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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23F68A it is the complementary color #DC0975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23F68A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23F68A shade: #28F685, #39FF98, #4AFFAB, #5BFFBE and #6CFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23F68A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23F68A shade: #23F68A, #12E477, #01D264, #00C051 and #00AE3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23F68A shade: #22F589, #22F550, #2DF522, #66F522 and #9FF522

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23F68A shade: #22F589, #22F5C2, #22F0F5, #22B7F5 and #227EF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23F68A shade matches the following richer shades: #22F589

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23F68A shade: #22F589, #35E38A, #47D08A, #5ABE8B and #6CAB8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23F68A shade: #2DF522, #22F550, #22F588, #22F5C1 and #22F2F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23F68A shade: #07BE60, #09E575, #22F589, #4AF79E and #71F9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23F68A shade: #23F68A, #2265F5 and #F53422

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23F68A shade: #23F68A, #8822F5 and #F58822

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23F68A shade: #23F68A, #2265F5, #F5228F and #F5B222

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23F68A shade: #23F68A, #2226F5, #F5228F and #F5F222

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

Complementary color

CMYK 0 / 96 / 47 / 14

HEX #DC0975

RGB 220 9 117

HSL 329.29, 0.92%, 0.45%

LAB 47.87, 75.48, -0.29

 

CMYK 84 / 0 / 46 / 4

HEX #28F685

RGB 40 246 133

HSL 147.09, 0.92%, 0.56%

LAB 86.03, -71.25, 41.15

 

CMYK 78 / 0 / 40 / 0

HEX #39FF98

RGB 57 255 152

HSL 148.79, 1%, 0.61%

LAB 89.23, -69.41, 36.03

 

CMYK 71 / 0 / 33 / 0

HEX #4AFFAB

RGB 74 255 171

HSL 152.15, 1%, 0.65%

LAB 89.82, -63.74, 27.37

 

CMYK 64 / 0 / 25 / 0

HEX #5BFFBE

RGB 91 255 190

HSL 156.22, 1%, 0.68%

LAB 90.53, -57.28, 18.75

 

CMYK 58 / 0 / 18 / 0

HEX #6CFFD1

RGB 108 255 209

HSL 161.22, 1%, 0.71%

LAB 91.38, -50.11, 10.23

 

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

CMYK 92 / 0 / 48 / 11

HEX #12E477

RGB 18 228 119

HSL 148.86, 0.85%, 0.48%

LAB 80.15, -69.08, 40.45

 

CMYK 100 / 0 / 52 / 18

HEX #01D264

RGB 1 210 100

HSL 148.42, 0.99%, 0.41%

LAB 74.2, -66.92, 42.22

 

CMYK 100 / 0 / 58 / 25

HEX #00C051

RGB 0 192 81

HSL 145.31, 1%, 0.38%

LAB 68.24, -64.04, 44.04

 

CMYK 100 / 0 / 64 / 32

HEX #00AE3E

RGB 0 174 62

HSL 141.38, 1%, 0.34%

LAB 62.19, -60.9, 45.71

 

CMYK 86 / 0 / 44 / 4

HEX #22F589

RGB 34 245 137

HSL 149.29, 0.91%, 0.55%

LAB 85.73, -70.71, 38.8

 

CMYK 86 / 0 / 67 / 4

HEX #22F550

RGB 34 245 80

HSL 133.08, 0.91%, 0.55%

LAB 85.11, -78.26, 63.48

 

CMYK 82 / 0 / 86 / 4

HEX #2DF522

RGB 45 245 34

HSL 116.87, 0.91%, 0.55%

LAB 84.99, -80.26, 77.03

 

CMYK 58 / 0 / 86 / 4

HEX #66F522

RGB 102 245 34

HSL 100.66, 0.91%, 0.55%

LAB 86.13, -70.51, 78.47

 

CMYK 35 / 0 / 86 / 4

HEX #9FF522

RGB 159 245 34

HSL 84.45, 0.91%, 0.55%

LAB 88.35, -53.72, 81.24

 

CMYK 86 / 0 / 44 / 4

HEX #22F589

RGB 34 245 137

HSL 149.29, 0.91%, 0.55%

LAB 85.73, -70.71, 38.8

 

CMYK 86 / 0 / 21 / 4

HEX #22F5C2

RGB 34 245 194

HSL 165.5, 0.91%, 0.55%

LAB 86.77, -58.99, 11.25

 

CMYK 86 / 2 / 0 / 4

HEX #22F0F5

RGB 34 240 245

HSL 181.42, 0.91%, 0.55%

LAB 86.63, -43.36, -15.63

 

CMYK 86 / 25 / 0 / 4

HEX #22B7F5

RGB 34 183 245

HSL 197.63, 0.91%, 0.55%

LAB 70.04, -15.65, -41.06

 

CMYK 86 / 49 / 0 / 4

HEX #227EF5

RGB 34 126 245

HSL 213.84, 0.91%, 0.55%

LAB 53.87, 17.48, -66.75

 

CMYK 86 / 0 / 44 / 4

HEX #22F589

RGB 34 245 137

HSL 149.29, 0.91%, 0.55%

LAB 85.73, -70.71, 38.8

 

CMYK 86 / 0 / 44 / 4

HEX #22F589

RGB 34 245 137

HSL 149.29, 0.91%, 0.55%

LAB 85.73, -70.71, 38.8

 

CMYK 77 / 0 / 39 / 11

HEX #35E38A

RGB 53 227 138

HSL 149.31, 0.76%, 0.55%

LAB 80.48, -62.57, 31.48

 

CMYK 66 / 0 / 34 / 18

HEX #47D08A

RGB 71 208 138

HSL 149.34, 0.59%, 0.55%

LAB 75.01, -52.81, 24.21

 

CMYK 53 / 0 / 27 / 25

HEX #5ABE8B

RGB 90 190 139

HSL 149.4, 0.43%, 0.55%

LAB 70.08, -41.18, 17.02

 

CMYK 37 / 0 / 19 / 33

HEX #6CAB8B

RGB 108 171 139

HSL 149.52, 0.27%, 0.55%

LAB 65.1, -27.49, 10.15

 

CMYK 82 / 0 / 86 / 4

HEX #2DF522

RGB 45 245 34

HSL 116.87, 0.91%, 0.55%

LAB 84.99, -80.26, 77.03

 

CMYK 86 / 0 / 67 / 4

HEX #22F550

RGB 34 245 80

HSL 133.08, 0.91%, 0.55%

LAB 85.11, -78.26, 63.48

 

CMYK 86 / 0 / 44 / 4

HEX #22F588

RGB 34 245 136

HSL 149, 0.91%, 0.55%

LAB 85.72, -70.88, 39.27

 

CMYK 86 / 0 / 21 / 4

HEX #22F5C1

RGB 34 245 193

HSL 165.21, 0.91%, 0.55%

LAB 86.75, -59.23, 11.74

 

CMYK 86 / 1 / 0 / 4

HEX #22F2F5

RGB 34 242 245

HSL 180.85, 0.91%, 0.55%

LAB 87.21, -44.25, -14.76

 

CMYK 96 / 0 / 49 / 25

HEX #07BE60

RGB 7 190 96

HSL 149.18, 0.93%, 0.39%

LAB 67.81, -60.86, 36.26

 

CMYK 96 / 0 / 49 / 10

HEX #09E575

RGB 9 229 117

HSL 149.45, 0.92%, 0.47%

LAB 80.39, -70.05, 41.71

 

CMYK 86 / 0 / 44 / 4

HEX #22F589

RGB 34 245 137

HSL 149.29, 0.91%, 0.55%

LAB 85.73, -70.71, 38.8

 

CMYK 70 / 0 / 36 / 3

HEX #4AF79E

RGB 74 247 158

HSL 149.13, 0.92%, 0.63%

LAB 87.22, -63.28, 30.41

 

CMYK 55 / 0 / 28 / 2

HEX #71F9B3

RGB 113 249 179

HSL 149.12, 0.92%, 0.71%

LAB 89.17, -52.87, 22.57

 

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

CMYK 86 / 59 / 0 / 4

HEX #2265F5

RGB 34 101 245

HSL 220.95, 0.91%, 0.55%

LAB 47.29, 33.25, -77.44

 

CMYK 0 / 79 / 86 / 4

HEX #F53422

RGB 245 52 34

HSL 5.12, 0.91%, 0.55%

LAB 54.01, 70.33, 55.97

 

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

CMYK 44 / 86 / 0 / 4

HEX #8822F5

RGB 136 34 245

HSL 269, 0.91%, 0.55%

LAB 42.72, 76.42, -84.67

 

CMYK 0 / 44 / 86 / 4

HEX #F58822

RGB 245 136 34

HSL 29, 0.91%, 0.55%

LAB 67.38, 35.29, 66.74

 

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

CMYK 86 / 59 / 0 / 4

HEX #2265F5

RGB 34 101 245

HSL 220.95, 0.91%, 0.55%

LAB 47.29, 33.25, -77.44

 

CMYK 0 / 86 / 42 / 4

HEX #F5228F

RGB 245 34 143

HSL 329, 0.91%, 0.55%

LAB 54.6, 80.1, -5.56

 

CMYK 0 / 27 / 86 / 4

HEX #F5B222

RGB 245 178 34

HSL 40.95, 0.91%, 0.55%

LAB 76.9, 13.33, 74.4

 

CMYK 86 / 0 / 44 / 4

HEX #23F68A

RGB 35 246 138

HSL 149.29, 0.92%, 0.55%

LAB 86.06, -70.8, 38.73

 

CMYK 86 / 84 / 0 / 4

HEX #2226F5

RGB 34 38 245

HSL 238.86, 0.91%, 0.55%

LAB 34.64, 67.98, -98.32

 

CMYK 0 / 86 / 42 / 4

HEX #F5228F

RGB 245 34 143

HSL 329, 0.91%, 0.55%

LAB 54.6, 80.1, -5.56

 

CMYK 0 / 1 / 86 / 4

HEX #F5F222

RGB 245 242 34

HSL 59.15, 0.91%, 0.55%

LAB 93.03, -19.07, 87.36

 

Description

Color code: HEX #23F68A | qconv.com Color code: HEX #23F68A | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 246 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 246 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 44 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 44% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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