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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2095A6 it is the complementary color #DF6A59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2095A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2095A6 shade: #2595A1, #36A7B4, #47B9C7, #58CBDA and #69DDED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2095A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2095A6 shade: #2095A6, #0F8393, #007180, #005F6D and #004D5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2095A6 shade: #1F95A7, #1F71A7, #1F4CA7, #1F28A7 and #3B1FA7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2095A6 shade: #1F95A7, #1F71A7, #1F4CA7, #1F28A7 and #1F1FA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2095A6 shade matches the following richer shades: #1F95A7 and #0FA1B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2095A6 shade: #1F95A7, #2F8996, #407D86, #507176 and #606566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2095A6 shade: #1FA76E, #1FA792, #1F97A7, #1F73A7 and #1F4FA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2095A6 shade: #125761, #197684, #1F95A7, #26B5C9 and #3EC6DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2095A6 shade: #2095A6, #4A1FA7 and #A7801F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2095A6 shade: #2095A6, #A71F97 and #97A71F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2095A6 shade: #2095A6, #4A1FA7, #A72F1F and #7CA71F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2095A6 shade: #2095A6, #731FA7, #A72F1F and #53A71F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

Complementary color

CMYK 0 / 52 / 60 / 13

HEX #DF6A59

RGB 223 106 89

HSL 7.61, 0.68%, 0.61%

LAB 58.71, 44.32, 31.26

 

CMYK 77 / 7 / 0 / 37

HEX #2595A1

RGB 37 149 161

HSL 185.81, 0.63%, 0.39%

LAB 56.55, -25.87, -15.1

 

CMYK 70 / 7 / 0 / 29

HEX #36A7B4

RGB 54 167 180

HSL 186.19, 0.54%, 0.46%

LAB 63.11, -26.82, -15.88

 

CMYK 64 / 7 / 0 / 22

HEX #47B9C7

RGB 71 185 199

HSL 186.56, 0.53%, 0.53%

LAB 69.58, -27.5, -16.58

 

CMYK 60 / 7 / 0 / 15

HEX #58CBDA

RGB 88 203 218

HSL 186.92, 0.64%, 0.6%

LAB 75.98, -27.99, -17.22

 

CMYK 56 / 7 / 0 / 7

HEX #69DDED

RGB 105 221 237

HSL 187.27, 0.79%, 0.67%

LAB 82.29, -28.35, -17.81

 

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

CMYK 90 / 11 / 0 / 42

HEX #0F8393

RGB 15 131 147

HSL 187.27, 0.81%, 0.32%

LAB 50.03, -23.21, -16.95

 

CMYK 100 / 12 / 0 / 50

HEX #007180

RGB 0 113 128

HSL 187.03, 1%, 0.25%

LAB 43.31, -21.19, -15.95

 

CMYK 100 / 13 / 0 / 57

HEX #005F6D

RGB 0 95 109

HSL 187.71, 1%, 0.21%

LAB 36.53, -18.34, -14.74

 

CMYK 100 / 14 / 0 / 65

HEX #004D5A

RGB 0 77 90

HSL 188.67, 1%, 0.18%

LAB 29.53, -15.37, -13.52

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

CMYK 81 / 32 / 0 / 35

HEX #1F71A7

RGB 31 113 167

HSL 203.82, 0.69%, 0.39%

LAB 45.49, -4.5, -35.69

 

CMYK 81 / 54 / 0 / 35

HEX #1F4CA7

RGB 31 76 167

HSL 220.15, 0.69%, 0.39%

LAB 34.5, 19.35, -53.27

 

CMYK 81 / 76 / 0 / 35

HEX #1F28A7

RGB 31 40 167

HSL 236.03, 0.69%, 0.39%

LAB 25.56, 42.68, -67.92

 

CMYK 65 / 81 / 0 / 35

HEX #3B1FA7

RGB 59 31 167

HSL 252.35, 0.69%, 0.39%

LAB 25.86, 49.7, -67.36

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

CMYK 81 / 32 / 0 / 35

HEX #1F71A7

RGB 31 113 167

HSL 203.82, 0.69%, 0.39%

LAB 45.49, -4.5, -35.69

 

CMYK 81 / 54 / 0 / 35

HEX #1F4CA7

RGB 31 76 167

HSL 220.15, 0.69%, 0.39%

LAB 34.5, 19.35, -53.27

 

CMYK 81 / 76 / 0 / 35

HEX #1F28A7

RGB 31 40 167

HSL 236.03, 0.69%, 0.39%

LAB 25.56, 42.68, -67.92

 

CMYK 81 / 81 / 0 / 35

HEX #1F1FA7

RGB 31 31 167

HSL 240, 0.69%, 0.39%

LAB 23.87, 47.53, -70.72

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

CMYK 92 / 12 / 0 / 28

HEX #0FA1B7

RGB 15 161 183

HSL 187.86, 0.85%, 0.39%

LAB 60.79, -26.39, -21.14

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

CMYK 69 / 9 / 0 / 41

HEX #2F8996

RGB 47 137 150

HSL 187.57, 0.52%, 0.39%

LAB 52.62, -21.87, -14.7

 

CMYK 52 / 7 / 0 / 47

HEX #407D86

RGB 64 125 134

HSL 187.71, 0.35%, 0.39%

LAB 48.86, -17.07, -10.98

 

CMYK 32 / 4 / 0 / 54

HEX #507176

RGB 80 113 118

HSL 187.89, 0.19%, 0.39%

LAB 45.39, -10.46, -6.58

 

CMYK 6 / 1 / 0 / 60

HEX #606566

RGB 96 101 102

HSL 190, 0.03%, 0.39%

LAB 42.39, -1.71, -1.24

 

CMYK 81 / 0 / 34 / 35

HEX #1FA76E

RGB 31 167 110

HSL 154.85, 0.69%, 0.39%

LAB 60.83, -48.36, 19.82

 

CMYK 81 / 0 / 13 / 35

HEX #1FA792

RGB 31 167 146

HSL 170.74, 0.69%, 0.39%

LAB 61.66, -39.47, 0.98

 

CMYK 81 / 10 / 0 / 35

HEX #1F97A7

RGB 31 151 167

HSL 187.06, 0.69%, 0.39%

LAB 57.28, -25.56, -17.42

 

CMYK 81 / 31 / 0 / 35

HEX #1F73A7

RGB 31 115 167

HSL 202.94, 0.69%, 0.39%

LAB 46.1, -5.7, -34.72

 

CMYK 81 / 53 / 0 / 35

HEX #1F4FA7

RGB 31 79 167

HSL 218.82, 0.69%, 0.39%

LAB 35.35, 17.33, -51.9

 

CMYK 81 / 10 / 0 / 62

HEX #125761

RGB 18 87 97

HSL 187.59, 0.69%, 0.23%

LAB 33.58, -16.68, -11.75

 

CMYK 81 / 11 / 0 / 48

HEX #197684

RGB 25 118 132

HSL 187.85, 0.68%, 0.31%

LAB 45.4, -20.67, -15.14

 

CMYK 81 / 11 / 0 / 35

HEX #1F95A7

RGB 31 149 167

HSL 187.94, 0.69%, 0.39%

LAB 56.66, -24.54, -18.37

 

CMYK 81 / 10 / 0 / 21

HEX #26B5C9

RGB 38 181 201

HSL 187.36, 0.68%, 0.47%

LAB 67.78, -28.97, -20.48

 

CMYK 72 / 9 / 0 / 15

HEX #3EC6DA

RGB 62 198 218

HSL 187.69, 0.68%, 0.55%

LAB 73.85, -29.47, -20.5

 

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

CMYK 56 / 81 / 0 / 35

HEX #4A1FA7

RGB 74 31 167

HSL 258.97, 0.69%, 0.39%

LAB 27.37, 51.36, -64.82

 

CMYK 0 / 23 / 81 / 35

HEX #A7801F

RGB 167 128 31

HSL 42.79, 0.69%, 0.39%

LAB 55.84, 5.95, 54.1

 

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

CMYK 0 / 81 / 10 / 35

HEX #A71F97

RGB 167 31 151

HSL 307.06, 0.69%, 0.39%

LAB 40.3, 64.4, -33.55

 

CMYK 10 / 0 / 81 / 35

HEX #97A71F

RGB 151 167 31

HSL 67.06, 0.69%, 0.39%

LAB 65.21, -22.07, 61.83

 

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

CMYK 56 / 81 / 0 / 35

HEX #4A1FA7

RGB 74 31 167

HSL 258.97, 0.69%, 0.39%

LAB 27.37, 51.36, -64.82

 

CMYK 0 / 72 / 81 / 35

HEX #A72F1F

RGB 167 47 31

HSL 7.06, 0.69%, 0.39%

LAB 38.46, 48.08, 37.92

 

CMYK 26 / 0 / 81 / 35

HEX #7CA71F

RGB 124 167 31

HSL 78.97, 0.69%, 0.39%

LAB 63.36, -33.33, 59.48

 

CMYK 81 / 10 / 0 / 35

HEX #2095A6

RGB 32 149 166

HSL 187.61, 0.68%, 0.39%

LAB 56.64, -24.77, -17.83

 

CMYK 31 / 81 / 0 / 35

HEX #731FA7

RGB 115 31 167

HSL 277.06, 0.69%, 0.39%

LAB 32.73, 57.32, -55.82

 

CMYK 0 / 72 / 81 / 35

HEX #A72F1F

RGB 167 47 31

HSL 7.06, 0.69%, 0.39%

LAB 38.46, 48.08, 37.92

 

CMYK 50 / 0 / 81 / 35

HEX #53A71F

RGB 83 167 31

HSL 97.06, 0.69%, 0.39%

LAB 61.29, -47.96, 56.83

 

Description

Color code: HEX #2095A6 | qconv.com Color code: HEX #2095A6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 149 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 149 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 10 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 10% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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