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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #20024D it is the complementary color #DFFDB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #20024D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #20024D shade: #250248, #36145B, #47266E, #583881 and #694A94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #20024D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #20024D shade: #20024D, #0F003A, #000027, #000014 and #000001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #20024D shade: #1E014A, #32014A, #46014A, #4A013B and #4A0127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #20024D shade: #1E014A, #0B014A and #01014A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #20024D shade matches the following richer shades: #1E014A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #20024D shade: #1E014A, #200844, #210E3E, #221438 and #231A31

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #20024D shade: #010B4A, #0B014A, #1E014A, #32014A and #45014A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #20024D shade: #20024D, #4A011E and #014A01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #20024D shade: #20024D, #4A1E01 and #014A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #20024D shade: #20024D, #4A011E, #2D4A01 and #014A2D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #20024D shade: #20024D, #4A0109, #2D4A01 and #014A43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

Complementary color

CMYK 12 / 0 / 30 / 1

HEX #DFFDB2

RGB 223 253 178

HSL 84, 0.95%, 0.85%

LAB 95.64, -22.1, 32.78

 

CMYK 49 / 97 / 0 / 72

HEX #250248

RGB 37 2 72

HSL 270, 0.95%, 0.15%

LAB 8.17, 32.8, -35.28

 

CMYK 41 / 78 / 0 / 64

HEX #36145B

RGB 54 20 91

HSL 268.73, 0.64%, 0.22%

LAB 15.7, 32.22, -35.88

 

CMYK 35 / 65 / 0 / 57

HEX #47266E

RGB 71 38 110

HSL 267.5, 0.49%, 0.29%

LAB 23.17, 31.4, -36.15

 

CMYK 32 / 57 / 0 / 49

HEX #583881

RGB 88 56 129

HSL 266.3, 0.39%, 0.36%

LAB 30.61, 30.32, -36.14

 

CMYK 29 / 50 / 0 / 42

HEX #694A94

RGB 105 74 148

HSL 265.14, 0.33%, 0.44%

LAB 37.91, 29.27, -36.08

 

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

CMYK 74 / 100 / 0 / 77

HEX #0F003A

RGB 15 0 58

HSL 255.52, 1%, 0.11%

LAB 3.68, 23.29, -32.73

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 59 / 99 / 0 / 71

HEX #1E014A

RGB 30 1 74

HSL 263.84, 0.97%, 0.15%

LAB 7.16, 33.03, -38.39

 

CMYK 32 / 99 / 0 / 71

HEX #32014A

RGB 50 1 74

HSL 280.27, 0.97%, 0.15%

LAB 10.51, 35.63, -32.75

 

CMYK 5 / 99 / 0 / 71

HEX #46014A

RGB 70 1 74

HSL 296.71, 0.97%, 0.15%

LAB 14.5, 39.08, -26.09

 

CMYK 0 / 99 / 20 / 71

HEX #4A013B

RGB 74 1 59

HSL 312.33, 0.97%, 0.15%

LAB 14.36, 37.42, -15.72

 

CMYK 0 / 99 / 47 / 71

HEX #4A0127

RGB 74 1 39

HSL 328.77, 0.97%, 0.15%

LAB 13.38, 34.85, -2.68

 

CMYK 59 / 99 / 0 / 71

HEX #1E014A

RGB 30 1 74

HSL 263.84, 0.97%, 0.15%

LAB 7.16, 33.03, -38.39

 

CMYK 85 / 99 / 0 / 71

HEX #0B014A

RGB 11 1 74

HSL 248.22, 0.97%, 0.15%

LAB 5.3, 30.29, -41.51

 

CMYK 99 / 99 / 0 / 71

HEX #01014A

RGB 1 1 74

HSL 240, 0.97%, 0.15%

LAB 4.72, 29, -42.49

 

CMYK 59 / 99 / 0 / 71

HEX #1E014A

RGB 30 1 74

HSL 263.84, 0.97%, 0.15%

LAB 7.16, 33.03, -38.39

 

CMYK 59 / 99 / 0 / 71

HEX #1E014A

RGB 30 1 74

HSL 263.84, 0.97%, 0.15%

LAB 7.16, 33.03, -38.39

 

CMYK 53 / 88 / 0 / 73

HEX #200844

RGB 32 8 68

HSL 264, 0.79%, 0.15%

LAB 8.11, 27.49, -32.59

 

CMYK 47 / 77 / 0 / 76

HEX #210E3E

RGB 33 14 62

HSL 263.75, 0.63%, 0.15%

LAB 8.87, 22.37, -27.09

 

CMYK 39 / 64 / 0 / 78

HEX #221438

RGB 34 20 56

HSL 263.33, 0.47%, 0.15%

LAB 10, 16.71, -20.95

 

CMYK 29 / 47 / 0 / 81

HEX #231A31

RGB 35 26 49

HSL 263.48, 0.31%, 0.15%

LAB 11.4, 10.49, -13.66

 

CMYK 99 / 85 / 0 / 71

HEX #010B4A

RGB 1 11 74

HSL 231.78, 0.97%, 0.15%

LAB 6.69, 23.84, -39.25

 

CMYK 85 / 99 / 0 / 71

HEX #0B014A

RGB 11 1 74

HSL 248.22, 0.97%, 0.15%

LAB 5.3, 30.29, -41.51

 

CMYK 59 / 99 / 0 / 71

HEX #1E014A

RGB 30 1 74

HSL 263.84, 0.97%, 0.15%

LAB 7.16, 33.03, -38.39

 

CMYK 32 / 99 / 0 / 71

HEX #32014A

RGB 50 1 74

HSL 280.27, 0.97%, 0.15%

LAB 10.51, 35.63, -32.75

 

CMYK 7 / 99 / 0 / 71

HEX #45014A

RGB 69 1 74

HSL 295.89, 0.97%, 0.15%

LAB 14.3, 38.89, -26.44

 

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

CMYK 0 / 99 / 59 / 71

HEX #4A011E

RGB 74 1 30

HSL 336.16, 0.97%, 0.15%

LAB 13.05, 33.99, 3.58

 

CMYK 99 / 0 / 99 / 71

HEX #014A01

RGB 1 74 1

HSL 120, 0.97%, 0.15%

LAB 26.47, -35.01, 33.53

 

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

CMYK 0 / 59 / 99 / 71

HEX #4A1E01

RGB 74 30 1

HSL 23.84, 0.97%, 0.15%

LAB 17.4, 19.06, 25.48

 

CMYK 99 / 0 / 59 / 71

HEX #014A1E

RGB 1 74 30

HSL 143.84, 0.97%, 0.15%

LAB 26.73, -31.69, 20.46

 

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

CMYK 0 / 99 / 59 / 71

HEX #4A011E

RGB 74 1 30

HSL 336.16, 0.97%, 0.15%

LAB 13.05, 33.99, 3.58

 

CMYK 39 / 0 / 99 / 71

HEX #2D4A01

RGB 45 74 1

HSL 83.84, 0.97%, 0.15%

LAB 28, -22.74, 35.46

 

CMYK 99 / 0 / 39 / 71

HEX #014A2D

RGB 1 74 45

HSL 156.16, 0.97%, 0.15%

LAB 27, -28.48, 11.71

 

CMYK 58 / 97 / 0 / 70

HEX #20024D

RGB 32 2 77

HSL 264, 0.95%, 0.15%

LAB 8.01, 33.57, -39.07

 

CMYK 0 / 99 / 88 / 71

HEX #4A0109

RGB 74 1 9

HSL 353.42, 0.97%, 0.15%

LAB 12.59, 32.72, 16.05

 

CMYK 39 / 0 / 99 / 71

HEX #2D4A01

RGB 45 74 1

HSL 83.84, 0.97%, 0.15%

LAB 28, -22.74, 35.46

 

CMYK 99 / 0 / 9 / 71

HEX #014A43

RGB 1 74 67

HSL 174.25, 0.97%, 0.15%

LAB 27.6, -21.98, -1.57

 

Description

Color code: HEX #20024D | qconv.com Color code: HEX #20024D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 2 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 2 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 97 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 97% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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