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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1FA2A7 it is the complementary color #E05D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1FA2A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1FA2A7 shade: #24A2A2, #35B4B5, #46C6C8, #57D8DB and #68EAEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1FA2A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1FA2A7 shade: #1FA2A7, #0E9094, #007E81, #006C6E and #005A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1FA2A7 shade: #1EA3A8, #1E7EA8, #1E58A8, #1E33A8 and #2E1EA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1FA2A7 shade: #1EA3A8, #1E7EA8, #1E58A8, #1E33A8 and #1E1EA8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1FA2A7 shade matches the following richer shades: #1EA3A8 and #0EB1B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1FA2A7 shade: #1EA3A8, #2E9497, #3F8587, #4F7677 and #5F6767

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1FA2A7 shade: #1EA863, #1EA888, #1EA3A8, #1E7EA8 and #1E5AA8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1FA2A7 shade: #125F62, #188185, #1EA3A8, #25C4CA and #3DD5DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1FA2A7 shade: #1FA2A7, #3E1EA8 and #A8751E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1FA2A7 shade: #1FA2A7, #A81EA3 and #A3A81E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1FA2A7 shade: #1FA2A7, #3E1EA8, #A8231E and #88A81E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1FA2A7 shade: #1FA2A7, #681EA8, #A8231E and #5EA81E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

Complementary color

CMYK 0 / 58 / 61 / 12

HEX #E05D58

RGB 224 93 88

HSL 2.21, 0.69%, 0.61%

LAB 56.47, 50.8, 29

 

CMYK 78 / 0 / 0 / 36

HEX #24A2A2

RGB 36 162 162

HSL 180, 0.64%, 0.39%

LAB 60.63, -32.05, -9.54

 

CMYK 71 / 1 / 0 / 29

HEX #35B4B5

RGB 53 180 181

HSL 180.47, 0.55%, 0.46%

LAB 67.08, -32.98, -10.47

 

CMYK 65 / 1 / 0 / 22

HEX #46C6C8

RGB 70 198 200

HSL 180.92, 0.54%, 0.53%

LAB 73.45, -33.64, -11.31

 

CMYK 60 / 1 / 0 / 14

HEX #57D8DB

RGB 87 216 219

HSL 181.36, 0.65%, 0.6%

LAB 79.76, -34.12, -12.08

 

CMYK 56 / 2 / 0 / 7

HEX #68EAEE

RGB 104 234 238

HSL 181.79, 0.8%, 0.67%

LAB 85.99, -34.46, -12.79

 

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

CMYK 91 / 3 / 0 / 42

HEX #0E9094

RGB 14 144 148

HSL 181.79, 0.83%, 0.32%

LAB 54.22, -29.48, -11.19

 

CMYK 100 / 2 / 0 / 49

HEX #007E81

RGB 0 126 129

HSL 181.4, 1%, 0.25%

LAB 47.63, -27.53, -10.01

 

CMYK 100 / 2 / 0 / 57

HEX #006C6E

RGB 0 108 110

HSL 181.09, 1%, 0.22%

LAB 40.98, -24.87, -8.62

 

CMYK 100 / 1 / 0 / 64

HEX #005A5B

RGB 0 90 91

HSL 180.66, 1%, 0.18%

LAB 34.12, -22.13, -7.18

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 82 / 25 / 0 / 34

HEX #1E7EA8

RGB 30 126 168

HSL 198.26, 0.7%, 0.39%

LAB 49.53, -11.85, -29.94

 

CMYK 82 / 48 / 0 / 34

HEX #1E58A8

RGB 30 88 168

HSL 214.78, 0.7%, 0.39%

LAB 37.99, 11.63, -48.23

 

CMYK 82 / 70 / 0 / 34

HEX #1E33A8

RGB 30 51 168

HSL 230.87, 0.7%, 0.39%

LAB 28.04, 36.27, -64.44

 

CMYK 73 / 82 / 0 / 34

HEX #2E1EA8

RGB 46 30 168

HSL 246.96, 0.7%, 0.39%

LAB 24.75, 49.32, -69.83

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 82 / 25 / 0 / 34

HEX #1E7EA8

RGB 30 126 168

HSL 198.26, 0.7%, 0.39%

LAB 49.53, -11.85, -29.94

 

CMYK 82 / 48 / 0 / 34

HEX #1E58A8

RGB 30 88 168

HSL 214.78, 0.7%, 0.39%

LAB 37.99, 11.63, -48.23

 

CMYK 82 / 70 / 0 / 34

HEX #1E33A8

RGB 30 51 168

HSL 230.87, 0.7%, 0.39%

LAB 28.04, 36.27, -64.44

 

CMYK 82 / 82 / 0 / 34

HEX #1E1EA8

RGB 30 30 168

HSL 240, 0.7%, 0.39%

LAB 23.78, 48.29, -71.49

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 92 / 4 / 0 / 28

HEX #0EB1B8

RGB 14 177 184

HSL 182.47, 0.86%, 0.39%

LAB 65.75, -33.91, -14.18

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 70 / 2 / 0 / 41

HEX #2E9497

RGB 46 148 151

HSL 181.71, 0.53%, 0.39%

LAB 56.08, -27.33, -10.06

 

CMYK 53 / 1 / 0 / 47

HEX #3F8587

RGB 63 133 135

HSL 181.67, 0.36%, 0.39%

LAB 51.36, -21.29, -7.82

 

CMYK 34 / 1 / 0 / 53

HEX #4F7677

RGB 79 118 119

HSL 181.5, 0.2%, 0.39%

LAB 46.91, -13.33, -4.93

 

CMYK 8 / 0 / 0 / 60

HEX #5F6767

RGB 95 103 103

HSL 180, 0.04%, 0.39%

LAB 42.93, -3.06, -1.06

 

CMYK 82 / 0 / 41 / 34

HEX #1EA863

RGB 30 168 99

HSL 150, 0.7%, 0.39%

LAB 60.94, -51.1, 25.92

 

CMYK 82 / 0 / 19 / 34

HEX #1EA888

RGB 30 168 136

HSL 166.09, 0.7%, 0.39%

LAB 61.7, -42.67, 6.65

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 82 / 25 / 0 / 34

HEX #1E7EA8

RGB 30 126 168

HSL 198.26, 0.7%, 0.39%

LAB 49.53, -11.85, -29.94

 

CMYK 82 / 46 / 0 / 34

HEX #1E5AA8

RGB 30 90 168

HSL 213.91, 0.7%, 0.39%

LAB 38.58, 10.31, -47.28

 

CMYK 82 / 3 / 0 / 62

HEX #125F62

RGB 18 95 98

HSL 182.25, 0.69%, 0.23%

LAB 36.36, -20.72, -8.17

 

CMYK 82 / 3 / 0 / 48

HEX #188185

RGB 24 129 133

HSL 182.2, 0.69%, 0.31%

LAB 48.99, -26.14, -10.29

 

CMYK 82 / 3 / 0 / 34

HEX #1EA3A8

RGB 30 163 168

HSL 182.17, 0.7%, 0.39%

LAB 61.04, -31.26, -12.3

 

CMYK 82 / 3 / 0 / 21

HEX #25C4CA

RGB 37 196 202

HSL 182.18, 0.69%, 0.47%

LAB 72.32, -35.91, -14.16

 

CMYK 72 / 3 / 0 / 14

HEX #3DD5DB

RGB 61 213 219

HSL 182.28, 0.69%, 0.55%

LAB 78.28, -36.43, -14.35

 

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

CMYK 63 / 82 / 0 / 34

HEX #3E1EA8

RGB 62 30 168

HSL 253.91, 0.7%, 0.39%

LAB 26.1, 50.74, -67.57

 

CMYK 0 / 30 / 82 / 34

HEX #A8751E

RGB 168 117 30

HSL 37.83, 0.7%, 0.39%

LAB 53.1, 12.56, 52.05

 

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

CMYK 0 / 82 / 3 / 34

HEX #A81EA3

RGB 168 30 163

HSL 302.17, 0.7%, 0.39%

LAB 41.05, 66.67, -39.57

 

CMYK 3 / 0 / 82 / 34

HEX #A3A81E

RGB 163 168 30

HSL 62.17, 0.7%, 0.39%

LAB 66.43, -17.39, 63.53

 

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

CMYK 63 / 82 / 0 / 34

HEX #3E1EA8

RGB 62 30 168

HSL 253.91, 0.7%, 0.39%

LAB 26.1, 50.74, -67.57

 

CMYK 0 / 79 / 82 / 34

HEX #A8231E

RGB 168 35 30

HSL 2.17, 0.7%, 0.39%

LAB 37.15, 52.52, 37.25

 

CMYK 19 / 0 / 82 / 34

HEX #88A81E

RGB 136 168 30

HSL 73.91, 0.7%, 0.39%

LAB 64.43, -28.95, 61

 

CMYK 81 / 3 / 0 / 35

HEX #1FA2A7

RGB 31 162 167

HSL 182.21, 0.69%, 0.39%

LAB 60.71, -31, -12.23

 

CMYK 38 / 82 / 0 / 34

HEX #681EA8

RGB 104 30 168

HSL 272.17, 0.7%, 0.39%

LAB 31.11, 56.13, -59.14

 

CMYK 0 / 79 / 82 / 34

HEX #A8231E

RGB 168 35 30

HSL 2.17, 0.7%, 0.39%

LAB 37.15, 52.52, 37.25

 

CMYK 44 / 0 / 82 / 34

HEX #5EA81E

RGB 94 168 30

HSL 92.17, 0.7%, 0.39%

LAB 62.07, -44.89, 57.99

 

Description

Color code: HEX #1FA2A7 | qconv.com Color code: HEX #1FA2A7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 162 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 162 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 3 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 3% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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