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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23E157 it is the complementary color #DC1EA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23E157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23E157 shade: #28E152, #39F365, #4AFF78, #5BFF8B and #6CFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23E157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23E157 shade: #23E157, #12CF44, #01BD31, #00AB1E and #00990B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23E157 shade: #23E157, #23E123, #55E123, #88E123 and #BBE123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23E157 shade: #23E157, #23E18A, #23E1BD, #23D1E1 and #239EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23E157 shade matches the following richer shades: #23E157 and #0EF54D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23E157 shade: #23E157, #37CC60, #4BB869, #5FA472 and #73907B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23E157 shade: #55E123, #23E123, #23E155, #23E188 and #23E1BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23E157 shade: #159C3A, #1AC047, #23E157, #47E572 and #6BEA8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23E157 shade: #23E157, #2388E1 and #E1233C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23E157 shade: #23E157, #5523E1 and #E15523

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23E157 shade: #23E157, #2388E1, #E123AE and #E17B23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23E157 shade: #23E157, #234FE1, #E123AE and #E1B423

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

Complementary color

CMYK 0 / 86 / 24 / 14

HEX #DC1EA8

RGB 220 30 168

HSL 316.42, 0.76%, 0.49%

LAB 50.65, 77.94, -26.82

 

CMYK 82 / 0 / 64 / 12

HEX #28E152

RGB 40 225 82

HSL 133.62, 0.76%, 0.52%

LAB 78.99, -71.59, 56.01

 

CMYK 77 / 0 / 58 / 5

HEX #39F365

RGB 57 243 101

HSL 134.19, 0.89%, 0.59%

LAB 84.95, -73.08, 54.71

 

CMYK 71 / 0 / 53 / 0

HEX #4AFF78

RGB 74 255 120

HSL 135.25, 1%, 0.65%

LAB 89.08, -72.17, 51.17

 

CMYK 64 / 0 / 45 / 0

HEX #5BFF8B

RGB 91 255 139

HSL 137.56, 1%, 0.68%

LAB 89.68, -66.57, 43.06

 

CMYK 58 / 0 / 38 / 0

HEX #6CFF9E

RGB 108 255 158

HSL 140.41, 1%, 0.71%

LAB 90.4, -60.14, 34.8

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 91 / 0 / 67 / 19

HEX #12CF44

RGB 18 207 68

HSL 135.87, 0.84%, 0.44%

LAB 73, -69.35, 55.12

 

CMYK 99 / 0 / 74 / 26

HEX #01BD31

RGB 1 189 49

HSL 135.32, 0.99%, 0.37%

LAB 66.99, -66.59, 56.02

 

CMYK 100 / 0 / 82 / 33

HEX #00AB1E

RGB 0 171 30

HSL 130.53, 1%, 0.34%

LAB 60.97, -62.81, 56.24

 

CMYK 100 / 0 / 93 / 40

HEX #00990B

RGB 0 153 11

HSL 124.31, 1%, 0.3%

LAB 54.87, -58.53, 55.08

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 84 / 0 / 84 / 12

HEX #23E123

RGB 35 225 35

HSL 120, 0.76%, 0.51%

LAB 78.65, -75.61, 71.18

 

CMYK 62 / 0 / 84 / 12

HEX #55E123

RGB 85 225 35

HSL 104.21, 0.76%, 0.51%

LAB 79.56, -67.81, 72.33

 

CMYK 40 / 0 / 84 / 12

HEX #88E123

RGB 136 225 35

HSL 88.11, 0.76%, 0.51%

LAB 81.4, -53.51, 74.66

 

CMYK 17 / 0 / 84 / 12

HEX #BBE123

RGB 187 225 35

HSL 72, 0.76%, 0.51%

LAB 84.24, -34.69, 78.21

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 84 / 0 / 39 / 12

HEX #23E18A

RGB 35 225 138

HSL 152.53, 0.76%, 0.51%

LAB 79.64, -63.65, 30.33

 

CMYK 84 / 0 / 16 / 12

HEX #23E1BD

RGB 35 225 189

HSL 168.63, 0.76%, 0.51%

LAB 80.67, -52.26, 5.13

 

CMYK 84 / 7 / 0 / 12

HEX #23D1E1

RGB 35 209 225

HSL 185.05, 0.76%, 0.51%

LAB 76.92, -35.15, -19.66

 

CMYK 84 / 30 / 0 / 12

HEX #239EE1

RGB 35 158 225

HSL 201.16, 0.76%, 0.51%

LAB 61.87, -8.95, -42.9

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 94 / 0 / 69 / 4

HEX #0EF54D

RGB 14 245 77

HSL 136.36, 0.92%, 0.51%

LAB 84.96, -79.65, 64.42

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 73 / 0 / 53 / 20

HEX #37CC60

RGB 55 204 96

HSL 136.51, 0.59%, 0.51%

LAB 72.79, -61.16, 42.53

 

CMYK 59 / 0 / 43 / 28

HEX #4BB869

RGB 75 184 105

HSL 136.51, 0.43%, 0.51%

LAB 67.12, -48.57, 31.02

 

CMYK 42 / 0 / 30 / 36

HEX #5FA472

RGB 95 164 114

HSL 136.52, 0.27%, 0.51%

LAB 61.83, -33.03, 19.29

 

CMYK 20 / 0 / 15 / 44

HEX #73907B

RGB 115 144 123

HSL 136.55, 0.12%, 0.51%

LAB 57.1, -14.64, 7.82

 

CMYK 62 / 0 / 84 / 12

HEX #55E123

RGB 85 225 35

HSL 104.21, 0.76%, 0.51%

LAB 79.56, -67.81, 72.33

 

CMYK 84 / 0 / 84 / 12

HEX #23E123

RGB 35 225 35

HSL 120, 0.76%, 0.51%

LAB 78.65, -75.61, 71.18

 

CMYK 84 / 0 / 62 / 12

HEX #23E155

RGB 35 225 85

HSL 135.79, 0.76%, 0.51%

LAB 78.96, -71.72, 54.7

 

CMYK 84 / 0 / 40 / 12

HEX #23E188

RGB 35 225 136

HSL 151.89, 0.76%, 0.51%

LAB 79.61, -64.03, 31.3

 

CMYK 84 / 0 / 17 / 12

HEX #23E1BB

RGB 35 225 187

HSL 168, 0.76%, 0.51%

LAB 80.63, -52.76, 6.12

 

CMYK 87 / 0 / 63 / 39

HEX #159C3A

RGB 21 156 58

HSL 136.44, 0.76%, 0.35%

LAB 56.33, -54.4, 40.94

 

CMYK 86 / 0 / 63 / 25

HEX #1AC047

RGB 26 192 71

HSL 136.27, 0.76%, 0.43%

LAB 68.3, -63.91, 48.68

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 69 / 0 / 50 / 10

HEX #47E572

RGB 71 229 114

HSL 136.33, 0.75%, 0.59%

LAB 81.07, -64.66, 44.15

 

CMYK 54 / 0 / 39 / 8

HEX #6BEA8E

RGB 107 234 142

HSL 136.54, 0.75%, 0.67%

LAB 83.93, -54.88, 34.24

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 84 / 40 / 0 / 12

HEX #2388E1

RGB 35 136 225

HSL 208.11, 0.76%, 0.51%

LAB 55.48, 3.85, -53.02

 

CMYK 0 / 84 / 73 / 12

HEX #E1233C

RGB 225 35 60

HSL 352.11, 0.76%, 0.51%

LAB 48.93, 69.66, 36.06

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 62 / 84 / 0 / 12

HEX #5523E1

RGB 85 35 225

HSL 255.79, 0.76%, 0.51%

LAB 35.14, 66.36, -86.02

 

CMYK 0 / 62 / 84 / 12

HEX #E15523

RGB 225 85 35

HSL 15.79, 0.76%, 0.51%

LAB 54.68, 52.35, 54.65

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 84 / 40 / 0 / 12

HEX #2388E1

RGB 35 136 225

HSL 208.11, 0.76%, 0.51%

LAB 55.48, 3.85, -53.02

 

CMYK 0 / 84 / 23 / 12

HEX #E123AE

RGB 225 35 174

HSL 316.11, 0.76%, 0.51%

LAB 52.14, 78.78, -27.98

 

CMYK 0 / 45 / 84 / 12

HEX #E17B23

RGB 225 123 35

HSL 27.79, 0.76%, 0.51%

LAB 61.91, 33.94, 60.79

 

CMYK 84 / 0 / 61 / 12

HEX #23E157

RGB 35 225 87

HSL 136.42, 0.76%, 0.51%

LAB 78.98, -71.49, 53.86

 

CMYK 84 / 65 / 0 / 12

HEX #234FE1

RGB 35 79 225

HSL 226.11, 0.76%, 0.51%

LAB 40.22, 39.81, -77.74

 

CMYK 0 / 84 / 23 / 12

HEX #E123AE

RGB 225 35 174

HSL 316.11, 0.76%, 0.51%

LAB 52.14, 78.78, -27.98

 

CMYK 0 / 20 / 84 / 12

HEX #E1B423

RGB 225 180 35

HSL 45.79, 0.76%, 0.51%

LAB 75.31, 3.7, 71.98

 

Description

Color code: HEX #23E157 | qconv.com Color code: HEX #23E157 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 225 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 225 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 61 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 61% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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