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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20399C it is the complementary color #DFC663. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20399C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20399C shade: #253997, #364BAA, #475DBD, #586FD0 and #6981E3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20399C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20399C shade: #20399C, #0F2789, #001576, #000363 and #000050

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20399C shade: #20399C, #28209C, #4A209C, #6B209C and #8D209C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20399C shade: #20399C and #20209C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20399C shade matches the following richer shades: #20399C, #1030AB and #0126BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20399C shade: #20399C, #2F428D, #3E4B7E, #4D546E and #5D5D5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20399C shade: #207D9C, #205C9C, #203B9C, #26209C and #47209C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #20399C shade: #122058, #192C7A, #20399C, #2745BE and #3858D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20399C shade: #20399C, #9A209C and #6C9C20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20399C shade: #20399C, #9C203B and #3B9C20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20399C shade: #20399C, #9A209C, #9C8120 and #229C20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20399C shade: #20399C, #9C2079, #9C8120 and #209C43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

Complementary color

CMYK 0 / 11 / 56 / 13

HEX #DFC663

RGB 223 198 99

HSL 47.9, 0.66%, 0.63%

LAB 80.17, -3.28, 52.09

 

CMYK 75 / 62 / 0 / 41

HEX #253997

RGB 37 57 151

HSL 229.47, 0.61%, 0.37%

LAB 28.26, 26.63, -53.75

 

CMYK 68 / 56 / 0 / 33

HEX #364BAA

RGB 54 75 170

HSL 229.14, 0.52%, 0.44%

LAB 35.44, 24.1, -53.49

 

CMYK 62 / 51 / 0 / 26

HEX #475DBD

RGB 71 93 189

HSL 228.81, 0.47%, 0.51%

LAB 42.52, 22.07, -53.18

 

CMYK 58 / 47 / 0 / 18

HEX #586FD0

RGB 88 111 208

HSL 228.5, 0.56%, 0.58%

LAB 49.49, 20.42, -52.88

 

CMYK 54 / 43 / 0 / 11

HEX #6981E3

RGB 105 129 227

HSL 228.2, 0.69%, 0.65%

LAB 56.34, 19.07, -52.62

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 89 / 72 / 0 / 46

HEX #0F2789

RGB 15 39 137

HSL 228.2, 0.8%, 0.3%

LAB 21.43, 31.34, -56.33

 

CMYK 100 / 82 / 0 / 54

HEX #001576

RGB 0 21 118

HSL 229.32, 1%, 0.23%

LAB 14.65, 34.84, -55.5

 

CMYK 100 / 97 / 0 / 61

HEX #000363

RGB 0 3 99

HSL 238.18, 1%, 0.19%

LAB 8.7, 37.81, -52.95

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 74 / 79 / 0 / 39

HEX #28209C

RGB 40 32 156

HSL 243.87, 0.66%, 0.37%

LAB 23.29, 44.09, -64.98

 

CMYK 53 / 79 / 0 / 39

HEX #4A209C

RGB 74 32 156

HSL 260.32, 0.66%, 0.37%

LAB 26.42, 47.91, -59.71

 

CMYK 31 / 79 / 0 / 39

HEX #6B209C

RGB 107 32 156

HSL 276.29, 0.66%, 0.37%

LAB 30.78, 53.17, -52.39

 

CMYK 10 / 79 / 0 / 39

HEX #8D209C

RGB 141 32 156

HSL 292.74, 0.66%, 0.37%

LAB 36.17, 59.59, -43.42

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 79 / 79 / 0 / 39

HEX #20209C

RGB 32 32 156

HSL 240, 0.66%, 0.37%

LAB 22.79, 43.49, -65.81

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 91 / 72 / 0 / 33

HEX #1030AB

RGB 16 48 171

HSL 227.61, 0.83%, 0.37%

LAB 27.2, 38.46, -67.64

 

CMYK 99 / 80 / 0 / 27

HEX #0126BB

RGB 1 38 187

HSL 228.06, 0.99%, 0.37%

LAB 26.68, 49.5, -78.06

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 67 / 53 / 0 / 45

HEX #2F428D

RGB 47 66 141

HSL 227.87, 0.5%, 0.37%

LAB 30.46, 18.22, -44.01

 

CMYK 51 / 40 / 0 / 51

HEX #3E4B7E

RGB 62 75 126

HSL 227.81, 0.34%, 0.37%

LAB 33.05, 10.1, -30.54

 

CMYK 30 / 24 / 0 / 57

HEX #4D546E

RGB 77 84 110

HSL 227.27, 0.18%, 0.37%

LAB 36.07, 3.84, -15.81

 

CMYK 2 / 2 / 0 / 63

HEX #5D5D5F

RGB 93 93 95

HSL 240, 0.01%, 0.37%

LAB 39.55, 0.43, -1.15

 

CMYK 79 / 20 / 0 / 39

HEX #207D9C

RGB 32 125 156

HSL 195, 0.66%, 0.37%

LAB 48.73, -15.38, -24.18

 

CMYK 79 / 41 / 0 / 39

HEX #205C9C

RGB 32 92 156

HSL 210.97, 0.66%, 0.37%

LAB 38.48, 4.49, -40.27

 

CMYK 79 / 62 / 0 / 39

HEX #203B9C

RGB 32 59 156

HSL 226.94, 0.66%, 0.37%

LAB 28.99, 26.64, -55.6

 

CMYK 76 / 79 / 0 / 39

HEX #26209C

RGB 38 32 156

HSL 242.9, 0.66%, 0.37%

LAB 23.15, 43.93, -65.2

 

CMYK 54 / 79 / 0 / 39

HEX #47209C

RGB 71 32 156

HSL 258.87, 0.66%, 0.37%

LAB 26.08, 47.5, -60.28

 

CMYK 80 / 64 / 0 / 65

HEX #122058

RGB 18 32 88

HSL 228, 0.66%, 0.21%

LAB 14.77, 16.61, -35.53

 

CMYK 80 / 64 / 0 / 52

HEX #192C7A

RGB 25 44 122

HSL 228.25, 0.66%, 0.29%

LAB 21.63, 22.81, -46.53

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 79 / 64 / 0 / 25

HEX #2745BE

RGB 39 69 190

HSL 228.08, 0.66%, 0.45%

LAB 34.81, 33.6, -66.37

 

CMYK 74 / 59 / 0 / 16

HEX #3858D6

RGB 56 88 214

HSL 227.85, 0.66%, 0.53%

LAB 42.27, 31.97, -68.07

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 1 / 79 / 0 / 39

HEX #9A209C

RGB 154 32 156

HSL 299.03, 0.66%, 0.37%

LAB 38.38, 62.22, -39.76

 

CMYK 31 / 0 / 79 / 39

HEX #6C9C20

RGB 108 156 32

HSL 83.23, 0.66%, 0.37%

LAB 59.04, -34.55, 54.89

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 0 / 79 / 62 / 39

HEX #9C203B

RGB 156 32 59

HSL 346.94, 0.66%, 0.37%

LAB 34.84, 51.18, 16.17

 

CMYK 62 / 0 / 79 / 39

HEX #3B9C20

RGB 59 156 32

HSL 106.94, 0.66%, 0.37%

LAB 56.89, -50.42, 52.1

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 1 / 79 / 0 / 39

HEX #9A209C

RGB 154 32 156

HSL 299.03, 0.66%, 0.37%

LAB 38.38, 62.22, -39.76

 

CMYK 0 / 17 / 79 / 39

HEX #9C8120

RGB 156 129 32

HSL 46.94, 0.66%, 0.37%

LAB 54.94, 0.38, 52.5

 

CMYK 78 / 0 / 79 / 39

HEX #229C20

RGB 34 156 32

HSL 119.03, 0.66%, 0.37%

LAB 56.31, -55.33, 51.34

 

CMYK 79 / 63 / 0 / 39

HEX #20399C

RGB 32 57 156

HSL 227.9, 0.66%, 0.37%

LAB 28.47, 27.99, -56.46

 

CMYK 0 / 79 / 22 / 39

HEX #9C2079

RGB 156 32 121

HSL 316.94, 0.66%, 0.37%

LAB 36.9, 57.41, -20.54

 

CMYK 0 / 17 / 79 / 39

HEX #9C8120

RGB 156 129 32

HSL 46.94, 0.66%, 0.37%

LAB 54.94, 0.38, 52.5

 

CMYK 79 / 0 / 57 / 39

HEX #209C43

RGB 32 156 67

HSL 136.94, 0.66%, 0.37%

LAB 56.57, -51.96, 36.97

 

Description

Color code: HEX #20399C | qconv.com Color code: HEX #20399C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 57 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 57 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 63 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 63% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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