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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23D76D it is the complementary color #DC2892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23D76D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23D76D shade: #28D768, #39E97B, #4AFB8E, #5BFFA1 and #6CFFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23D76D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23D76D shade: #23D76D, #12C55A, #01B347, #00A134 and #008F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23D76D shade: #22D66C, #22D63C, #3AD622, #6AD622 and #9BD622

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23D76D shade: #22D66C, #22D69D, #22D6CE, #22AFD6 and #227ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23D76D shade matches the following richer shades: #22D66C and #0EEB69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23D76D shade: #22D66C, #37C270, #4BAE74, #5F9A77 and #73867B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23D76D shade: #3AD622, #22D63A, #22D66A, #22D69A and #22D6CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23D76D shade: #178F48, #1DB35A, #22D66C, #42E083 and #66E69A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23D76D shade: #23D76D, #226AD6 and #D62222

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23D76D shade: #23D76D, #6A22D6 and #D66A22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23D76D shade: #23D76D, #226AD6, #D6228E and #D68E22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23D76D shade: #23D76D, #2234D6, #D6228E and #D6C422

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

Complementary color

CMYK 0 / 82 / 34 / 14

HEX #DC2892

RGB 220 40 146

HSL 324.67, 0.72%, 0.51%

LAB 50.46, 73.48, -14.02

 

CMYK 81 / 0 / 52 / 16

HEX #28D768

RGB 40 215 104

HSL 141.94, 0.69%, 0.5%

LAB 76.1, -65.59, 42.7

 

CMYK 76 / 0 / 47 / 9

HEX #39E97B

RGB 57 233 123

HSL 142.5, 0.8%, 0.57%

LAB 82.15, -66.74, 41.11

 

CMYK 71 / 0 / 43 / 2

HEX #4AFB8E

RGB 74 251 142

HSL 143.05, 0.96%, 0.64%

LAB 88.16, -67.52, 39.6

 

CMYK 64 / 0 / 37 / 0

HEX #5BFFA1

RGB 91 255 161

HSL 145.61, 1%, 0.68%

LAB 90.01, -62.92, 32.7

 

CMYK 58 / 0 / 29 / 0

HEX #6CFFB4

RGB 108 255 180

HSL 149.39, 1%, 0.71%

LAB 90.78, -56.15, 24.26

 

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

CMYK 91 / 0 / 54 / 23

HEX #12C55A

RGB 18 197 90

HSL 144.13, 0.83%, 0.42%

LAB 70.04, -63.56, 41.96

 

CMYK 99 / 0 / 60 / 30

HEX #01B347

RGB 1 179 71

HSL 143.6, 0.99%, 0.35%

LAB 63.92, -61.28, 43.63

 

CMYK 100 / 0 / 68 / 37

HEX #00A134

RGB 0 161 52

HSL 139.38, 1%, 0.32%

LAB 57.79, -58.05, 45.19

 

CMYK 100 / 0 / 77 / 44

HEX #008F21

RGB 0 143 33

HSL 133.85, 1%, 0.28%

LAB 51.56, -54.4, 46.22

 

CMYK 84 / 0 / 50 / 16

HEX #22D66C

RGB 34 214 108

HSL 144.67, 0.73%, 0.49%

LAB 75.77, -65.21, 40.34

 

CMYK 84 / 0 / 72 / 16

HEX #22D63C

RGB 34 214 60

HSL 128.67, 0.73%, 0.49%

LAB 75.3, -70.97, 60.63

 

CMYK 73 / 0 / 84 / 16

HEX #3AD622

RGB 58 214 34

HSL 112, 0.73%, 0.49%

LAB 75.52, -69.57, 68.72

 

CMYK 50 / 0 / 84 / 16

HEX #6AD622

RGB 106 214 34

HSL 96, 0.73%, 0.49%

LAB 76.84, -58.7, 70.4

 

CMYK 28 / 0 / 84 / 16

HEX #9BD622

RGB 155 214 34

HSL 79.67, 0.73%, 0.49%

LAB 79.14, -42.23, 73.3

 

CMYK 84 / 0 / 50 / 16

HEX #22D66C

RGB 34 214 108

HSL 144.67, 0.73%, 0.49%

LAB 75.77, -65.21, 40.34

 

CMYK 84 / 0 / 27 / 16

HEX #22D69D

RGB 34 214 157

HSL 161, 0.73%, 0.49%

LAB 76.6, -55.73, 16.3

 

CMYK 84 / 0 / 4 / 16

HEX #22D6CE

RGB 34 214 206

HSL 177.33, 0.73%, 0.49%

LAB 77.81, -43.1, -8.13

 

CMYK 84 / 18 / 0 / 16

HEX #22AFD6

RGB 34 175 214

HSL 193, 0.73%, 0.49%

LAB 66.41, -22.02, -29.75

 

CMYK 84 / 41 / 0 / 16

HEX #227ED6

RGB 34 126 214

HSL 209.33, 0.73%, 0.49%

LAB 51.97, 5.7, -52.44

 

CMYK 84 / 0 / 50 / 16

HEX #22D66C

RGB 34 214 108

HSL 144.67, 0.73%, 0.49%

LAB 75.77, -65.21, 40.34

 

CMYK 94 / 0 / 55 / 8

HEX #0EEB69

RGB 14 235 105

HSL 144.71, 0.89%, 0.49%

LAB 82.13, -73.53, 49.49

 

CMYK 84 / 0 / 50 / 16

HEX #22D66C

RGB 34 214 108

HSL 144.67, 0.73%, 0.49%

LAB 75.77, -65.21, 40.34

 

CMYK 72 / 0 / 42 / 24

HEX #37C270

RGB 55 194 112

HSL 144.6, 0.56%, 0.49%

LAB 69.87, -55.02, 30.86

 

CMYK 57 / 0 / 33 / 32

HEX #4BAE74

RGB 75 174 116

HSL 144.85, 0.4%, 0.49%

LAB 64.18, -42.44, 21.28

 

CMYK 38 / 0 / 23 / 40

HEX #5F9A77

RGB 95 154 119

HSL 144.41, 0.24%, 0.49%

LAB 58.86, -27.25, 12.41

 

CMYK 14 / 0 / 8 / 47

HEX #73867B

RGB 115 134 123

HSL 145.26, 0.08%, 0.49%

LAB 54.16, -9.19, 3.61

 

CMYK 73 / 0 / 84 / 16

HEX #3AD622

RGB 58 214 34

HSL 112, 0.73%, 0.49%

LAB 75.52, -69.57, 68.72

 

CMYK 84 / 0 / 73 / 16

HEX #22D63A

RGB 34 214 58

HSL 128, 0.73%, 0.49%

LAB 75.29, -71.13, 61.32

 

CMYK 84 / 0 / 50 / 16

HEX #22D66A

RGB 34 214 106

HSL 144, 0.73%, 0.49%

LAB 75.75, -65.53, 41.28

 

CMYK 84 / 0 / 28 / 16

HEX #22D69A

RGB 34 214 154

HSL 160, 0.73%, 0.49%

LAB 76.54, -56.41, 17.8

 

CMYK 84 / 0 / 6 / 16

HEX #22D6CA

RGB 34 214 202

HSL 176, 0.73%, 0.49%

LAB 77.7, -44.23, -6.15

 

CMYK 84 / 0 / 50 / 44

HEX #178F48

RGB 23 143 72

HSL 144.5, 0.72%, 0.33%

LAB 52.17, -47.65, 28.98

 

CMYK 84 / 0 / 50 / 30

HEX #1DB35A

RGB 29 179 90

HSL 144.4, 0.72%, 0.41%

LAB 64.35, -56.73, 34.98

 

CMYK 84 / 0 / 50 / 16

HEX #22D66C

RGB 34 214 108

HSL 144.67, 0.73%, 0.49%

LAB 75.77, -65.21, 40.34

 

CMYK 71 / 0 / 42 / 12

HEX #42E083

RGB 66 224 131

HSL 144.68, 0.72%, 0.57%

LAB 79.68, -60.98, 34.01

 

CMYK 56 / 0 / 33 / 10

HEX #66E69A

RGB 102 230 154

HSL 144.38, 0.72%, 0.65%

LAB 82.78, -52.31, 26.59

 

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

CMYK 84 / 50 / 0 / 16

HEX #226AD6

RGB 34 106 214

HSL 216, 0.73%, 0.49%

LAB 46.32, 18.27, -61.53

 

CMYK 0 / 84 / 84 / 16

HEX #D62222

RGB 214 34 34

HSL 0, 0.73%, 0.49%

LAB 46.39, 66.12, 47.1

 

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

CMYK 50 / 84 / 0 / 16

HEX #6A22D6

RGB 106 34 214

HSL 264, 0.73%, 0.49%

LAB 36.11, 65.97, -78.03

 

CMYK 0 / 50 / 84 / 16

HEX #D66A22

RGB 214 106 34

HSL 24, 0.73%, 0.49%

LAB 56.8, 38.24, 56.19

 

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

CMYK 84 / 50 / 0 / 16

HEX #226AD6

RGB 34 106 214

HSL 216, 0.73%, 0.49%

LAB 46.32, 18.27, -61.53

 

CMYK 0 / 84 / 34 / 16

HEX #D6228E

RGB 214 34 142

HSL 324, 0.73%, 0.49%

LAB 48.75, 72.98, -14.32

 

CMYK 0 / 34 / 84 / 16

HEX #D68E22

RGB 214 142 34

HSL 36, 0.73%, 0.49%

LAB 64.77, 19.2, 62.97

 

CMYK 84 / 0 / 49 / 16

HEX #23D76D

RGB 35 215 109

HSL 144.67, 0.72%, 0.49%

LAB 76.11, -65.3, 40.27

 

CMYK 84 / 76 / 0 / 16

HEX #2234D6

RGB 34 52 214

HSL 234, 0.73%, 0.49%

LAB 33.25, 51.95, -82.94

 

CMYK 0 / 84 / 34 / 16

HEX #D6228E

RGB 214 34 142

HSL 324, 0.73%, 0.49%

LAB 48.75, 72.98, -14.32

 

CMYK 0 / 8 / 84 / 16

HEX #D6C422

RGB 214 196 34

HSL 54, 0.73%, 0.49%

LAB 78.4, -9.38, 74.37

 

Description

Color code: HEX #23D76D | qconv.com Color code: HEX #23D76D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 215 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 215 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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