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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #209AAB it is the complementary color #DF6554. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #209AAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #209AAB shade: #259AA6, #36ACB9, #47BECC, #58D0DF and #69E2F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #209AAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #209AAB shade: #209AAB, #0F8898, #007685, #006472 and #00525F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #209AAB shade: #209AAB, #2074AB, #204FAB, #202AAB and #3C20AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #209AAB shade: #209AAB, #2074AB, #204FAB, #202AAB and #2020AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #209AAB shade matches the following richer shades: #209AAB and #10A6BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #209AAB shade: #209AAB, #318D9A, #41818A, #527479 and #626869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #209AAB shade: #20AB71, #20AB96, #209BAB, #2076AB and #2051AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #209AAB shade: #135B66, #1A7B88, #209AAB, #27B9CE and #43C8DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #209AAB shade: #209AAB, #4C20AB and #AB8420

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #209AAB shade: #209AAB, #AB209B and #9BAB20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #209AAB shade: #209AAB, #4C20AB, #AB3020 and #7FAB20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #209AAB shade: #209AAB, #7620AB, #AB3020 and #55AB20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

Complementary color

CMYK 0 / 55 / 62 / 13

HEX #DF6554

RGB 223 101 84

HSL 7.34, 0.68%, 0.6%

LAB 57.69, 46.42, 32.78

 

CMYK 78 / 7 / 0 / 35

HEX #259AA6

RGB 37 154 166

HSL 185.58, 0.64%, 0.4%

LAB 58.28, -26.79, -15.33

 

CMYK 71 / 7 / 0 / 27

HEX #36ACB9

RGB 54 172 185

HSL 185.95, 0.55%, 0.47%

LAB 64.8, -27.77, -16.12

 

CMYK 65 / 7 / 0 / 20

HEX #47BECC

RGB 71 190 204

HSL 186.32, 0.57%, 0.54%

LAB 71.23, -28.49, -16.83

 

CMYK 61 / 7 / 0 / 13

HEX #58D0DF

RGB 88 208 223

HSL 186.67, 0.68%, 0.61%

LAB 77.59, -29.01, -17.48

 

CMYK 57 / 7 / 0 / 5

HEX #69E2F2

RGB 105 226 242

HSL 187.01, 0.84%, 0.68%

LAB 83.87, -29.4, -18.08

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 90 / 11 / 0 / 40

HEX #0F8898

RGB 15 136 152

HSL 187.01, 0.82%, 0.33%

LAB 51.81, -24.09, -17.14

 

CMYK 100 / 11 / 0 / 48

HEX #007685

RGB 0 118 133

HSL 186.77, 1%, 0.26%

LAB 45.15, -22.07, -16.14

 

CMYK 100 / 12 / 0 / 55

HEX #006472

RGB 0 100 114

HSL 187.37, 1%, 0.22%

LAB 38.43, -19.24, -14.93

 

CMYK 100 / 14 / 0 / 63

HEX #00525F

RGB 0 82 95

HSL 188.21, 1%, 0.19%

LAB 31.49, -16.31, -13.7

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 81 / 32 / 0 / 33

HEX #2074AB

RGB 32 116 171

HSL 203.74, 0.68%, 0.4%

LAB 46.63, -4.69, -36.23

 

CMYK 81 / 54 / 0 / 33

HEX #204FAB

RGB 32 79 171

HSL 219.71, 0.68%, 0.4%

LAB 35.67, 19.02, -53.75

 

CMYK 81 / 75 / 0 / 33

HEX #202AAB

RGB 32 42 171

HSL 235.68, 0.68%, 0.4%

LAB 26.46, 42.97, -68.85

 

CMYK 65 / 81 / 0 / 33

HEX #3C20AB

RGB 60 32 171

HSL 252.09, 0.68%, 0.4%

LAB 26.55, 50.52, -68.64

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 81 / 32 / 0 / 33

HEX #2074AB

RGB 32 116 171

HSL 203.74, 0.68%, 0.4%

LAB 46.63, -4.69, -36.23

 

CMYK 81 / 54 / 0 / 33

HEX #204FAB

RGB 32 79 171

HSL 219.71, 0.68%, 0.4%

LAB 35.67, 19.02, -53.75

 

CMYK 81 / 75 / 0 / 33

HEX #202AAB

RGB 32 42 171

HSL 235.68, 0.68%, 0.4%

LAB 26.46, 42.97, -68.85

 

CMYK 81 / 81 / 0 / 33

HEX #2020AB

RGB 32 32 171

HSL 240, 0.68%, 0.4%

LAB 24.58, 48.37, -71.96

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 91 / 11 / 0 / 27

HEX #10A6BB

RGB 16 166 187

HSL 187.37, 0.84%, 0.4%

LAB 62.48, -27.53, -20.8

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 68 / 8 / 0 / 40

HEX #318D9A

RGB 49 141 154

HSL 187.43, 0.52%, 0.4%

LAB 54.06, -22.38, -14.82

 

CMYK 53 / 7 / 0 / 46

HEX #41818A

RGB 65 129 138

HSL 187.4, 0.36%, 0.4%

LAB 50.29, -17.83, -11.17

 

CMYK 32 / 4 / 0 / 53

HEX #527479

RGB 82 116 121

HSL 187.69, 0.19%, 0.4%

LAB 46.53, -10.76, -6.66

 

CMYK 7 / 1 / 0 / 59

HEX #626869

RGB 98 104 105

HSL 188.57, 0.03%, 0.4%

LAB 43.53, -2.08, -1.36

 

CMYK 81 / 0 / 34 / 33

HEX #20AB71

RGB 32 171 113

HSL 154.96, 0.68%, 0.4%

LAB 62.19, -49.16, 20.04

 

CMYK 81 / 0 / 12 / 33

HEX #20AB96

RGB 32 171 150

HSL 170.94, 0.68%, 0.4%

LAB 63.04, -40.04, 0.76

 

CMYK 81 / 9 / 0 / 33

HEX #209BAB

RGB 32 155 171

HSL 186.91, 0.68%, 0.4%

LAB 58.69, -26.18, -17.56

 

CMYK 81 / 31 / 0 / 33

HEX #2076AB

RGB 32 118 171

HSL 202.88, 0.68%, 0.4%

LAB 47.24, -5.89, -35.26

 

CMYK 81 / 53 / 0 / 33

HEX #2051AB

RGB 32 81 171

HSL 218.85, 0.68%, 0.4%

LAB 36.24, 17.68, -52.84

 

CMYK 81 / 11 / 0 / 60

HEX #135B66

RGB 19 91 102

HSL 187.95, 0.69%, 0.24%

LAB 35.16, -17.03, -12.47

 

CMYK 81 / 10 / 0 / 47

HEX #1A7B88

RGB 26 123 136

HSL 187.09, 0.68%, 0.32%

LAB 47.19, -21.86, -14.79

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 81 / 10 / 0 / 19

HEX #27B9CE

RGB 39 185 206

HSL 187.54, 0.68%, 0.48%

LAB 69.17, -29.26, -21.11

 

CMYK 69 / 9 / 0 / 14

HEX #43C8DB

RGB 67 200 219

HSL 187.5, 0.68%, 0.56%

LAB 74.58, -29.5, -19.92

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 56 / 81 / 0 / 33

HEX #4C20AB

RGB 76 32 171

HSL 258.99, 0.68%, 0.4%

LAB 28.14, 52.27, -65.96

 

CMYK 0 / 23 / 81 / 33

HEX #AB8420

RGB 171 132 32

HSL 43.17, 0.68%, 0.4%

LAB 57.33, 5.58, 55.25

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 0 / 81 / 9 / 33

HEX #AB209B

RGB 171 32 155

HSL 306.91, 0.68%, 0.4%

LAB 41.31, 65.59, -34.32

 

CMYK 9 / 0 / 81 / 33

HEX #9BAB20

RGB 155 171 32

HSL 66.91, 0.68%, 0.4%

LAB 66.67, -22.3, 62.96

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 56 / 81 / 0 / 33

HEX #4C20AB

RGB 76 32 171

HSL 258.99, 0.68%, 0.4%

LAB 28.14, 52.27, -65.96

 

CMYK 0 / 72 / 81 / 33

HEX #AB3020

RGB 171 48 32

HSL 6.91, 0.68%, 0.4%

LAB 39.37, 49.06, 38.54

 

CMYK 26 / 0 / 81 / 33

HEX #7FAB20

RGB 127 171 32

HSL 78.99, 0.68%, 0.4%

LAB 64.76, -33.93, 60.53

 

CMYK 81 / 10 / 0 / 33

HEX #209AAB

RGB 32 154 171

HSL 187.34, 0.68%, 0.4%

LAB 58.38, -25.68, -18.03

 

CMYK 31 / 81 / 0 / 33

HEX #7620AB

RGB 118 32 171

HSL 277.12, 0.68%, 0.4%

LAB 33.62, 58.36, -56.77

 

CMYK 0 / 72 / 81 / 33

HEX #AB3020

RGB 171 48 32

HSL 6.91, 0.68%, 0.4%

LAB 39.37, 49.06, 38.54

 

CMYK 50 / 0 / 81 / 33

HEX #55AB20

RGB 85 171 32

HSL 97.12, 0.68%, 0.4%

LAB 62.64, -48.85, 57.82

 

Description

Color code: HEX #209AAB | qconv.com Color code: HEX #209AAB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 154 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 154 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 10 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 10% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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