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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23E473 it is the complementary color #DC1B8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23E473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23E473 shade: #28E46E, #39F681, #4AFF94, #5BFFA7 and #6CFFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23E473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23E473 shade: #23E473, #12D260, #01C04D, #00AE3A and #009C27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23E473 shade: #25E474, #25E440, #3CE425, #70E425 and #A3E425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23E473 shade: #25E474, #25E4A7, #25E4DB, #25B9E4 and #2585E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23E473 shade matches the following richer shades: #25E474 and #11F770

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23E473 shade: #25E474, #38D077, #4CBC7B, #60A87E and #749481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23E473 shade: #3EE425, #25E43E, #25E471, #25E4A4 and #25E4D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23E473 shade: #14A24F, #18C761, #25E474, #49E88B and #6EEDA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23E473 shade: #23E473, #2571E4 and #E42525

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23E473 shade: #23E473, #7125E4 and #E47125

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23E473 shade: #23E473, #2571E4, #E42597 and #E49725

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23E473 shade: #23E473, #2538E4, #E42597 and #E4D025

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

Complementary color

CMYK 0 / 88 / 36 / 14

HEX #DC1B8C

RGB 220 27 140

HSL 324.87, 0.78%, 0.48%

LAB 49.37, 75.4, -12.07

 

CMYK 82 / 0 / 52 / 11

HEX #28E46E

RGB 40 228 110

HSL 142.34, 0.78%, 0.53%

LAB 80.22, -68.95, 44.89

 

CMYK 77 / 0 / 48 / 4

HEX #39F681

RGB 57 246 129

HSL 142.86, 0.91%, 0.59%

LAB 86.19, -70.18, 43.31

 

CMYK 71 / 0 / 42 / 0

HEX #4AFF94

RGB 74 255 148

HSL 144.53, 1%, 0.65%

LAB 89.45, -67.93, 38.33

 

CMYK 64 / 0 / 35 / 0

HEX #5BFFA7

RGB 91 255 167

HSL 147.8, 1%, 0.68%

LAB 90.11, -61.83, 29.83

 

CMYK 58 / 0 / 27 / 0

HEX #6CFFBA

RGB 108 255 186

HSL 151.84, 1%, 0.71%

LAB 90.9, -54.97, 21.36

 

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

CMYK 91 / 0 / 54 / 18

HEX #12D260

RGB 18 210 96

HSL 144.38, 0.84%, 0.45%

LAB 74.23, -66.84, 44.18

 

CMYK 99 / 0 / 60 / 25

HEX #01C04D

RGB 1 192 77

HSL 143.87, 0.99%, 0.38%

LAB 68.2, -64.53, 45.84

 

CMYK 100 / 0 / 67 / 32

HEX #00AE3A

RGB 0 174 58

HSL 140, 1%, 0.34%

LAB 62.15, -61.35, 47.4

 

CMYK 100 / 0 / 75 / 39

HEX #009C27

RGB 0 156 39

HSL 135, 1%, 0.31%

LAB 56.01, -57.8, 48.51

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 84 / 0 / 72 / 11

HEX #25E440

RGB 37 228 64

HSL 128.48, 0.78%, 0.52%

LAB 79.76, -74.47, 63.78

 

CMYK 74 / 0 / 84 / 11

HEX #3CE425

RGB 60 228 37

HSL 112.77, 0.78%, 0.52%

LAB 79.94, -73.34, 72.01

 

CMYK 51 / 0 / 84 / 11

HEX #70E425

RGB 112 228 37

HSL 96.44, 0.78%, 0.52%

LAB 81.33, -61.96, 73.77

 

CMYK 29 / 0 / 84 / 11

HEX #A3E425

RGB 163 228 37

HSL 80.42, 0.78%, 0.52%

LAB 83.66, -45.18, 76.7

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 84 / 0 / 27 / 11

HEX #25E4A7

RGB 37 228 167

HSL 160.84, 0.78%, 0.52%

LAB 81.11, -58.56, 17.35

 

CMYK 84 / 0 / 4 / 11

HEX #25E4DB

RGB 37 228 219

HSL 177.17, 0.78%, 0.52%

LAB 82.38, -45.35, -8.27

 

CMYK 84 / 19 / 0 / 11

HEX #25B9E4

RGB 37 185 228

HSL 193.51, 0.78%, 0.52%

LAB 69.96, -22.26, -31.93

 

CMYK 84 / 42 / 0 / 11

HEX #2585E4

RGB 37 133 228

HSL 209.84, 0.78%, 0.52%

LAB 54.83, 6.95, -55.73

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 93 / 0 / 55 / 3

HEX #11F770

RGB 17 247 112

HSL 144.78, 0.93%, 0.52%

LAB 85.91, -76.12, 50.84

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 73 / 0 / 43 / 18

HEX #38D077

RGB 56 208 119

HSL 144.87, 0.62%, 0.52%

LAB 74.37, -58.76, 33.13

 

CMYK 60 / 0 / 35 / 26

HEX #4CBC7B

RGB 76 188 123

HSL 145.18, 0.46%, 0.52%

LAB 68.7, -46.72, 23.64

 

CMYK 43 / 0 / 25 / 34

HEX #60A87E

RGB 96 168 126

HSL 145, 0.29%, 0.52%

LAB 63.34, -32.26, 14.78

 

CMYK 22 / 0 / 13 / 42

HEX #749481

RGB 116 148 129

HSL 144.38, 0.13%, 0.52%

LAB 58.49, -15.22, 6.4

 

CMYK 73 / 0 / 84 / 11

HEX #3EE425

RGB 62 228 37

HSL 112.15, 0.78%, 0.52%

LAB 79.98, -73.03, 72.05

 

CMYK 84 / 0 / 73 / 11

HEX #25E43E

RGB 37 228 62

HSL 127.85, 0.78%, 0.52%

LAB 79.74, -74.63, 64.46

 

CMYK 84 / 0 / 50 / 11

HEX #25E471

RGB 37 228 113

HSL 143.87, 0.78%, 0.52%

LAB 80.22, -68.78, 43.46

 

CMYK 84 / 0 / 28 / 11

HEX #25E4A4

RGB 37 228 164

HSL 159.9, 0.78%, 0.52%

LAB 81.05, -59.23, 18.83

 

CMYK 84 / 0 / 6 / 11

HEX #25E4D7

RGB 37 228 215

HSL 175.92, 0.78%, 0.52%

LAB 82.26, -46.46, -6.32

 

CMYK 88 / 0 / 51 / 36

HEX #14A24F

RGB 20 162 79

HSL 144.93, 0.78%, 0.36%

LAB 58.56, -53.47, 33.33

 

CMYK 88 / 0 / 51 / 22

HEX #18C761

RGB 24 199 97

HSL 145.03, 0.78%, 0.44%

LAB 70.8, -62.77, 39.52

 

CMYK 84 / 0 / 49 / 11

HEX #25E474

RGB 37 228 116

HSL 144.82, 0.78%, 0.52%

LAB 80.26, -68.31, 42.07

 

CMYK 69 / 0 / 40 / 9

HEX #49E88B

RGB 73 232 139

HSL 144.91, 0.78%, 0.6%

LAB 82.38, -61.38, 33.54

 

CMYK 54 / 0 / 31 / 7

HEX #6EEDA3

RGB 110 237 163

HSL 145.04, 0.78%, 0.68%

LAB 85.26, -51.68, 25.39

 

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

CMYK 84 / 50 / 0 / 11

HEX #2571E4

RGB 37 113 228

HSL 216.13, 0.78%, 0.52%

LAB 49.26, 19.4, -64.7

 

CMYK 0 / 84 / 84 / 11

HEX #E42525

RGB 228 37 37

HSL 0, 0.78%, 0.52%

LAB 49.44, 69.33, 49.37

 

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

CMYK 50 / 84 / 0 / 11

HEX #7125E4

RGB 113 37 228

HSL 263.87, 0.78%, 0.52%

LAB 38.61, 69.14, -81.9

 

CMYK 0 / 50 / 84 / 11

HEX #E47125

RGB 228 113 37

HSL 23.87, 0.78%, 0.52%

LAB 60.28, 40.29, 58.85

 

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

CMYK 84 / 50 / 0 / 11

HEX #2571E4

RGB 37 113 228

HSL 216.13, 0.78%, 0.52%

LAB 49.26, 19.4, -64.7

 

CMYK 0 / 84 / 34 / 11

HEX #E42597

RGB 228 37 151

HSL 324.19, 0.78%, 0.52%

LAB 51.9, 76.47, -14.7

 

CMYK 0 / 34 / 84 / 11

HEX #E49725

RGB 228 151 37

HSL 35.81, 0.78%, 0.52%

LAB 68.58, 20.45, 65.91

 

CMYK 85 / 0 / 50 / 11

HEX #23E473

RGB 35 228 115

HSL 144.87, 0.78%, 0.52%

LAB 80.23, -68.64, 42.51

 

CMYK 84 / 75 / 0 / 11

HEX #2538E4

RGB 37 56 228

HSL 234.03, 0.78%, 0.52%

LAB 35.64, 54.52, -87

 

CMYK 0 / 84 / 34 / 11

HEX #E42597

RGB 228 37 151

HSL 324.19, 0.78%, 0.52%

LAB 51.9, 76.47, -14.7

 

CMYK 0 / 9 / 84 / 11

HEX #E4D025

RGB 228 208 37

HSL 53.72, 0.78%, 0.52%

LAB 82.77, -9.39, 77.79

 

Description

Color code: HEX #23E473 | qconv.com Color code: HEX #23E473 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 228 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 228 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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