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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #23A5BC it is the complementary color #DC5A43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #23A5BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #23A5BC shade: #28A5B7, #39B7CA, #4AC9DD, #5BDBF0 and #6CEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #23A5BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #23A5BC shade: #23A5BC, #1293A9, #018196, #006F83 and #005D70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #23A5BC shade: #22A6BD, #227CBD, #2252BD, #2229BD and #4622BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #23A5BC shade: #22A6BD, #227CBD, #2252BD, #2229BD and #2222BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #23A5BC shade matches the following richer shades: #22A6BD and #10B3CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #23A5BC shade: #22A6BD, #3499AB, #478C99, #598087 and #6B7375

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #23A5BC shade: #22BD82, #22BDAB, #22A6BD, #227DBD and #2253BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #23A5BC shade: #156977, #1C879A, #22A6BD, #30BFD9 and #53CADF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #23A5BC shade: #23A5BC, #5822BD and #BD9622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #23A5BC shade: #23A5BC, #BD22A6 and #A6BD22

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #23A5BC shade: #23A5BC, #5822BD, #BD3A22 and #87BD22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #23A5BC shade: #23A5BC, #8722BD, #BD3A22 and #58BD22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

Complementary color

CMYK 0 / 59 / 70 / 14

HEX #DC5A43

RGB 220 90 67

HSL 9.02, 0.69%, 0.56%

LAB 55, 49.53, 38.88

 

CMYK 78 / 10 / 0 / 28

HEX #28A5B7

RGB 40 165 183

HSL 187.55, 0.64%, 0.44%

LAB 62.32, -26.57, -18.78

 

CMYK 72 / 9 / 0 / 21

HEX #39B7CA

RGB 57 183 202

HSL 187.86, 0.58%, 0.51%

LAB 68.75, -27.62, -19.52

 

CMYK 67 / 9 / 0 / 13

HEX #4AC9DD

RGB 74 201 221

HSL 188.16, 0.68%, 0.58%

LAB 75.11, -28.41, -20.19

 

CMYK 62 / 9 / 0 / 6

HEX #5BDBF0

RGB 91 219 240

HSL 188.46, 0.83%, 0.65%

LAB 81.39, -29.01, -20.8

 

CMYK 58 / 7 / 0 / 0

HEX #6CEDFF

RGB 108 237 255

HSL 187.35, 1%, 0.71%

LAB 87.47, -30.57, -19.46

 

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

CMYK 89 / 13 / 0 / 34

HEX #1293A9

RGB 18 147 169

HSL 188.74, 0.81%, 0.37%

LAB 55.95, -23.82, -20.61

 

CMYK 99 / 14 / 0 / 41

HEX #018196

RGB 1 129 150

HSL 188.46, 0.99%, 0.3%

LAB 49.39, -21.81, -19.69

 

CMYK 100 / 15 / 0 / 49

HEX #006F83

RGB 0 111 131

HSL 189.16, 1%, 0.26%

LAB 42.77, -19.03, -18.58

 

CMYK 100 / 17 / 0 / 56

HEX #005D70

RGB 0 93 112

HSL 190.18, 1%, 0.22%

LAB 35.98, -16.09, -17.45

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 82 / 34 / 0 / 26

HEX #227CBD

RGB 34 124 189

HSL 205.16, 0.7%, 0.44%

LAB 50.01, -2.54, -41.31

 

CMYK 82 / 57 / 0 / 26

HEX #2252BD

RGB 34 82 189

HSL 221.42, 0.7%, 0.44%

LAB 37.93, 24.25, -60.7

 

CMYK 82 / 78 / 0 / 26

HEX #2229BD

RGB 34 41 189

HSL 237.29, 0.7%, 0.44%

LAB 28.38, 49.66, -76.4

 

CMYK 63 / 82 / 0 / 26

HEX #4622BD

RGB 70 34 189

HSL 253.94, 0.7%, 0.44%

LAB 29.71, 55.75, -74.11

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 82 / 34 / 0 / 26

HEX #227CBD

RGB 34 124 189

HSL 205.16, 0.7%, 0.44%

LAB 50.01, -2.54, -41.31

 

CMYK 82 / 57 / 0 / 26

HEX #2252BD

RGB 34 82 189

HSL 221.42, 0.7%, 0.44%

LAB 37.93, 24.25, -60.7

 

CMYK 82 / 78 / 0 / 26

HEX #2229BD

RGB 34 41 189

HSL 237.29, 0.7%, 0.44%

LAB 28.38, 49.66, -76.4

 

CMYK 82 / 82 / 0 / 26

HEX #2222BD

RGB 34 34 189

HSL 240, 0.7%, 0.44%

LAB 27.18, 53.15, -78.39

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 92 / 14 / 0 / 19

HEX #10B3CF

RGB 16 179 207

HSL 188.8, 0.86%, 0.44%

LAB 67.17, -27.4, -24.74

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 70 / 11 / 0 / 33

HEX #3499AB

RGB 52 153 171

HSL 189.08, 0.53%, 0.44%

LAB 58.46, -22.79, -17.86

 

CMYK 54 / 8 / 0 / 40

HEX #478C99

RGB 71 140 153

HSL 189.51, 0.37%, 0.44%

LAB 54.44, -17.97, -13.6

 

CMYK 34 / 5 / 0 / 47

HEX #598087

RGB 89 128 135

HSL 189.13, 0.21%, 0.44%

LAB 51.05, -11.71, -8.15

 

CMYK 9 / 2 / 0 / 54

HEX #6B7375

RGB 107 115 117

HSL 192, 0.04%, 0.44%

LAB 47.84, -2.58, -2.15

 

CMYK 82 / 0 / 31 / 26

HEX #22BD82

RGB 34 189 130

HSL 157.16, 0.7%, 0.44%

LAB 68.28, -52.19, 19.17

 

CMYK 82 / 0 / 10 / 26

HEX #22BDAB

RGB 34 189 171

HSL 173.03, 0.7%, 0.44%

LAB 69.24, -41.97, -1.8

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 82 / 34 / 0 / 26

HEX #227DBD

RGB 34 125 189

HSL 204.77, 0.7%, 0.44%

LAB 50.31, -3.13, -40.83

 

CMYK 82 / 56 / 0 / 26

HEX #2253BD

RGB 34 83 189

HSL 221.03, 0.7%, 0.44%

LAB 38.2, 23.58, -60.26

 

CMYK 82 / 12 / 0 / 53

HEX #156977

RGB 21 105 119

HSL 188.57, 0.7%, 0.27%

LAB 40.56, -18.56, -14.69

 

CMYK 82 / 12 / 0 / 40

HEX #1C879A

RGB 28 135 154

HSL 189.05, 0.69%, 0.36%

LAB 51.73, -21.9, -18.4

 

CMYK 82 / 12 / 0 / 26

HEX #22A6BD

RGB 34 166 189

HSL 188.9, 0.7%, 0.44%

LAB 62.75, -25.7, -21.5

 

CMYK 78 / 12 / 0 / 15

HEX #30BFD9

RGB 48 191 217

HSL 189.23, 0.69%, 0.52%

LAB 71.49, -27.91, -23.58

 

CMYK 63 / 9 / 0 / 13

HEX #53CADF

RGB 83 202 223

HSL 189, 0.69%, 0.6%

LAB 75.7, -26.91, -20.34

 

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 0 / 21 / 82 / 26

HEX #BD9622

RGB 189 150 34

HSL 44.9, 0.7%, 0.44%

LAB 63.96, 3.86, 61.17

 

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

CMYK 0 / 82 / 12 / 26

HEX #BD22A6

RGB 189 34 166

HSL 308.9, 0.7%, 0.44%

LAB 45.24, 70.45, -34.5

 

CMYK 12 / 0 / 82 / 26

HEX #A6BD22

RGB 166 189 34

HSL 68.9, 0.7%, 0.44%

LAB 72.64, -26.39, 67.95

 

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

CMYK 53 / 82 / 0 / 26

HEX #5822BD

RGB 88 34 189

HSL 260.9, 0.7%, 0.44%

LAB 31.56, 57.67, -71

 

CMYK 0 / 69 / 82 / 26

HEX #BD3A22

RGB 189 58 34

HSL 9.29, 0.7%, 0.44%

LAB 44.18, 51.24, 43.3

 

CMYK 29 / 0 / 82 / 26

HEX #87BD22

RGB 135 189 34

HSL 80.9, 0.7%, 0.44%

LAB 70.64, -38.86, 65.42

 

CMYK 81 / 12 / 0 / 26

HEX #23A5BC

RGB 35 165 188

HSL 189.02, 0.69%, 0.44%

LAB 62.42, -25.43, -21.44

 

CMYK 29 / 82 / 0 / 26

HEX #8722BD

RGB 135 34 189

HSL 279.1, 0.7%, 0.44%

LAB 37.79, 64.31, -60.56

 

CMYK 0 / 69 / 82 / 26

HEX #BD3A22

RGB 189 58 34

HSL 9.29, 0.7%, 0.44%

LAB 44.18, 51.24, 43.3

 

CMYK 53 / 0 / 82 / 26

HEX #58BD22

RGB 88 189 34

HSL 99.1, 0.7%, 0.44%

LAB 68.45, -54.66, 62.63

 

Description

Color code: HEX #23A5BC | qconv.com Color code: HEX #23A5BC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 165 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 165 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 12 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 12% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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