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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23EA17 it is the complementary color #DC15E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23EA17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23EA17 shade: #28EA12, #39FC25, #4AFF38, #5BFF4B and #6CFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23EA17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23EA17 shade: #23EA17, #12D804, #01C600, #00B400 and #00A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23EA17 shade: #21E915, #5AE915, #93E915, #CCE915 and #E9CC15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23EA17 shade: #21E915, #15E942, #15E97B, #15E9B4 and #15E4E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23EA17 shade matches the following richer shades: #21E915 and #0FFD01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23EA17 shade: #21E915, #33D42A, #46C03E, #58AB53 and #6A9668

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23EA17 shade: #94E915, #5CE915, #23E915, #15E940 and #15E978

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23EA17 shade: #169D0E, #1CC312, #21E915, #45EC3B and #69F061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23EA17 shade: #23EA17, #15CDE9 and #E91578

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23EA17 shade: #23EA17, #1523E9 and #E91523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23EA17 shade: #23EA17, #15CDE9, #DB15E9 and #E93115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23EA17 shade: #23EA17, #158DE9, #DB15E9 and #E97115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

Complementary color

CMYK 5 / 91 / 0 / 9

HEX #DC15E8

RGB 220 21 232

HSL 296.59, 0.83%, 0.5%

LAB 53.58, 87.91, -59.13

 

CMYK 83 / 0 / 92 / 8

HEX #28EA12

RGB 40 234 18

HSL 113.89, 0.86%, 0.49%

LAB 81.48, -78.2, 76.57

 

CMYK 77 / 0 / 85 / 1

HEX #39FC25

RGB 57 252 37

HSL 114.42, 0.97%, 0.57%

LAB 87.3, -80.74, 78.52

 

CMYK 71 / 0 / 78 / 0

HEX #4AFF38

RGB 74 255 56

HSL 114.57, 1%, 0.61%

LAB 88.57, -78.25, 75.17

 

CMYK 64 / 0 / 71 / 0

HEX #5BFF4B

RGB 91 255 75

HSL 114.67, 1%, 0.65%

LAB 89.04, -73.92, 69.72

 

CMYK 58 / 0 / 63 / 0

HEX #6CFF5E

RGB 108 255 94

HSL 114.78, 1%, 0.68%

LAB 89.63, -68.63, 63.28

 

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

CMYK 92 / 0 / 98 / 15

HEX #12D804

RGB 18 216 4

HSL 116.04, 0.96%, 0.43%

LAB 75.61, -75.23, 73.1

 

CMYK 99 / 0 / 100 / 22

HEX #01C600

RGB 1 198 0

HSL 119.7, 1%, 0.39%

LAB 69.75, -71.2, 68.76

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 61 / 0 / 91 / 9

HEX #5AE915

RGB 90 233 21

HSL 100.47, 0.83%, 0.5%

LAB 82.11, -69.74, 77.09

 

CMYK 37 / 0 / 91 / 9

HEX #93E915

RGB 147 233 21

HSL 84.34, 0.83%, 0.5%

LAB 84.24, -53.35, 79.72

 

CMYK 12 / 0 / 91 / 9

HEX #CCE915

RGB 204 233 21

HSL 68.21, 0.83%, 0.5%

LAB 87.57, -31.84, 83.78

 

CMYK 0 / 12 / 91 / 9

HEX #E9CC15

RGB 233 204 21

HSL 51.79, 0.83%, 0.5%

LAB 82.14, -5.54, 80.56

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 91 / 0 / 72 / 9

HEX #15E942

RGB 21 233 66

HSL 132.74, 0.83%, 0.5%

LAB 81.2, -76.9, 64.51

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 91 / 0 / 23 / 9

HEX #15E9B4

RGB 21 233 180

HSL 165, 0.83%, 0.5%

LAB 82.77, -58.41, 12.86

 

CMYK 91 / 2 / 0 / 9

HEX #15E4E9

RGB 21 228 233

HSL 181.42, 0.83%, 0.5%

LAB 82.66, -42.15, -15.28

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 94 / 0 / 100 / 1

HEX #0FFD01

RGB 15 253 1

HSL 116.67, 0.99%, 0.5%

LAB 87.17, -85.2, 82.67

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 76 / 0 / 80 / 17

HEX #33D42A

RGB 51 212 42

HSL 116.82, 0.67%, 0.5%

LAB 74.8, -69.62, 65.98

 

CMYK 64 / 0 / 68 / 25

HEX #46C03E

RGB 70 192 62

HSL 116.31, 0.51%, 0.5%

LAB 69, -58.26, 53.47

 

CMYK 49 / 0 / 51 / 33

HEX #58AB53

RGB 88 171 83

HSL 116.59, 0.35%, 0.5%

LAB 63.2, -43.24, 37.4

 

CMYK 29 / 0 / 31 / 41

HEX #6A9668

RGB 106 150 104

HSL 117.39, 0.18%, 0.5%

LAB 57.92, -24.49, 19.6

 

CMYK 36 / 0 / 91 / 9

HEX #94E915

RGB 148 233 21

HSL 84.06, 0.83%, 0.5%

LAB 84.29, -53.01, 79.78

 

CMYK 61 / 0 / 91 / 9

HEX #5CE915

RGB 92 233 21

HSL 99.91, 0.83%, 0.5%

LAB 82.17, -69.29, 77.16

 

CMYK 85 / 0 / 91 / 9

HEX #23E915

RGB 35 233 21

HSL 116.04, 0.83%, 0.5%

LAB 81.12, -78.31, 75.86

 

CMYK 91 / 0 / 73 / 9

HEX #15E940

RGB 21 233 64

HSL 132.17, 0.83%, 0.5%

LAB 81.19, -77.06, 65.19

 

CMYK 91 / 0 / 48 / 9

HEX #15E978

RGB 21 233 120

HSL 148.02, 0.83%, 0.5%

LAB 81.73, -70.38, 41.95

 

CMYK 86 / 0 / 91 / 38

HEX #169D0E

RGB 22 157 14

HSL 116.64, 0.84%, 0.34%

LAB 56.4, -58.04, 55.93

 

CMYK 86 / 0 / 91 / 24

HEX #1CC312

RGB 28 195 18

HSL 116.61, 0.83%, 0.42%

LAB 68.98, -68.4, 66.01

 

CMYK 86 / 0 / 91 / 9

HEX #21E915

RGB 33 233 21

HSL 116.6, 0.83%, 0.5%

LAB 81.1, -78.48, 75.83

 

CMYK 71 / 0 / 75 / 7

HEX #45EC3B

RGB 69 236 59

HSL 116.61, 0.82%, 0.58%

LAB 82.69, -73.1, 68.56

 

CMYK 56 / 0 / 60 / 6

HEX #69F061

RGB 105 240 97

HSL 116.64, 0.83%, 0.66%

LAB 85.09, -63.74, 56.9

 

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

CMYK 91 / 12 / 0 / 9

HEX #15CDE9

RGB 21 205 233

HSL 187.92, 0.83%, 0.5%

LAB 75.89, -31.49, -25.54

 

CMYK 0 / 91 / 48 / 9

HEX #E91578

RGB 233 21 120

HSL 331.98, 0.83%, 0.5%

LAB 50.94, 77.41, 2.65

 

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

CMYK 91 / 85 / 0 / 9

HEX #1523E9

RGB 21 35 233

HSL 236.04, 0.83%, 0.5%

LAB 32.36, 65.43, -95.32

 

CMYK 0 / 91 / 85 / 9

HEX #E91523

RGB 233 21 35

HSL 356.04, 0.83%, 0.5%

LAB 49.47, 73.33, 50.78

 

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

CMYK 91 / 12 / 0 / 9

HEX #15CDE9

RGB 21 205 233

HSL 187.92, 0.83%, 0.5%

LAB 75.89, -31.49, -25.54

 

CMYK 6 / 91 / 0 / 9

HEX #DB15E9

RGB 219 21 233

HSL 296.04, 0.83%, 0.5%

LAB 53.47, 87.9, -59.87

 

CMYK 0 / 79 / 91 / 9

HEX #E93115

RGB 233 49 21

HSL 7.92, 0.83%, 0.5%

LAB 51.35, 67.52, 58.15

 

CMYK 85 / 0 / 90 / 8

HEX #23EA17

RGB 35 234 23

HSL 116.59, 0.83%, 0.5%

LAB 81.44, -78.53, 75.83

 

CMYK 91 / 39 / 0 / 9

HEX #158DE9

RGB 21 141 233

HSL 206.04, 0.83%, 0.5%

LAB 57.17, 3.02, -54.8

 

CMYK 6 / 91 / 0 / 9

HEX #DB15E9

RGB 219 21 233

HSL 296.04, 0.83%, 0.5%

LAB 53.47, 87.9, -59.87

 

CMYK 0 / 52 / 91 / 9

HEX #E97115

RGB 233 113 21

HSL 26.04, 0.83%, 0.5%

LAB 60.95, 41.91, 64.8

 

Description

Color code: HEX #23EA17 | qconv.com Color code: HEX #23EA17 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 234 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 234 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 90 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 90% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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