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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FEAB2 it is the complementary color #E0154D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FEAB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FEAB2 shade: #24EAAD, #35FCC0, #46FFD3, #57FFE6 and #68FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FEAB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FEAB2 shade: #1FEAB2, #0ED89F, #00C68C, #00B479 and #00A266

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FEAB2 shade: #1FEAB2, #1FEA7B, #1FEA44, #30EA1F and #67EA1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FEAB2 shade: #1FEAB2, #1FEAE8, #1FB4EA, #1F7DEA and #1F47EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FEAB2 shade matches the following richer shades: #1FEAB2 and #0BFDBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FEAB2 shade: #1FEAB2, #32D6A9, #46C2A0, #5AAE97 and #6E9A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FEAB2 shade: #1FEA44, #1FEA7A, #1FEAB0, #1FEAE6 and #1FB7EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FEAB2 shade: #0FA77D, #13CC99, #1FEAB2, #44EDBF and #6AF1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FEAB2 shade: #1FEAB2, #1F2FEA and #EA5F1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FEAB2 shade: #1FEAB2, #B01FEA and #EAB01F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FEAB2 shade: #1FEAB2, #1F2FEA, #EA1F58 and #EAD91F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FEAB2 shade: #1FEAB2, #4B1FEA, #EA1F58 and #BEEA1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

Complementary color

CMYK 0 / 91 / 66 / 12

HEX #E0154D

RGB 224 21 77

HSL 343.45, 0.83%, 0.48%

LAB 48.16, 72.55, 24.87

 

CMYK 85 / 0 / 26 / 8

HEX #24EAAD

RGB 36 234 173

HSL 161.52, 0.83%, 0.53%

LAB 83.04, -59.55, 16.91

 

CMYK 79 / 0 / 24 / 1

HEX #35FCC0

RGB 53 252 192

HSL 161.91, 0.97%, 0.6%

LAB 89.01, -60.65, 15.48

 

CMYK 73 / 0 / 17 / 0

HEX #46FFD3

RGB 70 255 211

HSL 165.73, 1%, 0.64%

LAB 90.56, -55.58, 7.92

 

CMYK 66 / 0 / 10 / 0

HEX #57FFE6

RGB 87 255 230

HSL 171.07, 1%, 0.67%

LAB 91.35, -48.67, -0.72

 

CMYK 59 / 0 / 2 / 0

HEX #68FFF9

RGB 104 255 249

HSL 177.62, 1%, 0.7%

LAB 92.27, -41.19, -9.17

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 94 / 0 / 26 / 15

HEX #0ED89F

RGB 14 216 159

HSL 163.07, 0.88%, 0.45%

LAB 77.11, -57.16, 15.93

 

CMYK 100 / 0 / 29 / 22

HEX #00C68C

RGB 0 198 140

HSL 162.42, 1%, 0.39%

LAB 71.06, -55.23, 17.61

 

CMYK 100 / 0 / 33 / 29

HEX #00B479

RGB 0 180 121

HSL 160.33, 1%, 0.35%

LAB 64.98, -52.79, 19.46

 

CMYK 100 / 0 / 37 / 36

HEX #00A266

RGB 0 162 102

HSL 157.78, 1%, 0.32%

LAB 58.79, -50.26, 21.39

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 87 / 0 / 47 / 8

HEX #1FEA7B

RGB 31 234 123

HSL 147.19, 0.83%, 0.52%

LAB 82.15, -69.63, 41.04

 

CMYK 87 / 0 / 71 / 8

HEX #1FEA44

RGB 31 234 68

HSL 130.94, 0.83%, 0.52%

LAB 81.6, -76.38, 64.23

 

CMYK 79 / 0 / 87 / 8

HEX #30EA1F

RGB 48 234 31

HSL 114.98, 0.83%, 0.52%

LAB 81.61, -76.95, 74.67

 

CMYK 56 / 0 / 87 / 8

HEX #67EA1F

RGB 103 234 31

HSL 98.72, 0.83%, 0.52%

LAB 82.82, -66.68, 76.2

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 87 / 0 / 1 / 8

HEX #1FEAE8

RGB 31 234 232

HSL 179.41, 0.83%, 0.52%

LAB 84.46, -44.63, -12.04

 

CMYK 87 / 23 / 0 / 8

HEX #1FB4EA

RGB 31 180 234

HSL 195.96, 0.83%, 0.52%

LAB 68.66, -18.03, -37.23

 

CMYK 87 / 47 / 0 / 8

HEX #1F7DEA

RGB 31 125 234

HSL 212.22, 0.83%, 0.52%

LAB 52.84, 13.73, -62.29

 

CMYK 87 / 70 / 0 / 8

HEX #1F47EA

RGB 31 71 234

HSL 228.18, 0.83%, 0.52%

LAB 39.14, 47.71, -84.64

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 96 / 0 / 26 / 1

HEX #0BFDBB

RGB 11 253 187

HSL 163.64, 0.98%, 0.52%

LAB 88.88, -64.6, 17.82

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 77 / 0 / 21 / 16

HEX #32D6A9

RGB 50 214 169

HSL 163.54, 0.67%, 0.52%

LAB 77.06, -51.41, 10.61

 

CMYK 64 / 0 / 18 / 24

HEX #46C2A0

RGB 70 194 160

HSL 163.55, 0.5%, 0.52%

LAB 71.16, -42.36, 7.09

 

CMYK 48 / 0 / 13 / 32

HEX #5AAE97

RGB 90 174 151

HSL 163.57, 0.34%, 0.52%

LAB 65.5, -31.19, 3.96

 

CMYK 29 / 0 / 8 / 40

HEX #6E9A8E

RGB 110 154 142

HSL 163.64, 0.18%, 0.52%

LAB 60.23, -17.59, 1.49

 

CMYK 87 / 0 / 71 / 8

HEX #1FEA44

RGB 31 234 68

HSL 130.94, 0.83%, 0.52%

LAB 81.6, -76.38, 64.23

 

CMYK 87 / 0 / 48 / 8

HEX #1FEA7A

RGB 31 234 122

HSL 146.9, 0.83%, 0.52%

LAB 82.13, -69.79, 41.51

 

CMYK 87 / 0 / 25 / 8

HEX #1FEAB0

RGB 31 234 176

HSL 162.86, 0.83%, 0.52%

LAB 83.06, -59.2, 15.37

 

CMYK 87 / 0 / 2 / 8

HEX #1FEAE6

RGB 31 234 230

HSL 178.82, 0.83%, 0.52%

LAB 84.41, -45.2, -11.07

 

CMYK 87 / 22 / 0 / 8

HEX #1FB7EA

RGB 31 183 234

HSL 195.07, 0.83%, 0.52%

LAB 69.54, -19.61, -35.86

 

CMYK 91 / 0 / 25 / 35

HEX #0FA77D

RGB 15 167 125

HSL 163.42, 0.84%, 0.36%

LAB 60.98, -46.17, 11.72

 

CMYK 91 / 0 / 25 / 20

HEX #13CC99

RGB 19 204 153

HSL 163.46, 0.83%, 0.44%

LAB 73.3, -53.77, 13.79

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 71 / 0 / 19 / 7

HEX #44EDBF

RGB 68 237 191

HSL 163.67, 0.82%, 0.6%

LAB 84.77, -53.3, 10.02

 

CMYK 56 / 0 / 15 / 5

HEX #6AF1CC

RGB 106 241 204

HSL 163.56, 0.83%, 0.68%

LAB 87.16, -45.66, 6.78

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 87 / 80 / 0 / 8

HEX #1F2FEA

RGB 31 47 234

HSL 235.27, 0.83%, 0.52%

LAB 34.53, 60.75, -92.27

 

CMYK 0 / 59 / 87 / 8

HEX #EA5F1F

RGB 234 95 31

HSL 18.92, 0.83%, 0.52%

LAB 57.82, 51.01, 59.42

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 25 / 87 / 0 / 8

HEX #B01FEA

RGB 176 31 234

HSL 282.86, 0.83%, 0.52%

LAB 47.17, 80, -70.96

 

CMYK 0 / 25 / 87 / 8

HEX #EAB01F

RGB 234 176 31

HSL 42.86, 0.83%, 0.52%

LAB 75.23, 9.61, 73.29

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 87 / 80 / 0 / 8

HEX #1F2FEA

RGB 31 47 234

HSL 235.27, 0.83%, 0.52%

LAB 34.53, 60.75, -92.27

 

CMYK 0 / 87 / 62 / 8

HEX #EA1F58

RGB 234 31 88

HSL 343.15, 0.83%, 0.52%

LAB 50.89, 74.04, 22.11

 

CMYK 0 / 7 / 87 / 8

HEX #EAD91F

RGB 234 217 31

HSL 54.98, 0.83%, 0.52%

LAB 85.61, -11.49, 81.59

 

CMYK 87 / 0 / 24 / 8

HEX #1FEAB2

RGB 31 234 178

HSL 163.45, 0.83%, 0.52%

LAB 83.1, -58.74, 14.38

 

CMYK 68 / 87 / 0 / 8

HEX #4B1FEA

RGB 75 31 234

HSL 253, 0.83%, 0.52%

LAB 34.84, 69.3, -91.69

 

CMYK 0 / 87 / 62 / 8

HEX #EA1F58

RGB 234 31 88

HSL 343.15, 0.83%, 0.52%

LAB 50.89, 74.04, 22.11

 

CMYK 19 / 0 / 87 / 8

HEX #BEEA1F

RGB 190 234 31

HSL 73, 0.83%, 0.52%

LAB 86.94, -37.67, 81.32

 

Description

Color code: HEX #1FEAB2 | qconv.com Color code: HEX #1FEAB2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 234 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 234 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 24 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 24% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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