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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #205B6D it is the complementary color #DFA492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #205B6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #205B6D shade: #255B68, #366D7B, #477F8E, #5891A1 and #69A3B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #205B6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #205B6D shade: #205B6D, #0F495A, #003747, #002534 and #001321

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #205B6D shade: #205C6E, #20476E, #20316E, #23206E and #38206E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #205B6D shade: #205C6E, #20476E, #20316E and #20206E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #205B6D shade matches the following richer shades: #205C6E, #14627A and #096885

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #205B6D shade: #205C6E, #2B5663, #375057, #42494C and #4E4340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #205B6D shade: #206E57, #206E6C, #205C6E, #20476E and #20326E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #205B6D shade: #0D262E, #16414E, #205C6E, #29768E and #3291AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #205B6D shade: #205B6D, #42206E and #6E6120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #205B6D shade: #205B6D, #6E205C and #5C6E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #205B6D shade: #205B6D, #42206E, #6E3220 and #4C6E20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #205B6D shade: #205B6D, #59206E, #6E3220 and #356E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

Complementary color

CMYK 0 / 26 / 35 / 13

HEX #DFA492

RGB 223 164 146

HSL 14.03, 0.55%, 0.72%

LAB 72.44, 19.43, 17.91

 

CMYK 64 / 13 / 0 / 59

HEX #255B68

RGB 37 91 104

HSL 191.64, 0.48%, 0.28%

LAB 35.74, -13.42, -12.78

 

CMYK 56 / 11 / 0 / 52

HEX #366D7B

RGB 54 109 123

HSL 192.17, 0.39%, 0.35%

LAB 42.99, -13.86, -13.33

 

CMYK 50 / 11 / 0 / 44

HEX #477F8E

RGB 71 127 142

HSL 192.68, 0.33%, 0.42%

LAB 50.06, -14.13, -13.83

 

CMYK 45 / 10 / 0 / 37

HEX #5891A1

RGB 88 145 161

HSL 193.15, 0.29%, 0.49%

LAB 56.98, -14.3, -14.29

 

CMYK 42 / 9 / 0 / 29

HEX #69A3B4

RGB 105 163 180

HSL 193.6, 0.33%, 0.56%

LAB 63.75, -14.41, -14.74

 

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

CMYK 83 / 19 / 0 / 65

HEX #0F495A

RGB 15 73 90

HSL 193.6, 0.71%, 0.21%

LAB 28.39, -11.48, -15.24

 

CMYK 100 / 23 / 0 / 72

HEX #003747

RGB 0 55 71

HSL 193.52, 1%, 0.14%

LAB 20.78, -9.76, -14.53

 

CMYK 100 / 29 / 0 / 80

HEX #002534

RGB 0 37 52

HSL 197.31, 1%, 0.1%

LAB 13.05, -6.23, -13.41

 

CMYK 100 / 42 / 0 / 87

HEX #001321

RGB 0 19 33

HSL 205.45, 1%, 0.06%

LAB 5.2, -1.62, -11.64

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 71 / 35 / 0 / 57

HEX #20476E

RGB 32 71 110

HSL 210, 0.55%, 0.28%

LAB 29.26, 0.21, -26.62

 

CMYK 71 / 55 / 0 / 57

HEX #20316E

RGB 32 49 110

HSL 226.92, 0.55%, 0.28%

LAB 22.41, 15.45, -37.57

 

CMYK 68 / 71 / 0 / 57

HEX #23206E

RGB 35 32 110

HSL 242.31, 0.55%, 0.28%

LAB 17.99, 27.75, -44.75

 

CMYK 49 / 71 / 0 / 57

HEX #38206E

RGB 56 32 110

HSL 258.46, 0.55%, 0.28%

LAB 20.04, 31.52, -41.31

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 71 / 35 / 0 / 57

HEX #20476E

RGB 32 71 110

HSL 210, 0.55%, 0.28%

LAB 29.26, 0.21, -26.62

 

CMYK 71 / 55 / 0 / 57

HEX #20316E

RGB 32 49 110

HSL 226.92, 0.55%, 0.28%

LAB 22.41, 15.45, -37.57

 

CMYK 71 / 71 / 0 / 57

HEX #20206E

RGB 32 32 110

HSL 240, 0.55%, 0.28%

LAB 17.76, 27.32, -45.13

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 84 / 20 / 0 / 52

HEX #14627A

RGB 20 98 122

HSL 194.12, 0.72%, 0.28%

LAB 38.36, -13.64, -19.91

 

CMYK 93 / 22 / 0 / 48

HEX #096885

RGB 9 104 133

HSL 194.03, 0.87%, 0.28%

LAB 40.66, -13.84, -23.04

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 57 / 13 / 0 / 61

HEX #2B5663

RGB 43 86 99

HSL 193.93, 0.39%, 0.28%

LAB 34.13, -10.81, -12.09

 

CMYK 37 / 8 / 0 / 66

HEX #375057

RGB 55 80 87

HSL 193.13, 0.23%, 0.28%

LAB 32.34, -7.48, -7.15

 

CMYK 13 / 4 / 0 / 70

HEX #42494C

RGB 66 73 76

HSL 198, 0.07%, 0.28%

LAB 30.51, -2.12, -2.76

 

CMYK 0 / 14 / 18 / 69

HEX #4E4340

RGB 78 67 64

HSL 12.86, 0.1%, 0.28%

LAB 29.42, 4.12, 3.55

 

CMYK 71 / 0 / 21 / 57

HEX #206E57

RGB 32 110 87

HSL 162.31, 0.55%, 0.28%

LAB 41.45, -29.49, 6.06

 

CMYK 71 / 0 / 2 / 57

HEX #206E6C

RGB 32 110 108

HSL 178.46, 0.55%, 0.28%

LAB 42.06, -23.41, -5.74

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 71 / 35 / 0 / 57

HEX #20476E

RGB 32 71 110

HSL 210, 0.55%, 0.28%

LAB 29.26, 0.21, -26.62

 

CMYK 71 / 55 / 0 / 57

HEX #20326E

RGB 32 50 110

HSL 226.15, 0.55%, 0.28%

LAB 22.7, 14.74, -37.09

 

CMYK 72 / 17 / 0 / 82

HEX #0D262E

RGB 13 38 46

HSL 194.55, 0.56%, 0.12%

LAB 13.64, -6.62, -8.17

 

CMYK 72 / 17 / 0 / 69

HEX #16414E

RGB 22 65 78

HSL 193.93, 0.56%, 0.2%

LAB 25.26, -10, -12.23

 

CMYK 71 / 16 / 0 / 57

HEX #205C6E

RGB 32 92 110

HSL 193.85, 0.55%, 0.28%

LAB 36.15, -12.87, -15.9

 

CMYK 71 / 17 / 0 / 44

HEX #29768E

RGB 41 118 142

HSL 194.26, 0.55%, 0.36%

LAB 46.15, -15.16, -19.89

 

CMYK 71 / 17 / 0 / 32

HEX #3291AE

RGB 50 145 174

HSL 194.03, 0.55%, 0.44%

LAB 56.07, -17.89, -23.23

 

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

CMYK 40 / 71 / 0 / 57

HEX #42206E

RGB 66 32 110

HSL 266.15, 0.55%, 0.28%

LAB 21.27, 33.65, -39.26

 

CMYK 0 / 12 / 71 / 57

HEX #6E6120

RGB 110 97 32

HSL 50, 0.55%, 0.28%

LAB 41.17, -3, 37.5

 

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

CMYK 0 / 71 / 16 / 57

HEX #6E205C

RGB 110 32 92

HSL 313.85, 0.55%, 0.28%

LAB 27.08, 41.2, -17.87

 

CMYK 16 / 0 / 71 / 57

HEX #5C6E20

RGB 92 110 32

HSL 73.85, 0.55%, 0.28%

LAB 43.55, -18.7, 39.46

 

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

CMYK 40 / 71 / 0 / 57

HEX #42206E

RGB 66 32 110

HSL 266.15, 0.55%, 0.28%

LAB 21.27, 33.65, -39.26

 

CMYK 0 / 55 / 71 / 57

HEX #6E3220

RGB 110 50 32

HSL 13.85, 0.55%, 0.28%

LAB 28.64, 25.14, 23.73

 

CMYK 31 / 0 / 71 / 57

HEX #4C6E20

RGB 76 110 32

HSL 86.15, 0.55%, 0.28%

LAB 42.45, -25.59, 37.97

 

CMYK 71 / 17 / 0 / 57

HEX #205B6D

RGB 32 91 109

HSL 194.03, 0.55%, 0.28%

LAB 35.78, -12.63, -15.85

 

CMYK 19 / 71 / 0 / 57

HEX #59206E

RGB 89 32 110

HSL 283.85, 0.55%, 0.28%

LAB 24.58, 39.05, -33.74

 

CMYK 0 / 55 / 71 / 57

HEX #6E3220

RGB 110 50 32

HSL 13.85, 0.55%, 0.28%

LAB 28.64, 25.14, 23.73

 

CMYK 52 / 0 / 71 / 57

HEX #356E20

RGB 53 110 32

HSL 103.85, 0.55%, 0.28%

LAB 41.24, -34.13, 36.33

 

Description

Color code: HEX #205B6D | qconv.com Color code: HEX #205B6D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 91 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 91 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 17 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 17% 0% 57% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - テレビ・AV デジタル機器/モバ...
Link: http://www.lg.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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