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Color name
HEX #2056AE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2056AE it is the complementary color #DFA951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2056AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2056AE shade: #2556A9, #3668BC, #477ACF, #588CE2 and #699EF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2056AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2056AE shade: #2056AE, #0F449B, #003288, #002075 and #000E62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2056AE shade: #1F55AC, #1F2FAC, #361FAC, #5B1FAC and #811FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2056AE shade: #1F55AC, #1F2FAC and #1F1FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2056AE shade matches the following richer shades: #1F55AC and #0F51BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2056AE shade: #1F55AC, #30599B, #405D8B, #51617A and #61646A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2056AE shade: #1FA0AC, #1F7BAC, #1F55AC, #1F30AC and #341FAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2056AE shade: #123266, #194389, #1F55AC, #2666CF and #427CDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2056AE shade: #2056AE, #921FAC and #8DAC1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2056AE shade: #2056AE, #AC1F55 and #55AC1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2056AE shade: #2056AE, #921FAC, #AC761F and #39AC1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2056AE shade: #2056AE, #AC1F9B, #AC761F and #1FAC30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

Complementary color

CMYK 0 / 24 / 64 / 13

HEX #DFA951

RGB 223 169 81

HSL 37.18, 0.69%, 0.6%

LAB 72.67, 10.68, 51.99

 

CMYK 78 / 49 / 0 / 34

HEX #2556A9

RGB 37 86 169

HSL 217.73, 0.64%, 0.4%

LAB 37.69, 14.1, -49.3

 

CMYK 71 / 45 / 0 / 26

HEX #3668BC

RGB 54 104 188

HSL 217.61, 0.55%, 0.47%

LAB 44.68, 11.89, -49.18

 

CMYK 66 / 41 / 0 / 19

HEX #477ACF

RGB 71 122 207

HSL 217.5, 0.59%, 0.55%

LAB 51.57, 10.16, -49.05

 

CMYK 61 / 38 / 0 / 11

HEX #588CE2

RGB 88 140 226

HSL 217.39, 0.7%, 0.62%

LAB 58.34, 8.77, -48.93

 

CMYK 57 / 36 / 0 / 4

HEX #699EF5

RGB 105 158 245

HSL 217.29, 0.88%, 0.69%

LAB 65, 7.64, -48.83

 

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

CMYK 90 / 56 / 0 / 39

HEX #0F449B

RGB 15 68 155

HSL 217.29, 0.82%, 0.33%

LAB 30.88, 18.67, -51.93

 

CMYK 100 / 63 / 0 / 47

HEX #003288

RGB 0 50 136

HSL 217.94, 1%, 0.27%

LAB 23.86, 22.55, -51.71

 

CMYK 100 / 73 / 0 / 54

HEX #002075

RGB 0 32 117

HSL 223.59, 1%, 0.23%

LAB 17.07, 27.32, -50.84

 

CMYK 100 / 86 / 0 / 62

HEX #000E62

RGB 0 14 98

HSL 231.43, 1%, 0.19%

LAB 10.53, 31.56, -49.24

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 82 / 73 / 0 / 33

HEX #1F2FAC

RGB 31 47 172

HSL 233.19, 0.69%, 0.4%

LAB 27.58, 40.28, -67.59

 

CMYK 69 / 82 / 0 / 33

HEX #361FAC

RGB 54 31 172

HSL 249.79, 0.69%, 0.4%

LAB 25.99, 50.71, -70.18

 

CMYK 47 / 82 / 0 / 33

HEX #5B1FAC

RGB 91 31 172

HSL 265.53, 0.69%, 0.4%

LAB 29.87, 54.86, -63.65

 

CMYK 25 / 82 / 0 / 33

HEX #811FAC

RGB 129 31 172

HSL 281.7, 0.69%, 0.4%

LAB 35.25, 60.74, -54.63

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 82 / 73 / 0 / 33

HEX #1F2FAC

RGB 31 47 172

HSL 233.19, 0.69%, 0.4%

LAB 27.58, 40.28, -67.59

 

CMYK 82 / 82 / 0 / 33

HEX #1F1FAC

RGB 31 31 172

HSL 240, 0.69%, 0.4%

LAB 24.48, 49.12, -72.73

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 92 / 57 / 0 / 26

HEX #0F51BC

RGB 15 81 188

HSL 217.11, 0.85%, 0.4%

LAB 37.15, 23.25, -61.41

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 69 / 43 / 0 / 39

HEX #30599B

RGB 48 89 155

HSL 217.01, 0.53%, 0.4%

LAB 38.09, 8.33, -40.27

 

CMYK 54 / 33 / 0 / 45

HEX #405D8B

RGB 64 93 139

HSL 216.8, 0.37%, 0.4%

LAB 39.21, 3.36, -28.8

 

CMYK 34 / 20 / 0 / 52

HEX #51617A

RGB 81 97 122

HSL 216.59, 0.2%, 0.4%

LAB 40.74, 0.41, -16.01

 

CMYK 8 / 6 / 0 / 58

HEX #61646A

RGB 97 100 106

HSL 220, 0.04%, 0.4%

LAB 42.3, 0.15, -3.79

 

CMYK 82 / 7 / 0 / 33

HEX #1FA0AC

RGB 31 160 172

HSL 185.11, 0.69%, 0.4%

LAB 60.26, -28.45, -15.74

 

CMYK 82 / 28 / 0 / 33

HEX #1F7BAC

RGB 31 123 172

HSL 200.85, 0.69%, 0.4%

LAB 48.8, -8.56, -33.39

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 82 / 72 / 0 / 33

HEX #1F30AC

RGB 31 48 172

HSL 232.77, 0.69%, 0.4%

LAB 27.8, 39.67, -67.23

 

CMYK 70 / 82 / 0 / 33

HEX #341FAC

RGB 52 31 172

HSL 248.94, 0.69%, 0.4%

LAB 25.83, 50.54, -70.45

 

CMYK 82 / 51 / 0 / 60

HEX #123266

RGB 18 50 102

HSL 217.14, 0.7%, 0.24%

LAB 21.47, 9.31, -33.94

 

CMYK 82 / 51 / 0 / 46

HEX #194389

RGB 25 67 137

HSL 217.5, 0.69%, 0.32%

LAB 29.48, 12.78, -43.17

 

CMYK 82 / 51 / 0 / 33

HEX #1F55AC

RGB 31 85 172

HSL 217.02, 0.69%, 0.4%

LAB 37.42, 15.31, -51.52

 

CMYK 82 / 51 / 0 / 19

HEX #2666CF

RGB 38 102 207

HSL 217.28, 0.69%, 0.48%

LAB 44.83, 18.48, -59.93

 

CMYK 70 / 44 / 0 / 14

HEX #427CDC

RGB 66 124 220

HSL 217.4, 0.69%, 0.56%

LAB 52.66, 12.75, -54.66

 

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

CMYK 0 / 82 / 51 / 33

HEX #AC1F55

RGB 172 31 85

HSL 337.02, 0.69%, 0.4%

LAB 38.56, 57.9, 5.08

 

CMYK 51 / 0 / 82 / 33

HEX #55AC1F

RGB 85 172 31

HSL 97.02, 0.69%, 0.4%

LAB 62.96, -49.29, 58.39

 

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

CMYK 15 / 82 / 0 / 33

HEX #921FAC

RGB 146 31 172

HSL 288.94, 0.69%, 0.4%

LAB 37.97, 63.74, -50.11

 

CMYK 0 / 31 / 82 / 33

HEX #AC761F

RGB 172 118 31

HSL 37.02, 0.69%, 0.4%

LAB 53.84, 13.84, 52.53

 

CMYK 67 / 0 / 82 / 33

HEX #39AC1F

RGB 57 172 31

HSL 108.94, 0.69%, 0.4%

LAB 62.06, -56.5, 57.24

 

CMYK 82 / 51 / 0 / 32

HEX #2056AE

RGB 32 86 174

HSL 217.18, 0.69%, 0.4%

LAB 37.88, 15.53, -51.97

 

CMYK 0 / 82 / 10 / 33

HEX #AC1F9B

RGB 172 31 155

HSL 307.23, 0.69%, 0.4%

LAB 41.4, 66.04, -34.16

 

CMYK 0 / 31 / 82 / 33

HEX #AC761F

RGB 172 118 31

HSL 37.02, 0.69%, 0.4%

LAB 53.84, 13.84, 52.53

 

CMYK 82 / 0 / 72 / 33

HEX #1FAC30

RGB 31 172 48

HSL 127.23, 0.69%, 0.4%

LAB 61.66, -59.53, 51

 

Description

Color code: HEX #2056AE | qconv.com Color code: HEX #2056AE | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 86 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 86 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 51 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 51% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - 経営とITをデザインする、フューチャーア...
Link: http://www.future.co.jp

42% - Kneippverein Brilon ...
Link: http://kneippverein-brilon.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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