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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FE464 it is the complementary color #E01B9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FE464. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FE464 shade: #24E45F, #35F672, #46FF85, #57FF98 and #68FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FE464. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FE464 shade: #1FE464, #0ED251, #00C03E, #00AE2B and #009C18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FE464 shade: #20E364, #20E330, #45E320, #79E320 and #AEE320

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FE464 shade: #20E364, #20E399, #20E3CE, #20C4E3 and #208FE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FE464 shade matches the following richer shades: #20E364 and #0CF75E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FE464 shade: #20E364, #34CF6A, #49BB70, #5DA677 and #71927D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FE464 shade: #44E320, #20E330, #20E364, #20E398 and #20E3CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FE464 shade: #139E44, #18C253, #20E364, #45E87E and #6AEC97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FE464 shade: #1FE464, #2078E3 and #E3202A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FE464 shade: #1FE464, #6420E3 and #E36420

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FE464 shade: #1FE464, #2078E3, #E3209F and #E38B20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FE464 shade: #1FE464, #203DE3, #E3209F and #E3C620

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

Complementary color

CMYK 0 / 88 / 31 / 12

HEX #E01B9B

RGB 224 27 155

HSL 321.02, 0.78%, 0.49%

LAB 50.68, 77.81, -18.99

 

CMYK 84 / 0 / 58 / 11

HEX #24E45F

RGB 36 228 95

HSL 138.44, 0.78%, 0.52%

LAB 80, -71.36, 51.53

 

CMYK 78 / 0 / 54 / 4

HEX #35F672

RGB 53 246 114

HSL 138.96, 0.91%, 0.59%

LAB 85.95, -72.84, 50.05

 

CMYK 73 / 0 / 48 / 0

HEX #46FF85

RGB 70 255 133

HSL 140.43, 1%, 0.64%

LAB 89.17, -70.9, 45.19

 

CMYK 66 / 0 / 40 / 0

HEX #57FF98

RGB 87 255 152

HSL 143.21, 1%, 0.67%

LAB 89.77, -65.19, 36.84

 

CMYK 59 / 0 / 33 / 0

HEX #68FFAB

RGB 104 255 171

HSL 146.62, 1%, 0.7%

LAB 90.51, -58.66, 28.42

 

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

CMYK 93 / 0 / 61 / 18

HEX #0ED251

RGB 14 210 81

HSL 140.51, 0.88%, 0.44%

LAB 74.05, -69.02, 50.8

 

CMYK 100 / 0 / 68 / 25

HEX #00C03E

RGB 0 192 62

HSL 139.38, 1%, 0.38%

LAB 68.06, -66.31, 52.17

 

CMYK 100 / 0 / 75 / 32

HEX #00AE2B

RGB 0 174 43

HSL 134.83, 1%, 0.34%

LAB 62.04, -62.78, 53.14

 

CMYK 100 / 0 / 85 / 39

HEX #009C18

RGB 0 156 24

HSL 129.23, 1%, 0.31%

LAB 55.93, -58.84, 53.21

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 86 / 0 / 79 / 11

HEX #20E330

RGB 32 227 48

HSL 124.92, 0.78%, 0.51%

LAB 79.3, -75.75, 68.45

 

CMYK 70 / 0 / 86 / 11

HEX #45E320

RGB 69 227 32

HSL 108.62, 0.78%, 0.51%

LAB 79.79, -71.75, 73.02

 

CMYK 47 / 0 / 86 / 11

HEX #79E320

RGB 121 227 32

HSL 92.62, 0.78%, 0.51%

LAB 81.35, -59.15, 74.99

 

CMYK 23 / 0 / 86 / 11

HEX #AEE320

RGB 174 227 32

HSL 76.31, 0.78%, 0.51%

LAB 83.99, -40.75, 78.28

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 86 / 0 / 33 / 11

HEX #20E399

RGB 32 227 153

HSL 157.23, 0.78%, 0.51%

LAB 80.49, -61.6, 23.76

 

CMYK 86 / 0 / 9 / 11

HEX #20E3CE

RGB 32 227 206

HSL 173.54, 0.78%, 0.51%

LAB 81.68, -48.82, -2.42

 

CMYK 86 / 14 / 0 / 11

HEX #20C4E3

RGB 32 196 227

HSL 189.54, 0.78%, 0.51%

LAB 73.11, -28.46, -26.55

 

CMYK 86 / 37 / 0 / 11

HEX #208FE3

RGB 32 143 227

HSL 205.85, 0.78%, 0.51%

LAB 57.56, 0.21, -50.83

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 95 / 0 / 62 / 3

HEX #0CF75E

RGB 12 247 94

HSL 140.94, 0.94%, 0.51%

LAB 85.71, -78.55, 58.48

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 75 / 0 / 49 / 19

HEX #34CF6A

RGB 52 207 106

HSL 140.9, 0.62%, 0.51%

LAB 73.8, -61.13, 38.91

 

CMYK 61 / 0 / 40 / 27

HEX #49BB70

RGB 73 187 112

HSL 140.53, 0.46%, 0.51%

LAB 68.11, -49, 28.65

 

CMYK 44 / 0 / 28 / 35

HEX #5DA677

RGB 93 166 119

HSL 141.37, 0.29%, 0.51%

LAB 62.45, -33.59, 17.38

 

CMYK 23 / 0 / 14 / 43

HEX #71927D

RGB 113 146 125

HSL 141.82, 0.13%, 0.51%

LAB 57.61, -16.01, 7.39

 

CMYK 70 / 0 / 86 / 11

HEX #44E320

RGB 68 227 32

HSL 108.92, 0.78%, 0.51%

LAB 79.77, -71.93, 72.99

 

CMYK 86 / 0 / 79 / 11

HEX #20E330

RGB 32 227 48

HSL 124.92, 0.78%, 0.51%

LAB 79.3, -75.75, 68.45

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 86 / 0 / 33 / 11

HEX #20E398

RGB 32 227 152

HSL 156.92, 0.78%, 0.51%

LAB 80.47, -61.8, 24.25

 

CMYK 86 / 0 / 10 / 11

HEX #20E3CC

RGB 32 227 204

HSL 172.92, 0.78%, 0.51%

LAB 81.62, -49.36, -1.44

 

CMYK 88 / 0 / 57 / 38

HEX #139E44

RGB 19 158 68

HSL 141.15, 0.79%, 0.35%

LAB 57.08, -53.89, 37.05

 

CMYK 88 / 0 / 57 / 24

HEX #18C253

RGB 24 194 83

HSL 140.82, 0.78%, 0.43%

LAB 69.04, -63.19, 44.09

 

CMYK 86 / 0 / 56 / 11

HEX #20E364

RGB 32 227 100

HSL 140.92, 0.78%, 0.51%

LAB 79.71, -70.73, 48.92

 

CMYK 70 / 0 / 46 / 9

HEX #45E87E

RGB 69 232 126

HSL 140.98, 0.78%, 0.59%

LAB 82.1, -64.21, 39.63

 

CMYK 55 / 0 / 36 / 7

HEX #6AEC97

RGB 106 236 151

HSL 140.77, 0.77%, 0.67%

LAB 84.63, -54.36, 30.63

 

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

CMYK 86 / 47 / 0 / 11

HEX #2078E3

RGB 32 120 227

HSL 212.92, 0.78%, 0.51%

LAB 51.02, 14.24, -61.3

 

CMYK 0 / 86 / 81 / 11

HEX #E3202A

RGB 227 32 42

HSL 356.92, 0.78%, 0.51%

LAB 48.92, 70.2, 46.26

 

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

CMYK 56 / 86 / 0 / 11

HEX #6420E3

RGB 100 32 227

HSL 260.92, 0.78%, 0.51%

LAB 36.53, 69.15, -84.81

 

CMYK 0 / 56 / 86 / 11

HEX #E36420

RGB 227 100 32

HSL 20.92, 0.78%, 0.51%

LAB 57.61, 46.15, 58.41

 

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

CMYK 86 / 47 / 0 / 11

HEX #2078E3

RGB 32 120 227

HSL 212.92, 0.78%, 0.51%

LAB 51.02, 14.24, -61.3

 

CMYK 0 / 86 / 30 / 11

HEX #E3209F

RGB 227 32 159

HSL 320.92, 0.78%, 0.51%

LAB 51.69, 78.05, -19.79

 

CMYK 0 / 39 / 86 / 11

HEX #E38B20

RGB 227 139 32

HSL 32.92, 0.78%, 0.51%

LAB 65.67, 26.29, 64.99

 

CMYK 86 / 0 / 56 / 11

HEX #1FE464

RGB 31 228 100

HSL 141.02, 0.78%, 0.51%

LAB 80.01, -71.11, 49.27

 

CMYK 86 / 73 / 0 / 11

HEX #203DE3

RGB 32 61 227

HSL 231.08, 0.78%, 0.51%

LAB 36.35, 51.18, -85.26

 

CMYK 0 / 86 / 30 / 11

HEX #E3209F

RGB 227 32 159

HSL 320.92, 0.78%, 0.51%

LAB 51.69, 78.05, -19.79

 

CMYK 0 / 13 / 86 / 11

HEX #E3C620

RGB 227 198 32

HSL 51.08, 0.78%, 0.51%

LAB 80.08, -4.85, 76.68

 

Description

Color code: HEX #1FE464 | qconv.com Color code: HEX #1FE464 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 228 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 228 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 56 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 56% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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