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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FCE5C it is the complementary color #E031A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FCE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FCE5C shade: #24CE57, #35E06A, #46F27D, #57FF90 and #68FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FCE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FCE5C shade: #1FCE5C, #0EBC49, #00AA36, #009823 and #008610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FCE5C shade: #1ECC5A, #1ECC2C, #3FCC1E, #6ECC1E and #9DCC1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FCE5C shade: #1ECC5A, #1ECC89, #1ECCB8, #1EB0CC and #1E81CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FCE5C shade matches the following richer shades: #1ECC5A and #0BDF55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FCE5C shade: #1ECC5A, #31B960, #44A666, #57936C and #6A8072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FCE5C shade: #41CC1E, #1ECC2A, #1ECC58, #1ECC86 and #1ECCB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FCE5C shade: #13843A, #19A84A, #1ECC5A, #33E06F and #57E588

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FCE5C shade: #1FCE5C, #1E6FCC and #CC1E2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FCE5C shade: #1FCE5C, #581ECC and #CC581E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FCE5C shade: #1FCE5C, #1E6FCC, #CC1E92 and #CC7B1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FCE5C shade: #1FCE5C, #1E3BCC, #CC1E92 and #CCAF1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

Complementary color

CMYK 0 / 78 / 27 / 12

HEX #E031A3

RGB 224 49 163

HSL 320.91, 0.74%, 0.54%

LAB 52.61, 74.07, -20.79

 

CMYK 83 / 0 / 58 / 19

HEX #24CE57

RGB 36 206 87

HSL 138, 0.7%, 0.47%

LAB 73.03, -65.45, 46.97

 

CMYK 76 / 0 / 53 / 12

HEX #35E06A

RGB 53 224 106

HSL 138.6, 0.73%, 0.54%

LAB 79.1, -66.78, 45.46

 

CMYK 71 / 0 / 48 / 5

HEX #46F27D

RGB 70 242 125

HSL 139.19, 0.87%, 0.61%

LAB 85.14, -67.68, 43.96

 

CMYK 66 / 0 / 44 / 0

HEX #57FF90

RGB 87 255 144

HSL 140.36, 1%, 0.67%

LAB 89.65, -66.51, 40.6

 

CMYK 59 / 0 / 36 / 0

HEX #68FFA3

RGB 104 255 163

HSL 143.44, 1%, 0.7%

LAB 90.37, -60.1, 32.25

 

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

CMYK 93 / 0 / 61 / 26

HEX #0EBC49

RGB 14 188 73

HSL 140.34, 0.86%, 0.4%

LAB 66.93, -63.24, 46.21

 

CMYK 100 / 0 / 68 / 33

HEX #00AA36

RGB 0 170 54

HSL 139.06, 1%, 0.33%

LAB 60.8, -60.57, 47.61

 

CMYK 100 / 0 / 77 / 40

HEX #009823

RGB 0 152 35

HSL 133.82, 1%, 0.3%

LAB 54.63, -56.93, 48.58

 

CMYK 100 / 0 / 88 / 47

HEX #008610

RGB 0 134 16

HSL 127.16, 1%, 0.26%

LAB 48.37, -52.83, 48.41

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 85 / 0 / 78 / 20

HEX #1ECC2C

RGB 30 204 44

HSL 124.83, 0.74%, 0.46%

LAB 71.99, -69.58, 62.64

 

CMYK 69 / 0 / 85 / 20

HEX #3FCC1E

RGB 63 204 30

HSL 108.62, 0.74%, 0.46%

LAB 72.45, -65.77, 66.94

 

CMYK 46 / 0 / 85 / 20

HEX #6ECC1E

RGB 110 204 30

HSL 92.41, 0.74%, 0.46%

LAB 73.93, -53.92, 68.8

 

CMYK 23 / 0 / 85 / 20

HEX #9DCC1E

RGB 157 204 30

HSL 76.21, 0.74%, 0.46%

LAB 76.34, -37.17, 71.83

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 85 / 0 / 33 / 20

HEX #1ECC89

RGB 30 204 137

HSL 156.9, 0.74%, 0.46%

LAB 73.07, -56.68, 21.99

 

CMYK 85 / 0 / 10 / 20

HEX #1ECCB8

RGB 30 204 184

HSL 173.1, 0.74%, 0.46%

LAB 74.14, -45.18, -1.7

 

CMYK 85 / 14 / 0 / 20

HEX #1EB0CC

RGB 30 176 204

HSL 189.66, 0.74%, 0.46%

LAB 66.28, -26.13, -24.44

 

CMYK 85 / 37 / 0 / 20

HEX #1E81CC

RGB 30 129 204

HSL 205.86, 0.74%, 0.46%

LAB 52.22, -0.22, -46.39

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 95 / 0 / 62 / 13

HEX #0BDF55

RGB 11 223 85

HSL 140.94, 0.91%, 0.46%

LAB 78.17, -72.56, 53.75

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 74 / 0 / 48 / 27

HEX #31B960

RGB 49 185 96

HSL 140.74, 0.58%, 0.46%

LAB 66.67, -55.38, 34.92

 

CMYK 59 / 0 / 39 / 35

HEX #44A666

RGB 68 166 102

HSL 140.82, 0.42%, 0.46%

LAB 61.19, -43.36, 24.78

 

CMYK 41 / 0 / 27 / 42

HEX #57936C

RGB 87 147 108

HSL 141, 0.26%, 0.46%

LAB 56.06, -28.52, 14.65

 

CMYK 17 / 0 / 11 / 50

HEX #6A8072

RGB 106 128 114

HSL 141.82, 0.09%, 0.46%

LAB 51.52, -10.97, 4.95

 

CMYK 68 / 0 / 85 / 20

HEX #41CC1E

RGB 65 204 30

HSL 107.93, 0.74%, 0.46%

LAB 72.5, -65.39, 66.99

 

CMYK 85 / 0 / 79 / 20

HEX #1ECC2A

RGB 30 204 42

HSL 124.14, 0.74%, 0.46%

LAB 71.98, -69.71, 63.22

 

CMYK 85 / 0 / 57 / 20

HEX #1ECC58

RGB 30 204 88

HSL 140, 0.74%, 0.46%

LAB 72.34, -65.23, 45.69

 

CMYK 85 / 0 / 34 / 20

HEX #1ECC86

RGB 30 204 134

HSL 155.86, 0.74%, 0.46%

LAB 73.01, -57.31, 23.5

 

CMYK 85 / 0 / 12 / 20

HEX #1ECCB4

RGB 30 204 180

HSL 171.72, 0.74%, 0.46%

LAB 74.03, -46.26, 0.31

 

CMYK 86 / 0 / 56 / 48

HEX #13843A

RGB 19 132 58

HSL 140.71, 0.75%, 0.3%

LAB 48.19, -46.43, 31.39

 

CMYK 85 / 0 / 56 / 34

HEX #19A84A

RGB 25 168 74

HSL 140.56, 0.74%, 0.38%

LAB 60.52, -55.85, 38.24

 

CMYK 85 / 0 / 56 / 20

HEX #1ECC5A

RGB 30 204 90

HSL 140.69, 0.74%, 0.46%

LAB 72.36, -64.96, 44.78

 

CMYK 77 / 0 / 50 / 12

HEX #33E06F

RGB 51 224 111

HSL 140.81, 0.74%, 0.54%

LAB 79.13, -66.3, 43.11

 

CMYK 62 / 0 / 41 / 10

HEX #57E588

RGB 87 229 136

HSL 140.7, 0.73%, 0.62%

LAB 81.75, -58.27, 34.3

 

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

CMYK 85 / 46 / 0 / 20

HEX #1E6FCC

RGB 30 111 204

HSL 212.07, 0.74%, 0.46%

LAB 46.98, 10.9, -54.75

 

CMYK 0 / 85 / 79 / 20

HEX #CC1E2A

RGB 204 30 42

HSL 355.86, 0.74%, 0.46%

LAB 44.14, 64.46, 39.97

 

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

CMYK 57 / 85 / 0 / 20

HEX #581ECC

RGB 88 30 204

HSL 260, 0.74%, 0.46%

LAB 32.62, 62.95, -78.05

 

CMYK 0 / 57 / 85 / 20

HEX #CC581E

RGB 204 88 30

HSL 20, 0.74%, 0.46%

LAB 51.74, 43.19, 52.82

 

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

CMYK 85 / 46 / 0 / 20

HEX #1E6FCC

RGB 30 111 204

HSL 212.07, 0.74%, 0.46%

LAB 46.98, 10.9, -54.75

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 40 / 85 / 20

HEX #CC7B1E

RGB 204 123 30

HSL 32.07, 0.74%, 0.46%

LAB 59.06, 25.08, 58.96

 

CMYK 85 / 0 / 55 / 19

HEX #1FCE5C

RGB 31 206 92

HSL 140.91, 0.74%, 0.46%

LAB 73.03, -65.24, 44.64

 

CMYK 85 / 71 / 0 / 20

HEX #1E3BCC

RGB 30 59 204

HSL 230, 0.74%, 0.46%

LAB 33.49, 44.31, -76.75

 

CMYK 0 / 85 / 28 / 20

HEX #CC1E92

RGB 204 30 146

HSL 320, 0.74%, 0.46%

LAB 46.77, 71.98, -19.93

 

CMYK 0 / 14 / 85 / 20

HEX #CCAF1E

RGB 204 175 30

HSL 50, 0.74%, 0.46%

LAB 71.95, -2.97, 69.63

 

Description

Color code: HEX #1FCE5C | qconv.com Color code: HEX #1FCE5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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