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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FB5FF it is the complementary color #E04A00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FB5FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FB5FF shade: #24B5FA, #35C7FF, #46D9FF, #57EBFF and #68FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FB5FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FB5FF shade: #1FB5FF, #0EA3EC, #0091D9, #007FC6 and #006DB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FB5FF shade: #1EB4FF, #1E78FF, #1E3BFF, #3D1EFF and #7A1EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FB5FF shade: #1EB4FF, #1E78FF, #1E3BFF and #1E1EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FB5FF shade matches the following richer shades: #1EB4FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FB5FF shade: #1EB4FF, #30AEEC, #42A8DA, #55A2C8 and #679CB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FB5FF shade: #1EFFCE, #1EF3FF, #1EB7FF, #1E7CFF and #1E40FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FB5FF shade: #0087CB, #00A3F4, #1EB4FF, #47C2FF and #71D0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FB5FF shade: #1FB5FF, #921EFF and #FFEC1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FB5FF shade: #1FB5FF, #FF1EB7 and #B7FF1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FB5FF shade: #1FB5FF, #921EFF, #FF651E and #8BFF1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FB5FF shade: #1FB5FF, #D51EFF, #FF651E and #47FF1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

Complementary color

CMYK 0 / 67 / 100 / 12

HEX #E04A00

RGB 224 74 0

HSL 19.82, 1%, 0.44%

LAB 52.67, 56.1, 63.47

 

CMYK 86 / 28 / 0 / 2

HEX #24B5FA

RGB 36 181 250

HSL 199.35, 0.96%, 0.56%

LAB 69.7, -12.71, -44.29

 

CMYK 79 / 22 / 0 / 0

HEX #35C7FF

RGB 53 199 255

HSL 196.63, 1%, 0.6%

LAB 75.34, -19.2, -38.16

 

CMYK 73 / 15 / 0 / 0

HEX #46D9FF

RGB 70 217 255

HSL 192.32, 1%, 0.64%

LAB 80.82, -26.51, -29.68

 

CMYK 66 / 8 / 0 / 0

HEX #57EBFF

RGB 87 235 255

HSL 187.14, 1%, 0.67%

LAB 86.34, -32.99, -21.24

 

CMYK 59 / 1 / 0 / 0

HEX #68FDFF

RGB 104 253 255

HSL 180.79, 1%, 0.7%

LAB 91.87, -38.71, -12.87

 

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

CMYK 94 / 31 / 0 / 7

HEX #0EA3EC

RGB 14 163 236

HSL 199.73, 0.89%, 0.49%

LAB 63.63, -8.87, -46.22

 

CMYK 100 / 33 / 0 / 15

HEX #0091D9

RGB 0 145 217

HSL 199.91, 1%, 0.43%

LAB 57.33, -6.08, -45.63

 

CMYK 100 / 36 / 0 / 22

HEX #007FC6

RGB 0 127 198

HSL 201.52, 1%, 0.39%

LAB 50.99, -2.76, -44.94

 

CMYK 100 / 39 / 0 / 30

HEX #006DB3

RGB 0 109 179

HSL 203.46, 1%, 0.35%

LAB 44.51, 0.75, -44.29

 

CMYK 88 / 29 / 0 / 0

HEX #1EB4FF

RGB 30 180 255

HSL 200, 1%, 0.56%

LAB 69.57, -10.76, -47.21

 

CMYK 88 / 53 / 0 / 0

HEX #1E78FF

RGB 30 120 255

HSL 216, 1%, 0.56%

LAB 52.87, 24.78, -73.91

 

CMYK 88 / 77 / 0 / 0

HEX #1E3BFF

RGB 30 59 255

HSL 232.27, 1%, 0.56%

LAB 38.94, 61.32, -96.79

 

CMYK 76 / 88 / 0 / 0

HEX #3D1EFF

RGB 61 30 255

HSL 248.27, 1%, 0.56%

LAB 36.25, 74.32, -101.22

 

CMYK 52 / 88 / 0 / 0

HEX #7A1EFF

RGB 122 30 255

HSL 264.53, 1%, 0.56%

LAB 41.67, 78.24, -92.07

 

CMYK 88 / 29 / 0 / 0

HEX #1EB4FF

RGB 30 180 255

HSL 200, 1%, 0.56%

LAB 69.57, -10.76, -47.21

 

CMYK 88 / 53 / 0 / 0

HEX #1E78FF

RGB 30 120 255

HSL 216, 1%, 0.56%

LAB 52.87, 24.78, -73.91

 

CMYK 88 / 77 / 0 / 0

HEX #1E3BFF

RGB 30 59 255

HSL 232.27, 1%, 0.56%

LAB 38.94, 61.32, -96.79

 

CMYK 88 / 88 / 0 / 0

HEX #1E1EFF

RGB 30 30 255

HSL 240, 1%, 0.56%

LAB 34.85, 73.42, -103.59

 

CMYK 88 / 29 / 0 / 0

HEX #1EB4FF

RGB 30 180 255

HSL 200, 1%, 0.56%

LAB 69.57, -10.76, -47.21

 

CMYK 88 / 29 / 0 / 0

HEX #1EB4FF

RGB 30 180 255

HSL 200, 1%, 0.56%

LAB 69.57, -10.76, -47.21

 

CMYK 80 / 26 / 0 / 7

HEX #30AEEC

RGB 48 174 236

HSL 199.79, 0.83%, 0.56%

LAB 67.24, -12.82, -40.51

 

CMYK 70 / 23 / 0 / 15

HEX #42A8DA

RGB 66 168 218

HSL 199.74, 0.67%, 0.56%

LAB 65.14, -13.51, -33.87

 

CMYK 58 / 19 / 0 / 22

HEX #55A2C8

RGB 85 162 200

HSL 199.83, 0.51%, 0.56%

LAB 63.29, -12.73, -26.69

 

CMYK 43 / 14 / 0 / 29

HEX #679CB6

RGB 103 156 182

HSL 199.75, 0.35%, 0.56%

LAB 61.69, -10.59, -19

 

CMYK 88 / 0 / 19 / 0

HEX #1EFFCE

RGB 30 255 206

HSL 166.93, 1%, 0.56%

LAB 89.98, -60.19, 9.6

 

CMYK 88 / 5 / 0 / 0

HEX #1EF3FF

RGB 30 243 255

HSL 183.2, 1%, 0.56%

LAB 87.77, -41.97, -19.15

 

CMYK 88 / 28 / 0 / 0

HEX #1EB7FF

RGB 30 183 255

HSL 199.2, 1%, 0.56%

LAB 70.43, -12.4, -45.85

 

CMYK 88 / 51 / 0 / 0

HEX #1E7CFF

RGB 30 124 255

HSL 214.93, 1%, 0.56%

LAB 53.93, 22.28, -72.18

 

CMYK 88 / 75 / 0 / 0

HEX #1E40FF

RGB 30 64 255

HSL 230.93, 1%, 0.56%

LAB 39.85, 58.71, -95.27

 

CMYK 100 / 33 / 0 / 20

HEX #0087CB

RGB 0 135 203

HSL 200.1, 1%, 0.4%

LAB 53.64, -5.57, -43.58

 

CMYK 100 / 33 / 0 / 4

HEX #00A3F4

RGB 0 163 244

HSL 199.92, 1%, 0.48%

LAB 63.94, -6.31, -50.12

 

CMYK 88 / 29 / 0 / 0

HEX #1EB4FF

RGB 30 180 255

HSL 200, 1%, 0.56%

LAB 69.57, -10.76, -47.21

 

CMYK 72 / 24 / 0 / 0

HEX #47C2FF

RGB 71 194 255

HSL 199.89, 1%, 0.64%

LAB 74.28, -14.64, -39.78

 

CMYK 56 / 18 / 0 / 0

HEX #71D0FF

RGB 113 208 255

HSL 199.86, 1%, 0.72%

LAB 79.52, -15.19, -31.56

 

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

CMYK 43 / 88 / 0 / 0

HEX #921EFF

RGB 146 30 255

HSL 270.93, 1%, 0.56%

LAB 44.6, 80.6, -87.13

 

CMYK 0 / 7 / 88 / 0

HEX #FFEC1E

RGB 255 236 30

HSL 54.93, 1%, 0.56%

LAB 92.28, -12.07, 87.81

 

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

CMYK 0 / 88 / 28 / 0

HEX #FF1EB7

RGB 255 30 183

HSL 319.2, 1%, 0.56%

LAB 57.66, 86.79, -24.25

 

CMYK 28 / 0 / 88 / 0

HEX #B7FF1E

RGB 183 255 30

HSL 79.2, 1%, 0.56%

LAB 92.43, -49.42, 85.85

 

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

CMYK 43 / 88 / 0 / 0

HEX #921EFF

RGB 146 30 255

HSL 270.93, 1%, 0.56%

LAB 44.6, 80.6, -87.13

 

CMYK 0 / 60 / 88 / 0

HEX #FF651E

RGB 255 101 30

HSL 18.93, 1%, 0.56%

LAB 62.22, 55.77, 64.63

 

CMYK 45 / 0 / 88 / 0

HEX #8BFF1E

RGB 139 255 30

HSL 90.93, 1%, 0.56%

LAB 90.37, -64.11, 83.29

 

CMYK 88 / 29 / 0 / 0

HEX #1FB5FF

RGB 31 181 255

HSL 199.82, 1%, 0.56%

LAB 69.87, -11.26, -46.74

 

CMYK 16 / 88 / 0 / 0

HEX #D51EFF

RGB 213 30 255

HSL 288.8, 1%, 0.56%

LAB 54.34, 89.25, -70.83

 

CMYK 0 / 60 / 88 / 0

HEX #FF651E

RGB 255 101 30

HSL 18.93, 1%, 0.56%

LAB 62.22, 55.77, 64.63

 

CMYK 72 / 0 / 88 / 0

HEX #47FF1E

RGB 71 255 30

HSL 109.07, 1%, 0.56%

LAB 88.43, -79.86, 80.87

 

Description

Color code: HEX #1FB5FF | qconv.com Color code: HEX #1FB5FF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 181 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 181 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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