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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23BB1D it is the complementary color #DC44E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23BB1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23BB1D shade: #28BB18, #39CD2B, #4ADF3E, #5BF151 and #6CFF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23BB1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23BB1D shade: #23BB1D, #12A90A, #019700, #008500 and #007300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23BB1D shade: #22B91C, #4DB91C, #77B91C, #A1B91C and #B9A71C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23BB1D shade: #22B91C, #1CB941, #1CB96B, #1CB995 and #1CB2B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23BB1D shade matches the following richer shades: #22B91C and #12CA0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23BB1D shade: #22B91C, #32A72E, #42963F, #528550 and #627362

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23BB1D shade: #78B91C, #4EB91C, #24B91C, #1CB93E and #1CB968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23BB1D shade: #157111, #1C9517, #22B91C, #29DC22 and #4CE246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23BB1D shade: #23BB1D, #1CA1B9 and #B91C63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23BB1D shade: #23BB1D, #1C24B9 and #B91C24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23BB1D shade: #23BB1D, #1CA1B9, #B11CB9 and #B9341C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23BB1D shade: #23BB1D, #1C72B9, #B11CB9 and #B9631C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

Complementary color

CMYK 3 / 70 / 0 / 11

HEX #DC44E2

RGB 220 68 226

HSL 297.72, 0.73%, 0.58%

LAB 56.92, 76.28, -50.4

 

CMYK 79 / 0 / 87 / 27

HEX #28BB18

RGB 40 187 24

HSL 114.11, 0.77%, 0.41%

LAB 66.56, -64.5, 62.88

 

CMYK 72 / 0 / 79 / 20

HEX #39CD2B

RGB 57 205 43

HSL 114.81, 0.65%, 0.49%

LAB 72.7, -66.49, 63.75

 

CMYK 67 / 0 / 72 / 13

HEX #4ADF3E

RGB 74 223 62

HSL 115.53, 0.72%, 0.56%

LAB 78.8, -67.87, 63.7

 

CMYK 62 / 0 / 66 / 5

HEX #5BF151

RGB 91 241 81

HSL 116.25, 0.85%, 0.63%

LAB 84.86, -68.81, 63.1

 

CMYK 58 / 0 / 61 / 0

HEX #6CFF64

RGB 108 255 100

HSL 116.9, 1%, 0.7%

LAB 89.69, -68.04, 60.87

 

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

CMYK 89 / 0 / 94 / 34

HEX #12A90A

RGB 18 169 10

HSL 116.98, 0.89%, 0.35%

LAB 60.36, -62.03, 59.9

 

CMYK 99 / 0 / 100 / 41

HEX #019700

RGB 1 151 0

HSL 119.6, 1%, 0.3%

LAB 54.17, -58.23, 56.27

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 100 / 0 / 100 / 55

HEX #007300

RGB 0 115 0

HSL 120, 1%, 0.23%

LAB 41.63, -47.88, 46.21

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 58 / 0 / 85 / 27

HEX #4DB91C

RGB 77 185 28

HSL 101.27, 0.74%, 0.42%

LAB 66.79, -56.44, 62.51

 

CMYK 36 / 0 / 85 / 27

HEX #77B91C

RGB 119 185 28

HSL 85.22, 0.74%, 0.42%

LAB 68.54, -43.31, 64.72

 

CMYK 13 / 0 / 85 / 27

HEX #A1B91C

RGB 161 185 28

HSL 69.17, 0.74%, 0.42%

LAB 71.12, -26.74, 67.95

 

CMYK 0 / 10 / 85 / 27

HEX #B9A71C

RGB 185 167 28

HSL 53.12, 0.74%, 0.42%

LAB 68.05, -7.21, 66.16

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 85 / 0 / 65 / 27

HEX #1CB941

RGB 28 185 65

HSL 134.14, 0.74%, 0.42%

LAB 66, -62.23, 48.72

 

CMYK 85 / 0 / 42 / 27

HEX #1CB96B

RGB 28 185 107

HSL 150.19, 0.74%, 0.42%

LAB 66.52, -55.95, 29.01

 

CMYK 85 / 0 / 19 / 27

HEX #1CB995

RGB 28 185 149

HSL 166.24, 0.74%, 0.42%

LAB 67.36, -46.61, 7.55

 

CMYK 85 / 4 / 0 / 27

HEX #1CB2B9

RGB 28 178 185

HSL 182.68, 0.74%, 0.42%

LAB 66.21, -33.31, -14.04

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 91 / 0 / 95 / 21

HEX #12CA0B

RGB 18 202 11

HSL 117.8, 0.9%, 0.42%

LAB 71.14, -71.29, 68.74

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 70 / 0 / 72 / 35

HEX #32A72E

RGB 50 167 46

HSL 118.02, 0.57%, 0.42%

LAB 60.35, -55.18, 50.52

 

CMYK 56 / 0 / 58 / 41

HEX #42963F

RGB 66 150 63

HSL 117.93, 0.41%, 0.42%

LAB 55.41, -43.43, 37.76

 

CMYK 38 / 0 / 40 / 48

HEX #528550

RGB 82 133 80

HSL 117.74, 0.25%, 0.42%

LAB 50.86, -28.51, 23.32

 

CMYK 15 / 0 / 15 / 55

HEX #627362

RGB 98 115 98

HSL 120, 0.08%, 0.42%

LAB 46.63, -9.91, 7.31

 

CMYK 35 / 0 / 85 / 27

HEX #78B91C

RGB 120 185 28

HSL 84.84, 0.74%, 0.42%

LAB 68.59, -42.95, 64.78

 

CMYK 58 / 0 / 85 / 27

HEX #4EB91C

RGB 78 185 28

HSL 100.89, 0.74%, 0.42%

LAB 66.83, -56.18, 62.55

 

CMYK 81 / 0 / 85 / 27

HEX #24B91C

RGB 36 185 28

HSL 116.94, 0.74%, 0.42%

LAB 65.87, -64.25, 61.34

 

CMYK 85 / 0 / 66 / 27

HEX #1CB93E

RGB 28 185 62

HSL 132.99, 0.74%, 0.42%

LAB 65.98, -62.55, 49.96

 

CMYK 85 / 0 / 44 / 27

HEX #1CB968

RGB 28 185 104

HSL 149.04, 0.74%, 0.42%

LAB 66.48, -56.5, 30.51

 

CMYK 81 / 0 / 85 / 56

HEX #157111

RGB 21 113 17

HSL 117.5, 0.74%, 0.25%

LAB 41.23, -44.17, 41.71

 

CMYK 81 / 0 / 85 / 42

HEX #1C9517

RGB 28 149 23

HSL 117.62, 0.73%, 0.34%

LAB 53.82, -54.5, 51.64

 

CMYK 82 / 0 / 85 / 27

HEX #22B91C

RGB 34 185 28

HSL 117.71, 0.74%, 0.42%

LAB 65.84, -64.49, 61.3

 

CMYK 81 / 0 / 85 / 14

HEX #29DC22

RGB 41 220 34

HSL 117.74, 0.73%, 0.5%

LAB 77.15, -73.63, 70.08

 

CMYK 66 / 0 / 69 / 11

HEX #4CE246

RGB 76 226 70

HSL 117.69, 0.73%, 0.58%

LAB 79.82, -67.82, 61.86

 

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

CMYK 85 / 13 / 0 / 27

HEX #1CA1B9

RGB 28 161 185

HSL 189.17, 0.74%, 0.42%

LAB 60.99, -24.96, -21.95

 

CMYK 0 / 85 / 46 / 27

HEX #B91C63

RGB 185 28 99

HSL 332.87, 0.74%, 0.42%

LAB 41.29, 63.17, 0.46

 

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

CMYK 85 / 81 / 0 / 27

HEX #1C24B9

RGB 28 36 185

HSL 236.94, 0.74%, 0.42%

LAB 26.77, 50.65, -76.71

 

CMYK 0 / 85 / 81 / 27

HEX #B91C24

RGB 185 28 36

HSL 356.94, 0.74%, 0.42%

LAB 40.04, 59.49, 37.92

 

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

CMYK 85 / 13 / 0 / 27

HEX #1CA1B9

RGB 28 161 185

HSL 189.17, 0.74%, 0.42%

LAB 60.99, -24.96, -21.95

 

CMYK 4 / 85 / 0 / 27

HEX #B11CB9

RGB 177 28 185

HSL 296.94, 0.74%, 0.42%

LAB 43.77, 72.28, -48.2

 

CMYK 0 / 72 / 85 / 27

HEX #B9341C

RGB 185 52 28

HSL 9.17, 0.74%, 0.42%

LAB 42.54, 52.05, 44.48

 

CMYK 81 / 0 / 84 / 27

HEX #23BB1D

RGB 35 187 29

HSL 117.72, 0.73%, 0.42%

LAB 66.51, -64.92, 61.67

 

CMYK 85 / 38 / 0 / 27

HEX #1C72B9

RGB 28 114 185

HSL 207.13, 0.74%, 0.42%

LAB 46.69, 1.5, -44.28

 

CMYK 4 / 85 / 0 / 27

HEX #B11CB9

RGB 177 28 185

HSL 296.94, 0.74%, 0.42%

LAB 43.77, 72.28, -48.2

 

CMYK 0 / 46 / 85 / 27

HEX #B9631C

RGB 185 99 28

HSL 27.13, 0.74%, 0.42%

LAB 51.06, 29.92, 51.87

 

Description

Color code: HEX #23BB1D | qconv.com Color code: HEX #23BB1D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 187 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 187 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 84 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 84% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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