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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20823F it is the complementary color #DF7DC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20823F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20823F shade: #25823A, #36944D, #47A660, #58B873 and #69CA86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20823F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20823F shade: #20823F, #0F702C, #005E19, #004C06 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20823F shade: #20823F, #208225, #368220, #508220 and #6B8220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20823F shade: #20823F, #20825A, #208274, #207682 and #205B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20823F shade matches the following richer shades: #20823F, #138F3A and #069C35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20823F shade: #20823F, #2D7544, #3B6849, #485A4E and #554D53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20823F shade: #378220, #208223, #20823E, #208258 and #208272

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20823F shade: #10401F, #18612F, #20823F, #28A34F and #31C45F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20823F shade: #20823F, #205182 and #82202A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20823F shade: #20823F, #3E2082 and #823E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20823F shade: #20823F, #205182, #822065 and #825120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20823F shade: #20823F, #203482, #822065 and #826E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

Complementary color

CMYK 0 / 44 / 14 / 13

HEX #DF7DC0

RGB 223 125 192

HSL 318.98, 0.6%, 0.68%

LAB 65.09, 46.64, -18.47

 

CMYK 72 / 0 / 55 / 49

HEX #25823A

RGB 37 130 58

HSL 133.55, 0.56%, 0.33%

LAB 47.83, -43.03, 31.03

 

CMYK 64 / 0 / 48 / 42

HEX #36944D

RGB 54 148 77

HSL 134.68, 0.47%, 0.4%

LAB 54.55, -43.55, 29.48

 

CMYK 57 / 0 / 42 / 35

HEX #47A660

RGB 71 166 96

HSL 135.79, 0.4%, 0.46%

LAB 61.18, -43.72, 28.01

 

CMYK 52 / 0 / 38 / 28

HEX #58B873

RGB 88 184 115

HSL 136.88, 0.4%, 0.53%

LAB 67.72, -43.7, 26.64

 

CMYK 48 / 0 / 34 / 21

HEX #69CA86

RGB 105 202 134

HSL 137.94, 0.48%, 0.6%

LAB 74.17, -43.56, 25.36

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 87 / 0 / 61 / 56

HEX #0F702C

RGB 15 112 44

HSL 137.94, 0.76%, 0.25%

LAB 41.01, -41.84, 30.01

 

CMYK 100 / 0 / 73 / 63

HEX #005E19

RGB 0 94 25

HSL 135.96, 1%, 0.18%

LAB 34.14, -39.66, 31.5

 

CMYK 100 / 0 / 92 / 70

HEX #004C06

RGB 0 76 6

HSL 124.74, 1%, 0.15%

LAB 27.25, -35.42, 32.2

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 0 / 72 / 49

HEX #208225

RGB 32 130 37

HSL 123.06, 0.6%, 0.32%

LAB 47.5, -46.56, 40.61

 

CMYK 58 / 0 / 75 / 49

HEX #368220

RGB 54 130 32

HSL 106.53, 0.6%, 0.32%

LAB 48.08, -42.01, 43.41

 

CMYK 38 / 0 / 75 / 49

HEX #508220

RGB 80 130 32

HSL 90.61, 0.6%, 0.32%

LAB 49.22, -33.46, 44.94

 

CMYK 18 / 0 / 75 / 49

HEX #6B8220

RGB 107 130 32

HSL 74.08, 0.6%, 0.32%

LAB 50.91, -22.45, 47.17

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 0 / 31 / 49

HEX #20825A

RGB 32 130 90

HSL 155.51, 0.6%, 0.32%

LAB 48.27, -37.71, 13.86

 

CMYK 75 / 0 / 11 / 49

HEX #208274

RGB 32 130 116

HSL 171.43, 0.6%, 0.32%

LAB 48.93, -30.91, -0.39

 

CMYK 75 / 9 / 0 / 49

HEX #207682

RGB 32 118 130

HSL 187.35, 0.6%, 0.32%

LAB 45.46, -20.51, -13.84

 

CMYK 75 / 30 / 0 / 49

HEX #205B82

RGB 32 91 130

HSL 203.88, 0.6%, 0.32%

LAB 36.75, -4.93, -27.29

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 87 / 0 / 59 / 44

HEX #138F3A

RGB 19 143 58

HSL 138.87, 0.77%, 0.32%

LAB 51.94, -50.25, 35.85

 

CMYK 96 / 0 / 66 / 39

HEX #069C35

RGB 6 156 53

HSL 138.8, 0.93%, 0.32%

LAB 56.16, -56.05, 42.98

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 62 / 0 / 42 / 54

HEX #2D7544

RGB 45 117 68

HSL 139.17, 0.44%, 0.32%

LAB 43.8, -34.26, 20.51

 

CMYK 43 / 0 / 30 / 59

HEX #3B6849

RGB 59 104 73

HSL 138.67, 0.28%, 0.32%

LAB 40.1, -23.09, 12.72

 

CMYK 20 / 0 / 13 / 65

HEX #485A4E

RGB 72 90 78

HSL 140, 0.11%, 0.32%

LAB 36.44, -9.66, 4.66

 

CMYK 0 / 9 / 2 / 67

HEX #554D53

RGB 85 77 83

HSL 315, 0.05%, 0.32%

LAB 33.7, 4.56, -2.34

 

CMYK 58 / 0 / 75 / 49

HEX #378220

RGB 55 130 32

HSL 105.92, 0.6%, 0.32%

LAB 48.11, -41.73, 43.46

 

CMYK 75 / 0 / 73 / 49

HEX #208223

RGB 32 130 35

HSL 121.84, 0.6%, 0.32%

LAB 47.49, -46.76, 41.42

 

CMYK 75 / 0 / 52 / 49

HEX #20823E

RGB 32 130 62

HSL 138.37, 0.6%, 0.32%

LAB 47.78, -43.29, 28.83

 

CMYK 75 / 0 / 32 / 49

HEX #208258

RGB 32 130 88

HSL 154.29, 0.6%, 0.32%

LAB 48.23, -38.17, 14.95

 

CMYK 75 / 0 / 12 / 49

HEX #208272

RGB 32 130 114

HSL 170.2, 0.6%, 0.32%

LAB 48.87, -31.48, 0.71

 

CMYK 75 / 0 / 52 / 75

HEX #10401F

RGB 16 64 31

HSL 138.75, 0.6%, 0.16%

LAB 23.26, -24.71, 15.6

 

CMYK 75 / 0 / 52 / 62

HEX #18612F

RGB 24 97 47

HSL 138.9, 0.6%, 0.24%

LAB 35.89, -34.27, 22.18

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 0 / 52 / 36

HEX #28A34F

RGB 40 163 79

HSL 139.02, 0.61%, 0.4%

LAB 59.17, -51.52, 34.14

 

CMYK 75 / 0 / 52 / 23

HEX #31C45F

RGB 49 196 95

HSL 138.78, 0.6%, 0.48%

LAB 70.15, -59.42, 39.76

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 38 / 0 / 49

HEX #205182

RGB 32 81 130

HSL 210, 0.6%, 0.32%

LAB 33.57, 1.43, -32.29

 

CMYK 0 / 75 / 68 / 49

HEX #82202A

RGB 130 32 42

HSL 353.88, 0.6%, 0.32%

LAB 29.28, 41.99, 19

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 52 / 75 / 0 / 49

HEX #3E2082

RGB 62 32 130

HSL 258.37, 0.6%, 0.32%

LAB 22.55, 38.67, -49.98

 

CMYK 0 / 52 / 75 / 49

HEX #823E20

RGB 130 62 32

HSL 18.37, 0.6%, 0.32%

LAB 34.59, 26.99, 31.32

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 38 / 0 / 49

HEX #205182

RGB 32 81 130

HSL 210, 0.6%, 0.32%

LAB 33.57, 1.43, -32.29

 

CMYK 0 / 75 / 22 / 49

HEX #822065

RGB 130 32 101

HSL 317.76, 0.6%, 0.32%

LAB 31.16, 48.07, -17.11

 

CMYK 0 / 38 / 75 / 49

HEX #825120

RGB 130 81 32

HSL 30, 0.6%, 0.32%

LAB 39.13, 16.02, 36.13

 

CMYK 75 / 0 / 52 / 49

HEX #20823F

RGB 32 130 63

HSL 138.98, 0.6%, 0.32%

LAB 47.79, -43.12, 28.32

 

CMYK 75 / 60 / 0 / 49

HEX #203482

RGB 32 52 130

HSL 227.76, 0.6%, 0.32%

LAB 24.87, 21.27, -46.27

 

CMYK 0 / 75 / 22 / 49

HEX #822065

RGB 130 32 101

HSL 317.76, 0.6%, 0.32%

LAB 31.16, 48.07, -17.11

 

CMYK 0 / 15 / 75 / 49

HEX #826E20

RGB 130 110 32

HSL 47.76, 0.6%, 0.32%

LAB 46.98, -1, 44.02

 

Description

Color code: HEX #20823F | qconv.com Color code: HEX #20823F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 130 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 130 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 52 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 52% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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