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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A89F it is the complementary color #DC5760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A89F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A89F shade: #28A89A, #39BAAD, #4ACCC0, #5BDED3 and #6CF0E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A89F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A89F shade: #23A89F, #12968C, #018479, #007266 and #006053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A89F shade: #22A9A0, #22A97B, #22A957, #22A933 and #36A922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A89F shade: #22A9A0, #228EA9, #2269A9, #2245A9 and #2222A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A89F shade matches the following richer shades: #22A9A0, #12B9AE and #01CABC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A89F shade: #22A9A0, #339891, #438883, #547775 and #646767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A89F shade: #22A956, #22A97A, #22A99E, #2290A9 and #226CA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A89F shade: #14645F, #1B877F, #22A9A0, #29CBC0 and #45D9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A89F shade: #23A89F, #3222A9 and #A96822

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A89F shade: #23A89F, #9E22A9 and #A99E22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A89F shade: #23A89F, #3222A9, #A9222D and #99A922

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A89F shade: #23A89F, #5A22A9, #A9222D and #71A922

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

Complementary color

CMYK 0 / 60 / 56 / 14

HEX #DC5760

RGB 220 87 96

HSL 355.94, 0.66%, 0.6%

LAB 54.94, 52.7, 22.26

 

CMYK 76 / 0 / 8 / 34

HEX #28A89A

RGB 40 168 154

HSL 173.44, 0.62%, 0.41%

LAB 62.33, -36.75, -2.5

 

CMYK 69 / 0 / 7 / 27

HEX #39BAAD

RGB 57 186 173

HSL 173.95, 0.53%, 0.48%

LAB 68.75, -37.5, -3.56

 

CMYK 64 / 0 / 6 / 20

HEX #4ACCC0

RGB 74 204 192

HSL 174.46, 0.56%, 0.55%

LAB 75.11, -38, -4.52

 

CMYK 59 / 0 / 5 / 13

HEX #5BDED3

RGB 91 222 211

HSL 174.96, 0.66%, 0.61%

LAB 81.38, -38.34, -5.38

 

CMYK 55 / 0 / 4 / 6

HEX #6CF0E6

RGB 108 240 230

HSL 175.45, 0.81%, 0.68%

LAB 87.59, -38.56, -6.19

 

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

CMYK 88 / 0 / 7 / 41

HEX #12968C

RGB 18 150 140

HSL 175.45, 0.79%, 0.33%

LAB 55.92, -34.57, -4.04

 

CMYK 99 / 0 / 8 / 48

HEX #018479

RGB 1 132 121

HSL 174.96, 0.98%, 0.26%

LAB 49.36, -32.9, -2.72

 

CMYK 100 / 0 / 11 / 55

HEX #007266

RGB 0 114 102

HSL 173.68, 1%, 0.22%

LAB 42.75, -30.4, -1.15

 

CMYK 100 / 0 / 14 / 62

HEX #006053

RGB 0 96 83

HSL 171.88, 1%, 0.19%

LAB 35.97, -27.77, 0.53

 

CMYK 80 / 0 / 5 / 34

HEX #22A9A0

RGB 34 169 160

HSL 176, 0.67%, 0.4%

LAB 62.72, -36.12, -5.3

 

CMYK 80 / 0 / 27 / 34

HEX #22A97B

RGB 34 169 123

HSL 159.56, 0.67%, 0.4%

LAB 61.78, -45.9, 13.99

 

CMYK 80 / 0 / 49 / 34

HEX #22A957

RGB 34 169 87

HSL 143.56, 0.67%, 0.4%

LAB 61.14, -53.18, 32.49

 

CMYK 80 / 0 / 70 / 34

HEX #22A933

RGB 34 169 51

HSL 127.56, 0.67%, 0.4%

LAB 60.74, -57.94, 48.87

 

CMYK 68 / 0 / 80 / 34

HEX #36A922

RGB 54 169 34

HSL 111.11, 0.67%, 0.4%

LAB 61.02, -55.93, 55.36

 

CMYK 80 / 0 / 5 / 34

HEX #22A9A0

RGB 34 169 160

HSL 176, 0.67%, 0.4%

LAB 62.72, -36.12, -5.3

 

CMYK 80 / 16 / 0 / 34

HEX #228EA9

RGB 34 142 169

HSL 192, 0.67%, 0.4%

LAB 54.61, -19.92, -22.65

 

CMYK 80 / 38 / 0 / 34

HEX #2269A9

RGB 34 105 169

HSL 208.44, 0.67%, 0.4%

LAB 43.22, 1.5, -40.44

 

CMYK 80 / 59 / 0 / 34

HEX #2245A9

RGB 34 69 169

HSL 224.44, 0.67%, 0.4%

LAB 32.83, 25.15, -57.17

 

CMYK 80 / 80 / 0 / 34

HEX #2222A9

RGB 34 34 169

HSL 240, 0.67%, 0.4%

LAB 24.79, 46.83, -70.4

 

CMYK 80 / 0 / 5 / 34

HEX #22A9A0

RGB 34 169 160

HSL 176, 0.67%, 0.4%

LAB 62.72, -36.12, -5.3

 

CMYK 90 / 0 / 6 / 27

HEX #12B9AE

RGB 18 185 174

HSL 176.05, 0.82%, 0.4%

LAB 67.93, -40.41, -5.39

 

CMYK 100 / 0 / 7 / 21

HEX #01CABC

RGB 1 202 188

HSL 175.82, 0.99%, 0.4%

LAB 73.47, -44.41, -4.87

 

CMYK 80 / 0 / 5 / 34

HEX #22A9A0

RGB 34 169 160

HSL 176, 0.67%, 0.4%

LAB 62.72, -36.12, -5.3

 

CMYK 66 / 0 / 5 / 40

HEX #339891

RGB 51 152 145

HSL 175.84, 0.5%, 0.4%

LAB 57.27, -30.29, -4.84

 

CMYK 51 / 0 / 4 / 47

HEX #438883

RGB 67 136 131

HSL 175.65, 0.34%, 0.4%

LAB 52.33, -23.04, -4.03

 

CMYK 29 / 0 / 2 / 53

HEX #547775

RGB 84 119 117

HSL 176.57, 0.17%, 0.4%

LAB 47.45, -12.83, -2.91

 

CMYK 3 / 0 / 0 / 60

HEX #646767

RGB 100 103 103

HSL 180, 0.01%, 0.4%

LAB 43.34, -1.16, -0.41

 

CMYK 80 / 0 / 49 / 34

HEX #22A956

RGB 34 169 86

HSL 143.11, 0.67%, 0.4%

LAB 61.12, -53.35, 32.98

 

CMYK 80 / 0 / 28 / 34

HEX #22A97A

RGB 34 169 122

HSL 159.11, 0.67%, 0.4%

LAB 61.76, -46.13, 14.51

 

CMYK 80 / 0 / 7 / 34

HEX #22A99E

RGB 34 169 158

HSL 175.11, 0.67%, 0.4%

LAB 62.66, -36.7, -4.26

 

CMYK 80 / 15 / 0 / 34

HEX #2290A9

RGB 34 144 169

HSL 191.11, 0.67%, 0.4%

LAB 55.23, -20.98, -21.7

 

CMYK 80 / 36 / 0 / 34

HEX #226CA9

RGB 34 108 169

HSL 207.11, 0.67%, 0.4%

LAB 44.13, -0.37, -39

 

CMYK 80 / 0 / 5 / 61

HEX #14645F

RGB 20 100 95

HSL 176.25, 0.67%, 0.24%

LAB 38, -24.07, -3.86

 

CMYK 80 / 0 / 6 / 47

HEX #1B877F

RGB 27 135 127

HSL 175.56, 0.67%, 0.32%

LAB 50.8, -30.65, -4.09

 

CMYK 80 / 0 / 5 / 34

HEX #22A9A0

RGB 34 169 160

HSL 176, 0.67%, 0.4%

LAB 62.72, -36.12, -5.3

 

CMYK 80 / 0 / 5 / 20

HEX #29CBC0

RGB 41 203 192

HSL 175.93, 0.66%, 0.48%

LAB 74.18, -41.66, -5.95

 

CMYK 68 / 0 / 5 / 15

HEX #45D9CF

RGB 69 217 207

HSL 175.95, 0.66%, 0.56%

LAB 79.27, -40.6, -6.44

 

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

CMYK 70 / 80 / 0 / 34

HEX #3222A9

RGB 50 34 169

HSL 247.11, 0.67%, 0.4%

LAB 25.82, 48.04, -68.66

 

CMYK 0 / 38 / 80 / 34

HEX #A96822

RGB 169 104 34

HSL 31.11, 0.67%, 0.4%

LAB 50.04, 20.48, 47.73

 

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

CMYK 7 / 80 / 0 / 34

HEX #9E22A9

RGB 158 34 169

HSL 295.11, 0.67%, 0.4%

LAB 40.04, 64.65, -44.87

 

CMYK 0 / 7 / 80 / 34

HEX #A99E22

RGB 169 158 34

HSL 55.11, 0.67%, 0.4%

LAB 64.16, -9.4, 60.61

 

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

CMYK 70 / 80 / 0 / 34

HEX #3222A9

RGB 50 34 169

HSL 247.11, 0.67%, 0.4%

LAB 25.82, 48.04, -68.66

 

CMYK 0 / 80 / 73 / 34

HEX #A9222D

RGB 169 34 45

HSL 355.11, 0.67%, 0.4%

LAB 37.42, 53.67, 28.82

 

CMYK 9 / 0 / 80 / 34

HEX #99A922

RGB 153 169 34

HSL 67.11, 0.67%, 0.4%

LAB 65.95, -22.09, 61.7

 

CMYK 79 / 0 / 5 / 34

HEX #23A89F

RGB 35 168 159

HSL 175.94, 0.66%, 0.4%

LAB 62.39, -35.86, -5.22

 

CMYK 47 / 80 / 0 / 34

HEX #5A22A9

RGB 90 34 169

HSL 264.89, 0.67%, 0.4%

LAB 29.87, 52.78, -61.85

 

CMYK 0 / 80 / 73 / 34

HEX #A9222D

RGB 169 34 45

HSL 355.11, 0.67%, 0.4%

LAB 37.42, 53.67, 28.82

 

CMYK 33 / 0 / 80 / 34

HEX #71A922

RGB 113 169 34

HSL 84.89, 0.67%, 0.4%

LAB 63.34, -38.36, 58.36

 

Description

Color code: HEX #23A89F | qconv.com Color code: HEX #23A89F | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 168 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 168 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 5 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 5% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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