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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FC5B0 it is the complementary color #E03A4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FC5B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FC5B0 shade: #24C5AB, #35D7BE, #46E9D1, #57FBE4 and #68FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FC5B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FC5B0 shade: #1FC5B0, #0EB39D, #00A18A, #008F77 and #007D64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FC5B0 shade: #1EC6B1, #1EC684, #1EC656, #1EC629 and #41C61E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FC5B0 shade: #1EC6B1, #1EAEC6, #1E81C6, #1E54C6 and #1E26C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FC5B0 shade matches the following richer shades: #1EC6B1 and #0CD9BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FC5B0 shade: #1EC6B1, #31B3A3, #44A195, #568E87 and #697C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FC5B0 shade: #1EC656, #1EC683, #1EC6B0, #1EB0C6 and #1E83C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FC5B0 shade: #137F71, #19A291, #1EC6B1, #30DEC8 and #53E4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FC5B0 shade: #1FC5B0, #2A1EC6 and #C66D1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FC5B0 shade: #1FC5B0, #B01EC6 and #C6B01E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FC5B0 shade: #1FC5B0, #2A1EC6, #C61E35 and #BBC61E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FC5B0 shade: #1FC5B0, #5C1EC6, #C61E35 and #89C61E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

Complementary color

CMYK 0 / 74 / 65 / 12

HEX #E03A4F

RGB 224 58 79

HSL 352.41, 0.73%, 0.55%

LAB 51.2, 64.13, 27.54

 

CMYK 82 / 0 / 13 / 23

HEX #24C5AB

RGB 36 197 171

HSL 170.31, 0.69%, 0.46%

LAB 71.72, -45.25, 1.83

 

CMYK 75 / 0 / 12 / 16

HEX #35D7BE

RGB 53 215 190

HSL 170.74, 0.67%, 0.53%

LAB 77.92, -46.23, 0.64

 

CMYK 70 / 0 / 10 / 9

HEX #46E9D1

RGB 70 233 209

HSL 171.17, 0.79%, 0.59%

LAB 84.06, -46.95, -0.45

 

CMYK 65 / 0 / 9 / 2

HEX #57FBE4

RGB 87 251 228

HSL 171.59, 0.95%, 0.66%

LAB 90.15, -47.47, -1.45

 

CMYK 59 / 0 / 3 / 0

HEX #68FFF7

RGB 104 255 247

HSL 176.82, 1%, 0.7%

LAB 92.21, -41.7, -8.22

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

CMYK 92 / 0 / 12 / 30

HEX #0EB39D

RGB 14 179 157

HSL 172, 0.85%, 0.38%

LAB 65.57, -42.8, 0.53

 

CMYK 100 / 0 / 14 / 37

HEX #00A18A

RGB 0 161 138

HSL 171.43, 1%, 0.32%

LAB 59.27, -40.92, 1.99

 

CMYK 100 / 0 / 17 / 44

HEX #008F77

RGB 0 143 119

HSL 169.93, 1%, 0.28%

LAB 52.92, -38.47, 3.63

 

CMYK 100 / 0 / 20 / 51

HEX #007D64

RGB 0 125 100

HSL 168, 1%, 0.25%

LAB 46.43, -35.96, 5.37

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B1

RGB 30 198 177

HSL 172.5, 0.74%, 0.45%

LAB 72.12, -44.52, -0.86

 

CMYK 85 / 0 / 33 / 22

HEX #1EC684

RGB 30 198 132

HSL 156.43, 0.74%, 0.45%

LAB 71.1, -55.51, 21.95

 

CMYK 85 / 0 / 57 / 22

HEX #1EC656

RGB 30 198 86

HSL 140, 0.74%, 0.45%

LAB 70.41, -63.57, 44.33

 

CMYK 85 / 0 / 79 / 22

HEX #1EC629

RGB 30 198 41

HSL 123.93, 0.74%, 0.45%

LAB 70.05, -68.02, 61.69

 

CMYK 67 / 0 / 85 / 22

HEX #41C61E

RGB 65 198 30

HSL 107.5, 0.74%, 0.45%

LAB 70.6, -63.47, 65.31

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B1

RGB 30 198 177

HSL 172.5, 0.74%, 0.45%

LAB 72.12, -44.52, -0.86

 

CMYK 85 / 12 / 0 / 22

HEX #1EAEC6

RGB 30 174 198

HSL 188.57, 0.74%, 0.45%

LAB 65.46, -27.09, -22.38

 

CMYK 85 / 35 / 0 / 22

HEX #1E81C6

RGB 30 129 198

HSL 204.64, 0.74%, 0.45%

LAB 51.9, -2.49, -43.48

 

CMYK 85 / 58 / 0 / 22

HEX #1E54C6

RGB 30 84 198

HSL 220.71, 0.74%, 0.45%

LAB 39.06, 26.09, -64.12

 

CMYK 85 / 81 / 0 / 22

HEX #1E26C6

RGB 30 38 198

HSL 237.14, 0.74%, 0.45%

LAB 28.75, 53.87, -81.1

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B1

RGB 30 198 177

HSL 172.5, 0.74%, 0.45%

LAB 72.12, -44.52, -0.86

 

CMYK 94 / 0 / 12 / 15

HEX #0CD9BF

RGB 12 217 191

HSL 172.39, 0.9%, 0.45%

LAB 78.15, -49.6, 0.39

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B1

RGB 30 198 177

HSL 172.5, 0.74%, 0.45%

LAB 72.12, -44.52, -0.86

 

CMYK 73 / 0 / 9 / 30

HEX #31B3A3

RGB 49 179 163

HSL 172.62, 0.57%, 0.45%

LAB 66.17, -38.14, -1.87

 

CMYK 58 / 0 / 7 / 37

HEX #44A195

RGB 68 161 149

HSL 172.26, 0.41%, 0.45%

LAB 60.68, -30.42, -2.03

 

CMYK 39 / 0 / 5 / 44

HEX #568E87

RGB 86 142 135

HSL 172.5, 0.25%, 0.45%

LAB 55.15, -20.16, -2.1

 

CMYK 15 / 0 / 2 / 51

HEX #697C79

RGB 105 124 121

HSL 170.53, 0.08%, 0.45%

LAB 50.45, -7.59, -0.7

 

CMYK 85 / 0 / 57 / 22

HEX #1EC656

RGB 30 198 86

HSL 140, 0.74%, 0.45%

LAB 70.41, -63.57, 44.33

 

CMYK 85 / 0 / 34 / 22

HEX #1EC683

RGB 30 198 131

HSL 156.07, 0.74%, 0.45%

LAB 71.08, -55.73, 22.46

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B0

RGB 30 198 176

HSL 172.14, 0.74%, 0.45%

LAB 72.09, -44.8, -0.35

 

CMYK 85 / 11 / 0 / 22

HEX #1EB0C6

RGB 30 176 198

HSL 187.86, 0.74%, 0.45%

LAB 66.06, -28.09, -21.45

 

CMYK 85 / 34 / 0 / 22

HEX #1E83C6

RGB 30 131 198

HSL 203.93, 0.74%, 0.45%

LAB 52.49, -3.67, -42.54

 

CMYK 85 / 0 / 11 / 50

HEX #137F71

RGB 19 127 113

HSL 172.22, 0.74%, 0.29%

LAB 47.64, -31.83, -0.53

 

CMYK 85 / 0 / 10 / 36

HEX #19A291

RGB 25 162 145

HSL 172.55, 0.73%, 0.37%

LAB 59.97, -38.05, -0.92

 

CMYK 85 / 0 / 11 / 22

HEX #1EC6B1

RGB 30 198 177

HSL 172.5, 0.74%, 0.45%

LAB 72.12, -44.52, -0.86

 

CMYK 78 / 0 / 10 / 13

HEX #30DEC8

RGB 48 222 200

HSL 172.41, 0.73%, 0.53%

LAB 80.2, -47.08, -1.37

 

CMYK 64 / 0 / 8 / 11

HEX #53E4D1

RGB 83 228 209

HSL 172.14, 0.73%, 0.61%

LAB 82.88, -42.89, -2.15

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

CMYK 79 / 85 / 0 / 22

HEX #2A1EC6

RGB 42 30 198

HSL 244.29, 0.74%, 0.45%

LAB 28.11, 57.98, -82.14

 

CMYK 0 / 45 / 85 / 22

HEX #C66D1E

RGB 198 109 30

HSL 28.21, 0.74%, 0.45%

LAB 55.11, 30.07, 55.31

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

CMYK 11 / 85 / 0 / 22

HEX #B01EC6

RGB 176 30 198

HSL 292.14, 0.74%, 0.45%

LAB 44.57, 73.83, -54.53

 

CMYK 0 / 11 / 85 / 22

HEX #C6B01E

RGB 198 176 30

HSL 52.14, 0.74%, 0.45%

LAB 71.66, -6.13, 69.15

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

CMYK 79 / 85 / 0 / 22

HEX #2A1EC6

RGB 42 30 198

HSL 244.29, 0.74%, 0.45%

LAB 28.11, 57.98, -82.14

 

CMYK 0 / 85 / 73 / 22

HEX #C61E35

RGB 198 30 53

HSL 351.79, 0.74%, 0.45%

LAB 43.05, 63.23, 32.01

 

CMYK 6 / 0 / 85 / 22

HEX #BBC61E

RGB 187 198 30

HSL 63.93, 0.74%, 0.45%

LAB 76.71, -22.05, 72.96

 

CMYK 84 / 0 / 11 / 23

HEX #1FC5B0

RGB 31 197 176

HSL 172.41, 0.73%, 0.45%

LAB 71.8, -44.29, -0.78

 

CMYK 54 / 85 / 0 / 22

HEX #5C1EC6

RGB 92 30 198

HSL 262.14, 0.74%, 0.45%

LAB 32.44, 61.84, -74.83

 

CMYK 0 / 85 / 73 / 22

HEX #C61E35

RGB 198 30 53

HSL 351.79, 0.74%, 0.45%

LAB 43.05, 63.23, 32.01

 

CMYK 31 / 0 / 85 / 22

HEX #89C61E

RGB 137 198 30

HSL 81.79, 0.74%, 0.45%

LAB 73.42, -42.19, 68.86

 

Description

Color code: HEX #1FC5B0 | qconv.com Color code: HEX #1FC5B0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 197 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 197 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 11 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 11% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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