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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20471D it is the complementary color #DFB8E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20471D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20471D shade: #254718, #36592B, #476B3E, #587D51 and #698F64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20471D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20471D shade: #20471D, #0F350A, #002300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20471D shade: #20481D, #2C481D, #37481D, #43481D and #48411D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20471D shade: #20481D, #1D4826, #1D4831, #1D483D and #1D4848

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20471D shade matches the following richer shades: #20481D, #195015, #12580D and #0B6104

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20471D shade: #20481D, #274025, #2E372E, #352F36 and #3C273E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20471D shade: #37481D, #2C481D, #21481D, #1D4825 and #1D4830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20471D shade: #060D05, #132B11, #20481D, #2D6529 and #3B8335

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20471D shade: #20471D, #1D4348 and #481D32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20471D shade: #20471D, #1D2148 and #481D21

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20471D shade: #20471D, #1D4348, #441D48 and #48221D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20471D shade: #20471D, #1D3648, #441D48 and #482F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

Complementary color

CMYK 1 / 19 / 0 / 11

HEX #DFB8E2

RGB 223 184 226

HSL 295.71, 0.42%, 0.8%

LAB 79.31, 21.19, -15.72

 

CMYK 48 / 0 / 66 / 72

HEX #254718

RGB 37 71 24

HSL 103.4, 0.49%, 0.19%

LAB 26.64, -22.65, 23.97

 

CMYK 39 / 0 / 52 / 65

HEX #36592B

RGB 54 89 43

HSL 105.65, 0.35%, 0.26%

LAB 34.2, -22.63, 22.61

 

CMYK 34 / 0 / 42 / 58

HEX #476B3E

RGB 71 107 62

HSL 108, 0.27%, 0.33%

LAB 41.54, -22.44, 21.22

 

CMYK 30 / 0 / 35 / 51

HEX #587D51

RGB 88 125 81

HSL 110.45, 0.21%, 0.4%

LAB 48.68, -22.22, 19.94

 

CMYK 27 / 0 / 30 / 44

HEX #698F64

RGB 105 143 100

HSL 113.02, 0.18%, 0.48%

LAB 55.65, -21.99, 18.75

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 72 / 0 / 81 / 79

HEX #0F350A

RGB 15 53 10

HSL 113.02, 0.68%, 0.12%

LAB 18.67, -23.33, 21.86

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 56 / 0 / 60 / 72

HEX #20481D

RGB 32 72 29

HSL 115.81, 0.43%, 0.2%

LAB 26.82, -24.23, 21.34

 

CMYK 39 / 0 / 60 / 72

HEX #2C481D

RGB 44 72 29

HSL 99.07, 0.43%, 0.2%

LAB 27.46, -19.76, 22.26

 

CMYK 24 / 0 / 60 / 72

HEX #37481D

RGB 55 72 29

HSL 83.72, 0.43%, 0.2%

LAB 28.21, -14.99, 23.33

 

CMYK 7 / 0 / 60 / 72

HEX #43481D

RGB 67 72 29

HSL 66.98, 0.43%, 0.2%

LAB 29.2, -9.33, 24.74

 

CMYK 0 / 10 / 60 / 72

HEX #48411D

RGB 72 65 29

HSL 50.23, 0.43%, 0.2%

LAB 27.43, -2.57, 22.79

 

CMYK 56 / 0 / 60 / 72

HEX #20481D

RGB 32 72 29

HSL 115.81, 0.43%, 0.2%

LAB 26.82, -24.23, 21.34

 

CMYK 60 / 0 / 47 / 72

HEX #1D4826

RGB 29 72 38

HSL 132.56, 0.43%, 0.2%

LAB 26.84, -23.63, 15.98

 

CMYK 60 / 0 / 32 / 72

HEX #1D4831

RGB 29 72 49

HSL 147.91, 0.43%, 0.2%

LAB 27.07, -21.24, 9.38

 

CMYK 60 / 0 / 15 / 72

HEX #1D483D

RGB 29 72 61

HSL 164.65, 0.43%, 0.2%

LAB 27.39, -18.08, 2.1

 

CMYK 60 / 0 / 0 / 72

HEX #1D4848

RGB 29 72 72

HSL 180, 0.43%, 0.2%

LAB 27.75, -14.74, -4.52

 

CMYK 56 / 0 / 60 / 72

HEX #20481D

RGB 32 72 29

HSL 115.81, 0.43%, 0.2%

LAB 26.82, -24.23, 21.34

 

CMYK 69 / 0 / 74 / 69

HEX #195015

RGB 25 80 21

HSL 115.93, 0.58%, 0.2%

LAB 29.41, -30.9, 28.42

 

CMYK 80 / 0 / 85 / 65

HEX #12580D

RGB 18 88 13

HSL 116, 0.74%, 0.2%

LAB 32.12, -36.25, 34.41

 

CMYK 89 / 0 / 96 / 62

HEX #0B6104

RGB 11 97 4

HSL 115.48, 0.92%, 0.2%

LAB 35.26, -40.95, 39.94

 

CMYK 56 / 0 / 60 / 72

HEX #20481D

RGB 32 72 29

HSL 115.81, 0.43%, 0.2%

LAB 26.82, -24.23, 21.34

 

CMYK 39 / 0 / 42 / 75

HEX #274025

RGB 39 64 37

HSL 115.56, 0.27%, 0.2%

LAB 24.42, -16.15, 13.55

 

CMYK 16 / 0 / 16 / 78

HEX #2E372E

RGB 46 55 46

HSL 120, 0.09%, 0.2%

LAB 21.98, -5.95, 4.38

 

CMYK 2 / 13 / 0 / 79

HEX #352F36

RGB 53 47 54

HSL 291.43, 0.07%, 0.2%

LAB 20.27, 4.29, -3.47

 

CMYK 3 / 37 / 0 / 76

HEX #3C273E

RGB 60 39 62

HSL 294.78, 0.23%, 0.2%

LAB 19.05, 14.59, -10.74

 

CMYK 24 / 0 / 60 / 72

HEX #37481D

RGB 55 72 29

HSL 83.72, 0.43%, 0.2%

LAB 28.21, -14.99, 23.33

 

CMYK 39 / 0 / 60 / 72

HEX #2C481D

RGB 44 72 29

HSL 99.07, 0.43%, 0.2%

LAB 27.46, -19.76, 22.26

 

CMYK 54 / 0 / 60 / 72

HEX #21481D

RGB 33 72 29

HSL 114.42, 0.43%, 0.2%

LAB 26.87, -23.89, 21.41

 

CMYK 60 / 0 / 49 / 72

HEX #1D4825

RGB 29 72 37

HSL 131.16, 0.43%, 0.2%

LAB 26.82, -23.82, 16.57

 

CMYK 60 / 0 / 33 / 72

HEX #1D4830

RGB 29 72 48

HSL 146.51, 0.43%, 0.2%

LAB 27.04, -21.48, 9.99

 

CMYK 54 / 0 / 62 / 95

HEX #060D05

RGB 6 13 5

HSL 112.5, 0.44%, 0.04%

LAB 3.05, -3.05, 2.46

 

CMYK 56 / 0 / 60 / 83

HEX #132B11

RGB 19 43 17

HSL 115.38, 0.43%, 0.12%

LAB 14.99, -16.07, 13.92

 

CMYK 56 / 0 / 60 / 72

HEX #20481D

RGB 32 72 29

HSL 115.81, 0.43%, 0.2%

LAB 26.82, -24.23, 21.34

 

CMYK 55 / 0 / 59 / 60

HEX #2D6529

RGB 45 101 41

HSL 116, 0.42%, 0.28%

LAB 37.89, -31.7, 28.07

 

CMYK 55 / 0 / 60 / 49

HEX #3B8335

RGB 59 131 53

HSL 115.38, 0.42%, 0.36%

LAB 48.78, -38.85, 34.86

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 60 / 7 / 0 / 72

HEX #1D4348

RGB 29 67 72

HSL 186.98, 0.43%, 0.2%

LAB 25.99, -11.79, -7.15

 

CMYK 0 / 60 / 31 / 72

HEX #481D32

RGB 72 29 50

HSL 330.7, 0.43%, 0.2%

LAB 17.86, 23.32, -4

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 60 / 54 / 0 / 72

HEX #1D2148

RGB 29 33 72

HSL 234.42, 0.43%, 0.2%

LAB 14.49, 11.49, -25.04

 

CMYK 0 / 60 / 54 / 72

HEX #481D21

RGB 72 29 33

HSL 354.42, 0.43%, 0.2%

LAB 17.3, 20.98, 7.26

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 60 / 7 / 0 / 72

HEX #1D4348

RGB 29 67 72

HSL 186.98, 0.43%, 0.2%

LAB 25.99, -11.79, -7.15

 

CMYK 6 / 60 / 0 / 72

HEX #441D48

RGB 68 29 72

HSL 294.42, 0.43%, 0.2%

LAB 18.26, 26.16, -18.77

 

CMYK 0 / 53 / 60 / 72

HEX #48221D

RGB 72 34 29

HSL 6.98, 0.43%, 0.2%

LAB 18.41, 17.49, 11.56

 

CMYK 55 / 0 / 59 / 72

HEX #20471D

RGB 32 71 29

HSL 115.71, 0.42%, 0.2%

LAB 26.45, -23.75, 20.9

 

CMYK 60 / 25 / 0 / 72

HEX #1D3648

RGB 29 54 72

HSL 205.12, 0.43%, 0.2%

LAB 21.46, -3.52, -14.07

 

CMYK 6 / 60 / 0 / 72

HEX #441D48

RGB 68 29 72

HSL 294.42, 0.43%, 0.2%

LAB 18.26, 26.16, -18.77

 

CMYK 0 / 35 / 60 / 72

HEX #482F1D

RGB 72 47 29

HSL 25.12, 0.43%, 0.2%

LAB 21.94, 9.07, 16.11

 

Description

Color code: HEX #20471D | qconv.com Color code: HEX #20471D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 71 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 71 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 59 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 59% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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