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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D7AA it is the complementary color #DC2855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D7AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D7AA shade: #28D7A5, #39E9B8, #4AFBCB, #5BFFDE and #6CFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D7AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D7AA shade: #23D7AA, #12C597, #01B384, #00A171 and #008F5E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D7AA shade: #22D6A9, #22D679, #22D648, #2DD622 and #5ED622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D7AA shade: #22D6A9, #22D3D6, #22A2D6, #2272D6 and #2241D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D7AA shade matches the following richer shades: #22D6A9 and #0EEBB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D7AA shade: #22D6A9, #37C29F, #4BAE95, #5F9A8B and #738681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D7AA shade: #22D649, #22D679, #22D6A9, #22D3D6 and #22A3D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D7AA shade: #178F71, #1DB38D, #22D6A9, #42E0B8 and #66E6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D7AA shade: #23D7AA, #222BD6 and #D66122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D7AA shade: #23D7AA, #A922D6 and #D6A922

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D7AA shade: #23D7AA, #222BD6, #D6224F and #D6CD22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D7AA shade: #23D7AA, #4F22D6, #D6224F and #A9D622

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

Complementary color

CMYK 0 / 82 / 61 / 14

HEX #DC2855

RGB 220 40 85

HSL 345, 0.72%, 0.51%

LAB 48.75, 68.44, 20.6

 

CMYK 81 / 0 / 23 / 16

HEX #28D7A5

RGB 40 215 165

HSL 162.86, 0.69%, 0.5%

LAB 77.14, -53.76, 12.83

 

CMYK 76 / 0 / 21 / 9

HEX #39E9B8

RGB 57 233 184

HSL 163.3, 0.8%, 0.57%

LAB 83.24, -54.68, 11.48

 

CMYK 71 / 0 / 19 / 2

HEX #4AFBCB

RGB 74 251 203

HSL 163.73, 0.96%, 0.64%

LAB 89.28, -55.35, 10.23

 

CMYK 64 / 0 / 13 / 0

HEX #5BFFDE

RGB 91 255 222

HSL 167.93, 1%, 0.68%

LAB 91.24, -50.04, 3.27

 

CMYK 58 / 0 / 5 / 0

HEX #6CFFF1

RGB 108 255 241

HSL 174.29, 1%, 0.71%

LAB 92.16, -42.54, -5.18

 

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

CMYK 91 / 0 / 23 / 23

HEX #12C597

RGB 18 197 151

HSL 164.58, 0.83%, 0.42%

LAB 71.07, -51.57, 11.73

 

CMYK 99 / 0 / 26 / 30

HEX #01B384

RGB 1 179 132

HSL 164.16, 0.99%, 0.35%

LAB 64.89, -49.81, 13.35

 

CMYK 100 / 0 / 30 / 37

HEX #00A171

RGB 0 161 113

HSL 162.11, 1%, 0.32%

LAB 58.68, -47.4, 15.17

 

CMYK 100 / 0 / 34 / 44

HEX #008F5E

RGB 0 143 94

HSL 159.44, 1%, 0.28%

LAB 52.35, -44.86, 17.1

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 84 / 0 / 43 / 16

HEX #22D679

RGB 34 214 121

HSL 149, 0.73%, 0.49%

LAB 75.95, -63.04, 34.11

 

CMYK 84 / 0 / 66 / 16

HEX #22D648

RGB 34 214 72

HSL 132.67, 0.73%, 0.49%

LAB 75.39, -69.86, 56.13

 

CMYK 79 / 0 / 84 / 16

HEX #2DD622

RGB 45 214 34

HSL 116.33, 0.73%, 0.49%

LAB 75.31, -71.43, 68.45

 

CMYK 56 / 0 / 84 / 16

HEX #5ED622

RGB 94 214 34

HSL 100, 0.73%, 0.49%

LAB 76.43, -61.98, 69.88

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 84 / 1 / 0 / 16

HEX #22D3D6

RGB 34 211 214

HSL 181, 0.73%, 0.49%

LAB 77.15, -39.44, -13.4

 

CMYK 84 / 24 / 0 / 16

HEX #22A2D6

RGB 34 162 214

HSL 197.33, 0.73%, 0.49%

LAB 62.54, -15.13, -35.76

 

CMYK 84 / 47 / 0 / 16

HEX #2272D6

RGB 34 114 214

HSL 213.33, 0.73%, 0.49%

LAB 48.55, 13.17, -57.93

 

CMYK 84 / 70 / 0 / 16

HEX #2241D6

RGB 34 65 214

HSL 229.67, 0.73%, 0.49%

LAB 35.94, 44.44, -78.49

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 94 / 0 / 23 / 8

HEX #0EEBB4

RGB 14 235 180

HSL 165.07, 0.89%, 0.49%

LAB 83.34, -59.43, 13.66

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 72 / 0 / 18 / 24

HEX #37C29F

RGB 55 194 159

HSL 164.89, 0.56%, 0.49%

LAB 70.8, -44.95, 7.07

 

CMYK 57 / 0 / 14 / 32

HEX #4BAE95

RGB 75 174 149

HSL 164.85, 0.4%, 0.49%

LAB 64.91, -35.11, 4.16

 

CMYK 38 / 0 / 10 / 40

HEX #5F9A8B

RGB 95 154 139

HSL 164.75, 0.24%, 0.49%

LAB 59.35, -22.83, 1.81

 

CMYK 14 / 0 / 4 / 47

HEX #738681

RGB 115 134 129

HSL 164.21, 0.08%, 0.49%

LAB 54.32, -7.93, 0.37

 

CMYK 84 / 0 / 66 / 16

HEX #22D649

RGB 34 214 73

HSL 133, 0.73%, 0.49%

LAB 75.4, -69.76, 55.73

 

CMYK 84 / 0 / 43 / 16

HEX #22D679

RGB 34 214 121

HSL 149, 0.73%, 0.49%

LAB 75.95, -63.04, 34.11

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 84 / 1 / 0 / 16

HEX #22D3D6

RGB 34 211 214

HSL 181, 0.73%, 0.49%

LAB 77.15, -39.44, -13.4

 

CMYK 84 / 24 / 0 / 16

HEX #22A3D6

RGB 34 163 214

HSL 197, 0.73%, 0.49%

LAB 62.84, -15.67, -35.29

 

CMYK 84 / 0 / 21 / 44

HEX #178F71

RGB 23 143 113

HSL 165, 0.72%, 0.33%

LAB 52.97, -38.64, 7.18

 

CMYK 84 / 0 / 21 / 30

HEX #1DB38D

RGB 29 179 141

HSL 164.8, 0.72%, 0.41%

LAB 65.3, -46.08, 9

 

CMYK 84 / 0 / 21 / 16

HEX #22D6A9

RGB 34 214 169

HSL 165, 0.73%, 0.49%

LAB 76.86, -52.9, 10.29

 

CMYK 71 / 0 / 18 / 12

HEX #42E0B8

RGB 66 224 184

HSL 164.81, 0.72%, 0.57%

LAB 80.7, -49.91, 7.88

 

CMYK 56 / 0 / 14 / 10

HEX #66E6C6

RGB 102 230 198

HSL 165, 0.72%, 0.65%

LAB 83.7, -43.05, 4.92

 

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

CMYK 84 / 80 / 0 / 16

HEX #222BD6

RGB 34 43 214

HSL 237, 0.73%, 0.49%

LAB 31.63, 56.61, -85.62

 

CMYK 0 / 55 / 84 / 16

HEX #D66122

RGB 214 97 34

HSL 21, 0.73%, 0.49%

LAB 55.03, 42.73, 54.66

 

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

CMYK 21 / 84 / 0 / 16

HEX #A922D6

RGB 169 34 214

HSL 285, 0.73%, 0.49%

LAB 44.85, 74.6, -63.38

 

CMYK 0 / 21 / 84 / 16

HEX #D6A922

RGB 214 169 34

HSL 45, 0.73%, 0.49%

LAB 71.41, 4.7, 68.55

 

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

CMYK 84 / 80 / 0 / 16

HEX #222BD6

RGB 34 43 214

HSL 237, 0.73%, 0.49%

LAB 31.63, 56.61, -85.62

 

CMYK 0 / 84 / 63 / 16

HEX #D6224F

RGB 214 34 79

HSL 345, 0.73%, 0.49%

LAB 46.98, 67.88, 21.72

 

CMYK 0 / 4 / 84 / 16

HEX #D6CD22

RGB 214 205 34

HSL 57, 0.73%, 0.49%

LAB 80.78, -13.93, 76.34

 

CMYK 84 / 0 / 21 / 16

HEX #23D7AA

RGB 35 215 170

HSL 165, 0.72%, 0.49%

LAB 77.2, -52.98, 10.24

 

CMYK 63 / 84 / 0 / 16

HEX #4F22D6

RGB 79 34 214

HSL 255, 0.73%, 0.49%

LAB 33.27, 63.34, -82.81

 

CMYK 0 / 84 / 63 / 16

HEX #D6224F

RGB 214 34 79

HSL 345, 0.73%, 0.49%

LAB 46.98, 67.88, 21.72

 

CMYK 21 / 0 / 84 / 16

HEX #A9D622

RGB 169 214 34

HSL 75, 0.73%, 0.49%

LAB 79.98, -36.84, 74.35

 

Description

Color code: HEX #23D7AA | qconv.com Color code: HEX #23D7AA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 215 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 215 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 21 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 21% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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