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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FC05B it is the complementary color #E03FA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FC05B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FC05B shade: #24C056, #35D269, #46E47C, #57F68F and #68FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FC05B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FC05B shade: #1FC05B, #0EAE48, #009C35, #008A22 and #00780F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FC05B shade: #1FC05B, #1FC030, #3AC01F, #65C01F and #91C01F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FC05B shade: #1FC05B, #1FC087, #1FC0B2, #1FA3C0 and #1F78C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FC05B shade matches the following richer shades: #1FC05B and #0DD357

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FC05B shade: #1FC05B, #31AE60, #439C64, #558A69 and #68786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FC05B shade: #3AC01F, #1FC02F, #1FC05A, #1FC085 and #1FC0B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FC05B shade: #137A39, #199D4A, #1FC05B, #2CDC6E and #50E286

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FC05B shade: #1FC05B, #1F65C0 and #C01F24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FC05B shade: #1FC05B, #5A1FC0 and #C05A1F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FC05B shade: #1FC05B, #1F65C0, #C01F85 and #C07A1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FC05B shade: #1FC05B, #1F34C0, #C01F85 and #C0AB1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

Complementary color

CMYK 0 / 72 / 27 / 12

HEX #E03FA4

RGB 224 63 164

HSL 322.36, 0.72%, 0.56%

LAB 54.11, 70.02, -19.08

 

CMYK 81 / 0 / 55 / 25

HEX #24C056

RGB 36 192 86

HSL 139.23, 0.68%, 0.45%

LAB 68.57, -61.01, 42.14

 

CMYK 75 / 0 / 50 / 18

HEX #35D269

RGB 53 210 105

HSL 139.87, 0.64%, 0.52%

LAB 74.74, -62.19, 40.57

 

CMYK 69 / 0 / 46 / 11

HEX #46E47C

RGB 70 228 124

HSL 140.51, 0.75%, 0.58%

LAB 80.87, -62.95, 39.05

 

CMYK 65 / 0 / 42 / 4

HEX #57F68F

RGB 87 246 143

HSL 141.13, 0.9%, 0.65%

LAB 86.96, -63.42, 37.6

 

CMYK 59 / 0 / 36 / 0

HEX #68FFA2

RGB 104 255 162

HSL 143.05, 1%, 0.7%

LAB 90.35, -60.28, 32.73

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 92 / 0 / 59 / 32

HEX #0EAE48

RGB 14 174 72

HSL 141.75, 0.85%, 0.37%

LAB 62.37, -58.94, 41.37

 

CMYK 100 / 0 / 66 / 39

HEX #009C35

RGB 0 156 53

HSL 140.38, 1%, 0.31%

LAB 56.12, -56.39, 42.93

 

CMYK 100 / 0 / 75 / 46

HEX #008A22

RGB 0 138 34

HSL 134.78, 1%, 0.27%

LAB 49.85, -52.79, 44.13

 

CMYK 100 / 0 / 88 / 53

HEX #00780F

RGB 0 120 15

HSL 127.5, 1%, 0.24%

LAB 43.46, -48.69, 44.25

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 84 / 0 / 75 / 25

HEX #1FC030

RGB 31 192 48

HSL 126.34, 0.72%, 0.44%

LAB 68.17, -65.67, 57.62

 

CMYK 70 / 0 / 84 / 25

HEX #3AC01F

RGB 58 192 31

HSL 109.94, 0.72%, 0.44%

LAB 68.53, -62.85, 63.16

 

CMYK 47 / 0 / 84 / 25

HEX #65C01F

RGB 101 192 31

HSL 93.91, 0.72%, 0.44%

LAB 69.87, -52.08, 64.86

 

CMYK 24 / 0 / 84 / 25

HEX #91C01F

RGB 145 192 31

HSL 77.52, 0.72%, 0.44%

LAB 72.11, -36.43, 67.68

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 84 / 0 / 30 / 25

HEX #1FC087

RGB 31 192 135

HSL 158.76, 0.72%, 0.44%

LAB 69.28, -52.51, 17.86

 

CMYK 84 / 0 / 7 / 25

HEX #1FC0B2

RGB 31 192 178

HSL 174.78, 0.72%, 0.44%

LAB 70.32, -41.56, -4.05

 

CMYK 84 / 15 / 0 / 25

HEX #1FA3C0

RGB 31 163 192

HSL 190.81, 0.72%, 0.44%

LAB 61.9, -23.42, -24.47

 

CMYK 84 / 38 / 0 / 25

HEX #1F78C0

RGB 31 120 192

HSL 206.83, 0.72%, 0.44%

LAB 48.92, 0.75, -44.77

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 94 / 0 / 59 / 17

HEX #0DD357

RGB 13 211 87

HSL 142.42, 0.88%, 0.44%

LAB 74.42, -68.62, 48.56

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 72 / 0 / 45 / 32

HEX #31AE60

RGB 49 174 96

HSL 142.56, 0.56%, 0.44%

LAB 63.15, -51.33, 30.44

 

CMYK 57 / 0 / 36 / 39

HEX #439C64

RGB 67 156 100

HSL 142.25, 0.4%, 0.44%

LAB 57.93, -39.73, 21.53

 

CMYK 38 / 0 / 24 / 46

HEX #558A69

RGB 85 138 105

HSL 142.64, 0.24%, 0.44%

LAB 53.09, -25.31, 12.21

 

CMYK 13 / 0 / 8 / 53

HEX #68786E

RGB 104 120 110

HSL 142.5, 0.07%, 0.44%

LAB 48.89, -8.05, 3.49

 

CMYK 70 / 0 / 84 / 25

HEX #3AC01F

RGB 58 192 31

HSL 109.94, 0.72%, 0.44%

LAB 68.53, -62.85, 63.16

 

CMYK 84 / 0 / 76 / 25

HEX #1FC02F

RGB 31 192 47

HSL 125.96, 0.72%, 0.44%

LAB 68.16, -65.74, 57.95

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05A

RGB 31 192 90

HSL 141.99, 0.72%, 0.44%

LAB 68.55, -60.94, 40.18

 

CMYK 84 / 0 / 31 / 25

HEX #1FC085

RGB 31 192 133

HSL 158.01, 0.72%, 0.44%

LAB 69.24, -52.95, 18.88

 

CMYK 84 / 0 / 8 / 25

HEX #1FC0B0

RGB 31 192 176

HSL 174.04, 0.72%, 0.44%

LAB 70.26, -42.13, -3.04

 

CMYK 84 / 0 / 53 / 52

HEX #137A39

RGB 19 122 57

HSL 142.14, 0.73%, 0.28%

LAB 44.73, -42.97, 27.68

 

CMYK 84 / 0 / 53 / 38

HEX #199D4A

RGB 25 157 74

HSL 142.27, 0.73%, 0.36%

LAB 56.89, -52.08, 33.83

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 80 / 0 / 50 / 14

HEX #2CDC6E

RGB 44 220 110

HSL 142.5, 0.72%, 0.52%

LAB 77.78, -65.92, 41.9

 

CMYK 65 / 0 / 41 / 11

HEX #50E286

RGB 80 226 134

HSL 142.19, 0.72%, 0.6%

LAB 80.64, -58.82, 33.81

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 84 / 47 / 0 / 25

HEX #1F65C0

RGB 31 101 192

HSL 213.91, 0.72%, 0.44%

LAB 43.37, 12.7, -53.65

 

CMYK 0 / 84 / 81 / 25

HEX #C01F24

RGB 192 31 36

HSL 358.14, 0.72%, 0.44%

LAB 41.71, 60.76, 40.07

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 53 / 84 / 0 / 25

HEX #5A1FC0

RGB 90 31 192

HSL 261.99, 0.72%, 0.44%

LAB 31.71, 59.77, -72.51

 

CMYK 0 / 53 / 84 / 25

HEX #C05A1F

RGB 192 90 31

HSL 21.99, 0.72%, 0.44%

LAB 50.24, 37.57, 50.38

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 84 / 47 / 0 / 25

HEX #1F65C0

RGB 31 101 192

HSL 213.91, 0.72%, 0.44%

LAB 43.37, 12.7, -53.65

 

CMYK 0 / 84 / 31 / 25

HEX #C01F85

RGB 192 31 133

HSL 321.99, 0.72%, 0.44%

LAB 44.06, 67.61, -16.37

 

CMYK 0 / 36 / 84 / 25

HEX #C07A1F

RGB 192 122 31

HSL 33.91, 0.72%, 0.44%

LAB 57.29, 20.47, 56.51

 

CMYK 84 / 0 / 53 / 25

HEX #1FC05B

RGB 31 192 91

HSL 142.36, 0.72%, 0.44%

LAB 68.57, -60.79, 39.71

 

CMYK 84 / 73 / 0 / 25

HEX #1F34C0

RGB 31 52 192

HSL 232.17, 0.72%, 0.44%

LAB 30.77, 44.33, -74.22

 

CMYK 0 / 84 / 31 / 25

HEX #C01F85

RGB 192 31 133

HSL 321.99, 0.72%, 0.44%

LAB 44.06, 67.61, -16.37

 

CMYK 0 / 11 / 84 / 25

HEX #C0AB1F

RGB 192 171 31

HSL 52.17, 0.72%, 0.44%

LAB 69.78, -6.13, 67.11

 

Description

Color code: HEX #1FC05B | qconv.com Color code: HEX #1FC05B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 192 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 192 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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