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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23FFE5 it is the complementary color #DC001A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23FFE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23FFE5 shade: #28FFE0, #39FFF3, #4AFFFF, #5BFFFF and #6CFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23FFE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23FFE5 shade: #23FFE5, #12EDD2, #01DBBF, #00C9AC and #00B799

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23FFE5 shade: #23FFE5, #23FFA9, #23FF6E, #23FF33 and #4EFF23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23FFE5 shade: #23FFE5, #23DDFF, #23A2FF, #2367FF and #232CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23FFE5 shade matches the following richer shades: #23FFE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23FFE5 shade: #23FFE5, #35EDD7, #47DBC9, #58C9BC and #6AB8AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23FFE5 shade: #23FF6C, #23FFA7, #23FFE1, #23E1FF and #23A7FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23FFE5 shade: #00D0B7, #00F9DB, #23FFE5, #4CFFE9 and #76FFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23FFE5 shade: #23FFE5, #3223FF and #FF8A23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23FFE5 shade: #23FFE5, #E123FF and #FFE123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23FFE5 shade: #23FFE5, #3223FF, #FF2340 and #F0FF23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23FFE5 shade: #23FFE5, #7423FF, #FF2340 and #AEFF23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

Complementary color

CMYK 0 / 100 / 88 / 14

HEX #DC001A

RGB 220 0 26

HSL 352.91, 1%, 0.43%

LAB 46.03, 71.93, 51.16

 

CMYK 84 / 0 / 12 / 0

HEX #28FFE0

RGB 40 255 224

HSL 171.35, 1%, 0.58%

LAB 90.48, -55.11, 1.03

 

CMYK 78 / 0 / 5 / 0

HEX #39FFF3

RGB 57 255 243

HSL 176.36, 1%, 0.61%

LAB 91.17, -48.79, -7.79

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 92 / 0 / 11 / 7

HEX #12EDD2

RGB 18 237 210

HSL 172.6, 0.86%, 0.5%

LAB 84.66, -52.56, -0.17

 

CMYK 100 / 0 / 13 / 14

HEX #01DBBF

RGB 1 219 191

HSL 172.29, 0.99%, 0.43%

LAB 78.71, -50.72, 1.2

 

CMYK 100 / 0 / 14 / 21

HEX #00C9AC

RGB 0 201 172

HSL 171.34, 1%, 0.39%

LAB 72.73, -48.44, 2.72

 

CMYK 100 / 0 / 16 / 28

HEX #00B799

RGB 0 183 153

HSL 170.16, 1%, 0.36%

LAB 66.65, -46.1, 4.3

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 86 / 0 / 34 / 0

HEX #23FFA9

RGB 35 255 169

HSL 156.55, 1%, 0.57%

LAB 89.27, -68.1, 27.55

 

CMYK 86 / 0 / 57 / 0

HEX #23FF6E

RGB 35 255 110

HSL 140.45, 1%, 0.57%

LAB 88.45, -77.82, 54.79

 

CMYK 86 / 0 / 80 / 0

HEX #23FF33

RGB 35 255 51

HSL 124.36, 1%, 0.57%

LAB 88.02, -83.13, 75.83

 

CMYK 69 / 0 / 86 / 0

HEX #4EFF23

RGB 78 255 35

HSL 108.27, 1%, 0.57%

LAB 88.57, -78.55, 80.16

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 86 / 13 / 0 / 0

HEX #23DDFF

RGB 35 221 255

HSL 189.27, 1%, 0.57%

LAB 81.45, -31.51, -28.76

 

CMYK 86 / 36 / 0 / 0

HEX #23A2FF

RGB 35 162 255

HSL 205.36, 1%, 0.57%

LAB 64.5, -0.36, -55.22

 

CMYK 86 / 60 / 0 / 0

HEX #2367FF

RGB 35 103 255

HSL 221.45, 1%, 0.57%

LAB 48.61, 35.75, -80.85

 

CMYK 86 / 83 / 0 / 0

HEX #232CFF

RGB 35 44 255

HSL 237.55, 1%, 0.57%

LAB 36.7, 68.45, -100.5

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 78 / 0 / 9 / 7

HEX #35EDD7

RGB 53 237 215

HSL 172.83, 0.84%, 0.57%

LAB 85.11, -49, -2.1

 

CMYK 68 / 0 / 8 / 14

HEX #47DBC9

RGB 71 219 201

HSL 172.7, 0.67%, 0.57%

LAB 79.74, -42.8, -2.54

 

CMYK 56 / 0 / 6 / 21

HEX #58C9BC

RGB 88 201 188

HSL 173.1, 0.51%, 0.57%

LAB 74.5, -35.17, -3.21

 

CMYK 42 / 0 / 5 / 28

HEX #6AB8AE

RGB 106 184 174

HSL 172.31, 0.35%, 0.57%

LAB 69.75, -26.48, -2.46

 

CMYK 86 / 0 / 58 / 0

HEX #23FF6C

RGB 35 255 108

HSL 139.91, 1%, 0.57%

LAB 88.43, -78.07, 55.64

 

CMYK 86 / 0 / 35 / 0

HEX #23FFA7

RGB 35 255 167

HSL 156, 1%, 0.57%

LAB 89.24, -68.5, 28.51

 

CMYK 86 / 0 / 12 / 0

HEX #23FFE1

RGB 35 255 225

HSL 171.82, 1%, 0.57%

LAB 90.47, -55.16, 0.48

 

CMYK 86 / 12 / 0 / 0

HEX #23E1FF

RGB 35 225 255

HSL 188.18, 1%, 0.57%

LAB 82.61, -33.42, -26.99

 

CMYK 86 / 35 / 0 / 0

HEX #23A7FF

RGB 35 167 255

HSL 204, 1%, 0.57%

LAB 65.92, -3.22, -52.97

 

CMYK 100 / 0 / 12 / 18

HEX #00D0B7

RGB 0 208 183

HSL 172.79, 1%, 0.41%

LAB 75.16, -48.37, 0.31

 

CMYK 100 / 0 / 12 / 2

HEX #00F9DB

RGB 0 249 219

HSL 172.77, 1%, 0.49%

LAB 88.38, -55.49, 0.54

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 70 / 0 / 9 / 0

HEX #4CFFE9

RGB 76 255 233

HSL 172.63, 1%, 0.65%

LAB 91.21, -49.4, -2.52

 

CMYK 54 / 0 / 7 / 0

HEX #76FFEE

RGB 118 255 238

HSL 172.55, 1%, 0.73%

LAB 92.37, -41.42, -3.27

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 80 / 86 / 0 / 0

HEX #3223FF

RGB 50 35 255

HSL 244.09, 1%, 0.57%

LAB 36.18, 72.33, -101.36

 

CMYK 0 / 46 / 86 / 0

HEX #FF8A23

RGB 255 138 35

HSL 28.09, 1%, 0.57%

LAB 69.15, 38.28, 68.42

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 12 / 86 / 0 / 0

HEX #E123FF

RGB 225 35 255

HSL 291.82, 1%, 0.57%

LAB 56.52, 90.26, -67.22

 

CMYK 0 / 12 / 86 / 0

HEX #FFE123

RGB 255 225 35

HSL 51.82, 1%, 0.57%

LAB 89.5, -6.53, 84.69

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 80 / 86 / 0 / 0

HEX #3223FF

RGB 50 35 255

HSL 244.09, 1%, 0.57%

LAB 36.18, 72.33, -101.36

 

CMYK 0 / 86 / 75 / 0

HEX #FF2340

RGB 255 35 64

HSL 352.09, 1%, 0.57%

LAB 54.9, 77.54, 42.11

 

CMYK 6 / 0 / 86 / 0

HEX #F0FF23

RGB 240 255 35

HSL 64.09, 1%, 0.57%

LAB 96.07, -27.25, 89.47

 

CMYK 86 / 0 / 10 / 0

HEX #23FFE5

RGB 35 255 229

HSL 172.91, 1%, 0.57%

LAB 90.57, -54.12, -1.44

 

CMYK 55 / 86 / 0 / 0

HEX #7423FF

RGB 116 35 255

HSL 262.09, 1%, 0.57%

LAB 41.43, 76.42, -92.49

 

CMYK 0 / 86 / 75 / 0

HEX #FF2340

RGB 255 35 64

HSL 352.09, 1%, 0.57%

LAB 54.9, 77.54, 42.11

 

CMYK 32 / 0 / 86 / 0

HEX #AEFF23

RGB 174 255 35

HSL 82.09, 1%, 0.57%

LAB 91.97, -52.51, 84.41

 

Description

Color code: HEX #23FFE5 | qconv.com Color code: HEX #23FFE5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 255 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 255 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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