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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20506D it is the complementary color #DFAF92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20506D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20506D shade: #255068, #36627B, #47748E, #5886A1 and #6998B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20506D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20506D shade: #20506D, #0F3E5A, #002C47, #001A34 and #000821

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20506D shade: #20516E, #203B6E, #20266E, #2E206E and #43206E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20506D shade: #20516E, #203B6E, #20266E and #20206E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20506D shade matches the following richer shades: #20516E, #14537A and #095685

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20506D shade: #20516E, #2B4E63, #374B57, #42484C and #4E4540

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20506D shade: #206E61, #20666E, #20516E, #203C6E and #20276E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20506D shade: #0D222E, #16394E, #20516E, #29688E and #327FAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20506D shade: #20506D, #4C206E and #6E6C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20506D shade: #20506D, #6E2051 and #516E20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20506D shade: #20506D, #4C206E, #6E3C20 and #426E20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20506D shade: #20506D, #64206E, #6E3C20 and #2A6E20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

Complementary color

CMYK 0 / 22 / 35 / 13

HEX #DFAF92

RGB 223 175 146

HSL 22.6, 0.55%, 0.72%

LAB 75.09, 13.53, 21.56

 

CMYK 64 / 23 / 0 / 59

HEX #255068

RGB 37 80 104

HSL 201.49, 0.48%, 0.28%

LAB 32.1, -6.82, -18.37

 

CMYK 56 / 20 / 0 / 52

HEX #36627B

RGB 54 98 123

HSL 201.74, 0.39%, 0.35%

LAB 39.5, -7.46, -18.67

 

CMYK 50 / 18 / 0 / 44

HEX #47748E

RGB 71 116 142

HSL 201.97, 0.33%, 0.42%

LAB 46.69, -7.88, -18.97

 

CMYK 45 / 17 / 0 / 37

HEX #5886A1

RGB 88 134 161

HSL 202.19, 0.29%, 0.49%

LAB 53.71, -8.19, -19.27

 

CMYK 42 / 16 / 0 / 29

HEX #6998B4

RGB 105 152 180

HSL 202.4, 0.33%, 0.56%

LAB 60.56, -8.42, -19.57

 

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

CMYK 83 / 31 / 0 / 65

HEX #0F3E5A

RGB 15 62 90

HSL 202.4, 0.71%, 0.21%

LAB 24.59, -4.52, -21.15

 

CMYK 100 / 38 / 0 / 72

HEX #002C47

RGB 0 44 71

HSL 202.82, 1%, 0.14%

LAB 16.78, -2.38, -20.8

 

CMYK 100 / 50 / 0 / 80

HEX #001A34

RGB 0 26 52

HSL 210, 1%, 0.1%

LAB 8.88, 1.92, -20

 

CMYK 100 / 76 / 0 / 87

HEX #000821

RGB 0 8 33

HSL 225.45, 1%, 0.06%

LAB 2.56, 3.77, -15.67

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 71 / 46 / 0 / 57

HEX #203B6E

RGB 32 59 110

HSL 219.23, 0.55%, 0.28%

LAB 25.44, 8.38, -32.68

 

CMYK 71 / 65 / 0 / 57

HEX #20266E

RGB 32 38 110

HSL 235.38, 0.55%, 0.28%

LAB 19.3, 23.23, -42.61

 

CMYK 58 / 71 / 0 / 57

HEX #2E206E

RGB 46 32 110

HSL 250.77, 0.55%, 0.28%

LAB 18.97, 29.58, -43.11

 

CMYK 39 / 71 / 0 / 57

HEX #43206E

RGB 67 32 110

HSL 266.92, 0.55%, 0.28%

LAB 21.4, 33.87, -39.04

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 71 / 46 / 0 / 57

HEX #203B6E

RGB 32 59 110

HSL 219.23, 0.55%, 0.28%

LAB 25.44, 8.38, -32.68

 

CMYK 71 / 65 / 0 / 57

HEX #20266E

RGB 32 38 110

HSL 235.38, 0.55%, 0.28%

LAB 19.3, 23.23, -42.61

 

CMYK 71 / 71 / 0 / 57

HEX #20206E

RGB 32 32 110

HSL 240, 0.55%, 0.28%

LAB 17.76, 27.32, -45.13

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 84 / 32 / 0 / 52

HEX #14537A

RGB 20 83 122

HSL 202.94, 0.72%, 0.28%

LAB 33.44, -4.56, -27.58

 

CMYK 93 / 35 / 0 / 48

HEX #095685

RGB 9 86 133

HSL 202.74, 0.87%, 0.28%

LAB 34.82, -2.93, -32.2

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 57 / 21 / 0 / 61

HEX #2B4E63

RGB 43 78 99

HSL 202.5, 0.39%, 0.28%

LAB 31.49, -5.93, -16.13

 

CMYK 37 / 14 / 0 / 66

HEX #374B57

RGB 55 75 87

HSL 202.5, 0.23%, 0.28%

LAB 30.72, -4.39, -9.6

 

CMYK 13 / 5 / 0 / 70

HEX #42484C

RGB 66 72 76

HSL 204, 0.07%, 0.28%

LAB 30.19, -1.49, -3.23

 

CMYK 0 / 12 / 18 / 69

HEX #4E4540

RGB 78 69 64

HSL 21.43, 0.1%, 0.28%

LAB 30.03, 2.84, 4.41

 

CMYK 71 / 0 / 12 / 57

HEX #206E61

RGB 32 110 97

HSL 170, 0.55%, 0.28%

LAB 41.72, -26.72, 0.42

 

CMYK 71 / 7 / 0 / 57

HEX #20666E

RGB 32 102 110

HSL 186.15, 0.55%, 0.28%

LAB 39.47, -18.52, -10.84

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 71 / 45 / 0 / 57

HEX #203C6E

RGB 32 60 110

HSL 218.46, 0.55%, 0.28%

LAB 25.76, 7.68, -32.18

 

CMYK 71 / 65 / 0 / 57

HEX #20276E

RGB 32 39 110

HSL 234.62, 0.55%, 0.28%

LAB 19.57, 22.53, -42.17

 

CMYK 72 / 26 / 0 / 82

HEX #0D222E

RGB 13 34 46

HSL 201.82, 0.56%, 0.12%

LAB 12.14, -3.85, -10.49

 

CMYK 72 / 27 / 0 / 69

HEX #16394E

RGB 22 57 78

HSL 202.5, 0.56%, 0.2%

LAB 22.47, -4.88, -16.54

 

CMYK 71 / 26 / 0 / 57

HEX #20516E

RGB 32 81 110

HSL 202.31, 0.55%, 0.28%

LAB 32.52, -6.22, -21.51

 

CMYK 71 / 27 / 0 / 44

HEX #29688E

RGB 41 104 142

HSL 202.57, 0.55%, 0.36%

LAB 41.73, -7.05, -26.74

 

CMYK 71 / 27 / 0 / 32

HEX #327FAE

RGB 50 127 174

HSL 202.74, 0.55%, 0.44%

LAB 50.59, -7.83, -31.73

 

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

CMYK 31 / 71 / 0 / 57

HEX #4C206E

RGB 76 32 110

HSL 273.85, 0.55%, 0.28%

LAB 22.64, 35.93, -36.98

 

CMYK 0 / 2 / 71 / 57

HEX #6E6C20

RGB 110 108 32

HSL 58.46, 0.55%, 0.28%

LAB 44.44, -9.31, 40.85

 

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

CMYK 0 / 71 / 26 / 57

HEX #6E2051

RGB 110 32 81

HSL 322.31, 0.55%, 0.28%

LAB 26.57, 39.51, -11.39

 

CMYK 26 / 0 / 71 / 57

HEX #516E20

RGB 81 110 32

HSL 82.31, 0.55%, 0.28%

LAB 42.77, -23.5, 38.41

 

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

CMYK 31 / 71 / 0 / 57

HEX #4C206E

RGB 76 32 110

HSL 273.85, 0.55%, 0.28%

LAB 22.64, 35.93, -36.98

 

CMYK 0 / 45 / 71 / 57

HEX #6E3C20

RGB 110 60 32

HSL 21.54, 0.55%, 0.28%

LAB 31, 19.31, 26.46

 

CMYK 40 / 0 / 71 / 57

HEX #426E20

RGB 66 110 32

HSL 93.85, 0.55%, 0.28%

LAB 41.87, -29.55, 37.18

 

CMYK 71 / 27 / 0 / 57

HEX #20506D

RGB 32 80 109

HSL 202.6, 0.55%, 0.28%

LAB 32.14, -5.97, -21.47

 

CMYK 9 / 71 / 0 / 57

HEX #64206E

RGB 100 32 110

HSL 292.31, 0.55%, 0.28%

LAB 26.36, 41.78, -30.81

 

CMYK 0 / 45 / 71 / 57

HEX #6E3C20

RGB 110 60 32

HSL 21.54, 0.55%, 0.28%

LAB 31, 19.31, 26.46

 

CMYK 62 / 0 / 71 / 57

HEX #2A6E20

RGB 42 110 32

HSL 112.31, 0.55%, 0.28%

LAB 40.81, -37.4, 35.75

 

Description

Color code: HEX #20506D | qconv.com Color code: HEX #20506D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 80 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 80 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 27 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 27% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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