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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23DF83 it is the complementary color #DC207C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23DF83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23DF83 shade: #28DF7E, #39F191, #4AFFA4, #5BFFB7 and #6CFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23DF83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23DF83 shade: #23DF83, #12CD70, #01BB5D, #00A94A and #009737

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23DF83 shade: #24DF84, #24DF51, #29DF24, #5CDF24 and #8EDF24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23DF83 shade: #24DF84, #24DFB6, #24D6DF, #24A3DF and #2471DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23DF83 shade matches the following richer shades: #24DF84 and #10F384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23DF83 shade: #24DF84, #38CB83, #4CB783, #60A382 and #758E82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23DF83 shade: #2ADF24, #24DF50, #24DF82, #24DFB4 and #24D9DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23DF83 shade: #169B5A, #1BBF6F, #24DF84, #48E498 and #6CEAAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23DF83 shade: #23DF83, #245CDF and #DF3724

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23DF83 shade: #23DF83, #8224DF and #DF8224

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23DF83 shade: #23DF83, #245CDF, #DF2482 and #DFA724

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23DF83 shade: #23DF83, #2424DF, #DF2482 and #DFDF24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

Complementary color

CMYK 0 / 85 / 44 / 14

HEX #DC207C

RGB 220 32 124

HSL 330.64, 0.75%, 0.49%

LAB 49.13, 73.03, -2.72

 

CMYK 82 / 0 / 43 / 13

HEX #28DF7E

RGB 40 223 126

HSL 148.2, 0.74%, 0.52%

LAB 78.89, -64.72, 35.41

 

CMYK 76 / 0 / 40 / 5

HEX #39F191

RGB 57 241 145

HSL 148.7, 0.87%, 0.58%

LAB 84.91, -65.78, 33.81

 

CMYK 71 / 0 / 36 / 0

HEX #4AFFA4

RGB 74 255 164

HSL 149.83, 1%, 0.65%

LAB 89.7, -65.08, 30.73

 

CMYK 64 / 0 / 28 / 0

HEX #5BFFB7

RGB 91 255 183

HSL 153.66, 1%, 0.68%

LAB 90.4, -58.72, 22.13

 

CMYK 58 / 0 / 21 / 0

HEX #6CFFCA

RGB 108 255 202

HSL 158.37, 1%, 0.71%

LAB 91.22, -51.64, 13.62

 

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

CMYK 91 / 0 / 45 / 20

HEX #12CD70

RGB 18 205 112

HSL 150.16, 0.84%, 0.44%

LAB 72.87, -62.66, 34.64

 

CMYK 99 / 0 / 50 / 27

HEX #01BB5D

RGB 1 187 93

HSL 149.68, 0.99%, 0.37%

LAB 66.78, -60.6, 36.46

 

CMYK 100 / 0 / 56 / 34

HEX #00A94A

RGB 0 169 74

HSL 146.27, 1%, 0.33%

LAB 60.67, -57.74, 38.37

 

CMYK 100 / 0 / 64 / 41

HEX #009737

RGB 0 151 55

HSL 141.85, 1%, 0.3%

LAB 54.46, -54.58, 40.16

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 84 / 0 / 64 / 13

HEX #24DF51

RGB 36 223 81

HSL 134.44, 0.75%, 0.51%

LAB 78.31, -71.47, 55.66

 

CMYK 82 / 0 / 84 / 13

HEX #29DF24

RGB 41 223 36

HSL 118.4, 0.75%, 0.51%

LAB 78.1, -74.4, 70.47

 

CMYK 59 / 0 / 84 / 13

HEX #5CDF24

RGB 92 223 36

HSL 102.03, 0.75%, 0.51%

LAB 79.14, -65.49, 71.81

 

CMYK 36 / 0 / 84 / 13

HEX #8EDF24

RGB 142 223 36

HSL 85.99, 0.75%, 0.51%

LAB 81.1, -50.64, 74.28

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 84 / 0 / 18 / 13

HEX #24DFB6

RGB 36 223 182

HSL 166.84, 0.75%, 0.51%

LAB 79.91, -53.14, 7.75

 

CMYK 84 / 4 / 0 / 13

HEX #24D6DF

RGB 36 214 223

HSL 182.89, 0.75%, 0.51%

LAB 78.34, -38.01, -16.44

 

CMYK 84 / 27 / 0 / 13

HEX #24A3DF

RGB 36 163 223

HSL 199.25, 0.75%, 0.51%

LAB 63.26, -12.36, -39.62

 

CMYK 84 / 49 / 0 / 13

HEX #2471DF

RGB 36 113 223

HSL 215.29, 0.75%, 0.51%

LAB 48.9, 17.42, -62.46

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 93 / 0 / 46 / 5

HEX #10F384

RGB 16 243 132

HSL 150.66, 0.9%, 0.51%

LAB 84.93, -71.86, 40.19

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 72 / 0 / 35 / 20

HEX #38CB83

RGB 56 203 131

HSL 150.61, 0.59%, 0.51%

LAB 73.02, -54.67, 25.14

 

CMYK 58 / 0 / 28 / 28

HEX #4CB783

RGB 76 183 131

HSL 150.84, 0.43%, 0.51%

LAB 67.31, -43.01, 17.43

 

CMYK 41 / 0 / 20 / 36

HEX #60A382

RGB 96 163 130

HSL 150.45, 0.27%, 0.51%

LAB 61.91, -29.04, 10.55

 

CMYK 18 / 0 / 8 / 44

HEX #758E82

RGB 117 142 130

HSL 151.2, 0.1%, 0.51%

LAB 56.82, -11.43, 3.44

 

CMYK 81 / 0 / 84 / 13

HEX #2ADF24

RGB 42 223 36

HSL 118.07, 0.75%, 0.51%

LAB 78.11, -74.29, 70.49

 

CMYK 84 / 0 / 64 / 13

HEX #24DF50

RGB 36 223 80

HSL 134.12, 0.75%, 0.51%

LAB 78.3, -71.57, 56.06

 

CMYK 84 / 0 / 42 / 13

HEX #24DF82

RGB 36 223 130

HSL 150.16, 0.75%, 0.51%

LAB 78.9, -64.36, 33.42

 

CMYK 84 / 0 / 19 / 13

HEX #24DFB4

RGB 36 223 180

HSL 166.2, 0.75%, 0.51%

LAB 79.87, -53.63, 8.74

 

CMYK 84 / 3 / 0 / 13

HEX #24D9DF

RGB 36 217 223

HSL 181.93, 0.75%, 0.51%

LAB 79.23, -39.38, -15.1

 

CMYK 86 / 0 / 42 / 39

HEX #169B5A

RGB 22 155 90

HSL 150.68, 0.75%, 0.35%

LAB 56.44, -48.82, 24.82

 

CMYK 86 / 0 / 42 / 25

HEX #1BBF6F

RGB 27 191 111

HSL 150.73, 0.75%, 0.43%

LAB 68.49, -57.42, 29.5

 

CMYK 84 / 0 / 41 / 13

HEX #24DF84

RGB 36 223 132

HSL 150.8, 0.75%, 0.51%

LAB 78.94, -64, 32.45

 

CMYK 68 / 0 / 33 / 11

HEX #48E498

RGB 72 228 152

HSL 150.77, 0.74%, 0.59%

LAB 81.36, -57.63, 25.57

 

CMYK 54 / 0 / 26 / 8

HEX #6CEAAC

RGB 108 234 172

HSL 150.48, 0.75%, 0.67%

LAB 84.49, -49.15, 19.67

 

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

CMYK 84 / 59 / 0 / 13

HEX #245CDF

RGB 36 92 223

HSL 222.03, 0.75%, 0.51%

LAB 43.3, 30.87, -71.56

 

CMYK 0 / 75 / 84 / 13

HEX #DF3724

RGB 223 55 36

HSL 6.1, 0.75%, 0.51%

LAB 50.15, 63.11, 50.13

 

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

CMYK 42 / 84 / 0 / 13

HEX #8224DF

RGB 130 36 223

HSL 270.16, 0.75%, 0.51%

LAB 40.14, 70.3, -76.46

 

CMYK 0 / 42 / 84 / 13

HEX #DF8224

RGB 223 130 36

HSL 30.16, 0.75%, 0.51%

LAB 63.16, 29.48, 61.4

 

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

CMYK 84 / 59 / 0 / 13

HEX #245CDF

RGB 36 92 223

HSL 222.03, 0.75%, 0.51%

LAB 43.3, 30.87, -71.56

 

CMYK 0 / 84 / 42 / 13

HEX #DF2482

RGB 223 36 130

HSL 329.84, 0.75%, 0.51%

LAB 50.17, 73.48, -4.77

 

CMYK 0 / 25 / 84 / 13

HEX #DFA724

RGB 223 167 36

HSL 42.03, 0.75%, 0.51%

LAB 71.86, 9.74, 68.75

 

CMYK 84 / 0 / 41 / 13

HEX #23DF83

RGB 35 223 131

HSL 150.64, 0.75%, 0.51%

LAB 78.91, -64.26, 32.92

 

CMYK 84 / 84 / 0 / 13

HEX #2424DF

RGB 36 36 223

HSL 240, 0.75%, 0.51%

LAB 31.73, 62.54, -90.64

 

CMYK 0 / 84 / 42 / 13

HEX #DF2482

RGB 223 36 130

HSL 329.84, 0.75%, 0.51%

LAB 50.17, 73.48, -4.77

 

CMYK 0 / 0 / 84 / 13

HEX #DFDF24

RGB 223 223 36

HSL 60, 0.75%, 0.51%

LAB 86.3, -18.97, 80.77

 

Description

Color code: HEX #23DF83 | qconv.com Color code: HEX #23DF83 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 223 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 223 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 41 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 41% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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