60.39, 68.29

 

CMYK 33 / 0 / 85 / 19

HEX #8BCF20

RGB 139 207 32

HSL 83.31, 0.73%, 0.47%

LAB 76.2, -45.22, 70.86

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 0 / 22 / 19

HEX #20CFA1

RGB 32 207 161

HSL 164.23, 0.73%, 0.47%

LAB 74.51, -52.22, 11.23

 

CMYK 85 / 1 / 0 / 19

HEX #20CDCF

RGB 32 205 207

HSL 180.69, 0.73%, 0.47%

LAB 75.12, -38.92, -12.67

 

CMYK 85 / 24 / 0 / 19

HEX #209ECF

RGB 32 158 207

HSL 196.8, 0.73%, 0.47%

LAB 61.02, -15.56, -34.23

 

CMYK 85 / 46 / 0 / 19

HEX #206FCF

RGB 32 111 207

HSL 212.91, 0.73%, 0.47%

LAB 47.21, 12.22, -56.1

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 95 / 0 / 50 / 11

HEX #0CE271

RGB 12 226 113

HSL 148.32, 0.9%, 0.47%

LAB 79.42, -69.63, 42.43

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 73 / 0 / 39 / 27

HEX #33BB73

RGB 51 187 115

HSL 148.24, 0.57%, 0.47%

LAB 67.64, -52.44, 26.34

 

CMYK 58 / 0 / 31 / 34

HEX #47A874

RGB 71 168 116

HSL 147.84, 0.41%, 0.47%

LAB 62.17, -40.79, 18.52

 

CMYK 40 / 0 / 21 / 42

HEX #5A9576

RGB 90 149 118

HSL 148.47, 0.25%, 0.47%

LAB 57.05, -26.51, 10.4

 

CMYK 16 / 0 / 8 / 49

HEX #6D8177

RGB 109 129 119

HSL 150, 0.08%, 0.47%

LAB 52.16, -9.4, 2.98

 

CMYK 79 / 0 / 85 / 19

HEX #2CCF20

RGB 44 207 32

HSL 115.89, 0.73%, 0.47%

LAB 73.07, -69.59, 66.9

 

CMYK 85 / 0 / 68 / 19

HEX #20CF43

RGB 32 207 67

HSL 132, 0.73%, 0.47%

LAB 73.11, -68.43, 55.67

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 0 / 23 / 19

HEX #20CFA0

RGB 32 207 160

HSL 163.89, 0.73%, 0.47%

LAB 74.49, -52.46, 11.74

 

CMYK 85 / 0 / 0 / 19

HEX #20CFCF

RGB 32 207 207

HSL 180, 0.73%, 0.47%

LAB 75.72, -39.83, -11.78

 

CMYK 84 / 0 / 45 / 47

HEX #15874A

RGB 21 135 74

HSL 147.89, 0.73%, 0.31%

LAB 49.47, -44.54, 24.46

 

CMYK 85 / 0 / 45 / 33

HEX #1AAB5E

RGB 26 171 94

HSL 148.14, 0.74%, 0.39%

LAB 61.79, -53.52, 29.66

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 75 / 0 / 40 / 12

HEX #38E087

RGB 56 224 135

HSL 148.21, 0.73%, 0.55%

LAB 79.56, -61.68, 31.8

 

CMYK 60 / 0 / 32 / 10

HEX #5CE59C

RGB 92 229 156

HSL 148.03, 0.72%, 0.63%

LAB 82.22, -53.64, 24.76

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 57 / 0 / 19

HEX #205ACF

RGB 32 90 207

HSL 220.11, 0.73%, 0.47%

LAB 41.41, 25.78, -65.48

 

CMYK 0 / 79 / 85 / 19

HEX #CF2C20

RGB 207 44 32

HSL 4.11, 0.73%, 0.47%

LAB 45.87, 61.58, 47.1

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 45 / 85 / 0 / 19

HEX #7220CF

RGB 114 32 207

HSL 268.11, 0.73%, 0.47%

LAB 36.21, 65.88, -73.78

 

CMYK 0 / 45 / 85 / 19

HEX #CF7220

RGB 207 114 32

HSL 28.11, 0.73%, 0.47%

LAB 57.47, 31.2, 57.1

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 57 / 0 / 19

HEX #205ACF

RGB 32 90 207

HSL 220.11, 0.73%, 0.47%

LAB 41.41, 25.78, -65.48

 

CMYK 0 / 85 / 40 / 19

HEX #CF207D

RGB 207 32 125

HSL 328.11, 0.73%, 0.47%

LAB 46.68, 70.06, -7.24

 

CMYK 0 / 28 / 85 / 19

HEX #CF9520

RGB 207 149 32

HSL 40.11, 0.73%, 0.47%

LAB 65.64, 12.32, 63.99

 

CMYK 85 / 0 / 45 / 19

HEX #20CF72

RGB 32 207 114

HSL 148.11, 0.73%, 0.47%

LAB 73.64, -62.04, 34.65

 

CMYK 85 / 82 / 0 / 19

HEX #2026CF

RGB 32 38 207

HSL 237.94, 0.73%, 0.47%

LAB 29.91, 56.74, -84.42

 

CMYK 0 / 85 / 40 / 19

HEX #CF207D

RGB 207 32 125

HSL 328.11, 0.73%, 0.47%

LAB 46.68, 70.06, -7.24

 

CMYK 0 / 3 / 85 / 19

HEX #CFC920

RGB 207 201 32

HSL 57.94, 0.73%, 0.47%

LAB 79.12, -14.97, 75.18

 

Description

Color code: HEX #20CF72 | qconv.com Color code: HEX #20CF72 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 207 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 207 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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