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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F984B it is the complementary color #E067B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F984B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F984B shade: #249846, #35AA59, #46BC6C, #57CE7F and #68E092

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F984B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F984B shade: #1F984B, #0E8638, #007425, #006212 and #005000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F984B shade: #1F984B, #1F982A, #34981F, #55981F and #75981F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F984B shade: #1F984B, #1F986B, #1F988C, #1F8398 and #1F6298

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F984B shade matches the following richer shades: #1F984B, #10A747 and #01B643

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F984B shade: #1F984B, #2E894F, #3C7A53, #4B6B57 and #5A5C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F984B shade: #35981F, #1F9829, #1F9849, #1F9869 and #1F988A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F984B shade: #115329, #18763A, #1F984B, #26BA5C and #34D56F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F984B shade: #1F984B, #1F5598 and #981F25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F984B shade: #1F984B, #491F98 and #98491F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F984B shade: #1F984B, #1F5598, #981F6D and #98611F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F984B shade: #1F984B, #1F3198, #981F6D and #98861F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

Complementary color

CMYK 0 / 54 / 20 / 12

HEX #E067B4

RGB 224 103 180

HSL 321.82, 0.66%, 0.64%

LAB 60.64, 55.93, -18.4

 

CMYK 76 / 0 / 54 / 40

HEX #249846

RGB 36 152 70

HSL 137.59, 0.62%, 0.37%

LAB 55.35, -49.54, 34.01

 

CMYK 69 / 0 / 48 / 33

HEX #35AA59

RGB 53 170 89

HSL 138.46, 0.52%, 0.44%

LAB 61.85, -50.32, 32.43

 

CMYK 63 / 0 / 43 / 26

HEX #46BC6C

RGB 70 188 108

HSL 139.32, 0.47%, 0.51%

LAB 68.28, -50.72, 30.93

 

CMYK 58 / 0 / 38 / 19

HEX #57CE7F

RGB 87 206 127

HSL 140.17, 0.55%, 0.57%

LAB 74.64, -50.87, 29.52

 

CMYK 54 / 0 / 35 / 12

HEX #68E092

RGB 104 224 146

HSL 141, 0.66%, 0.64%

LAB 80.92, -50.87, 28.21

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 90 / 0 / 58 / 47

HEX #0E8638

RGB 14 134 56

HSL 141, 0.81%, 0.29%

LAB 48.8, -47.91, 33.12

 

CMYK 100 / 0 / 68 / 55

HEX #007425

RGB 0 116 37

HSL 139.14, 1%, 0.23%

LAB 42.19, -45.53, 34.74

 

CMYK 100 / 0 / 82 / 62

HEX #006212

RGB 0 98 18

HSL 131.02, 1%, 0.19%

LAB 35.56, -41.65, 35.85

 

CMYK 100 / 0 / 100 / 69

HEX #005000

RGB 0 80 0

HSL 120, 1%, 0.16%

LAB 28.74, -37.17, 35.87

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 0 / 72 / 40

HEX #1F982A

RGB 31 152 42

HSL 125.45, 0.66%, 0.36%

LAB 54.98, -53.67, 46.41

 

CMYK 66 / 0 / 80 / 40

HEX #34981F

RGB 52 152 31

HSL 109.59, 0.66%, 0.36%

LAB 55.37, -50.71, 50.9

 

CMYK 44 / 0 / 80 / 40

HEX #55981F

RGB 85 152 31

HSL 93.22, 0.66%, 0.36%

LAB 56.57, -41.28, 52.47

 

CMYK 23 / 0 / 80 / 40

HEX #75981F

RGB 117 152 31

HSL 77.36, 0.66%, 0.36%

LAB 58.36, -29.11, 54.77

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 0 / 30 / 40

HEX #1F986B

RGB 31 152 107

HSL 157.69, 0.66%, 0.36%

LAB 55.9, -43.06, 14.72

 

CMYK 80 / 0 / 8 / 40

HEX #1F988C

RGB 31 152 140

HSL 174.05, 0.66%, 0.36%

LAB 56.72, -34.39, -2.84

 

CMYK 80 / 14 / 0 / 40

HEX #1F8398

RGB 31 131 152

HSL 190.41, 0.66%, 0.36%

LAB 50.44, -20.15, -19.21

 

CMYK 80 / 36 / 0 / 40

HEX #1F6298

RGB 31 98 152

HSL 206.78, 0.66%, 0.36%

LAB 40.07, -1.01, -35.36

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 90 / 0 / 57 / 35

HEX #10A747

RGB 16 167 71

HSL 141.85, 0.83%, 0.36%

LAB 60.07, -56.68, 39.14

 

CMYK 99 / 0 / 63 / 29

HEX #01B643

RGB 1 182 67

HSL 141.88, 0.99%, 0.36%

LAB 64.86, -62.71, 46.51

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 66 / 0 / 42 / 46

HEX #2E894F

RGB 46 137 79

HSL 141.76, 0.5%, 0.36%

LAB 50.73, -40.45, 23.44

 

CMYK 51 / 0 / 32 / 52

HEX #3C7A53

RGB 60 122 83

HSL 142.26, 0.34%, 0.36%

LAB 46.32, -29.58, 15.35

 

CMYK 30 / 0 / 19 / 58

HEX #4B6B57

RGB 75 107 87

HSL 142.5, 0.18%, 0.36%

LAB 42.31, -16.23, 7.53

 

CMYK 2 / 0 / 1 / 64

HEX #5A5C5B

RGB 90 92 91

HSL 150, 0.01%, 0.36%

LAB 38.87, -1, 0.29

 

CMYK 65 / 0 / 80 / 40

HEX #35981F

RGB 53 152 31

HSL 109.09, 0.66%, 0.36%

LAB 55.39, -50.48, 50.93

 

CMYK 80 / 0 / 73 / 40

HEX #1F9829

RGB 31 152 41

HSL 124.96, 0.66%, 0.36%

LAB 54.98, -53.76, 46.79

 

CMYK 80 / 0 / 52 / 40

HEX #1F9849

RGB 31 152 73

HSL 140.83, 0.66%, 0.36%

LAB 55.31, -49.77, 32.4

 

CMYK 80 / 0 / 31 / 40

HEX #1F9869

RGB 31 152 105

HSL 156.69, 0.66%, 0.36%

LAB 55.85, -43.52, 15.78

 

CMYK 80 / 0 / 9 / 40

HEX #1F988A

RGB 31 152 138

HSL 173.06, 0.66%, 0.36%

LAB 56.67, -34.97, -1.78

 

CMYK 80 / 0 / 51 / 67

HEX #115329

RGB 17 83 41

HSL 141.82, 0.66%, 0.2%

LAB 30.56, -30.85, 18.88

 

CMYK 80 / 0 / 51 / 54

HEX #18763A

RGB 24 118 58

HSL 141.7, 0.66%, 0.28%

LAB 43.44, -40.64, 25.55

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 0 / 51 / 27

HEX #26BA5C

RGB 38 186 92

HSL 141.89, 0.66%, 0.44%

LAB 66.75, -57.86, 37

 

CMYK 76 / 0 / 48 / 16

HEX #34D56F

RGB 52 213 111

HSL 141.99, 0.66%, 0.52%

LAB 75.74, -62.43, 38.88

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 44 / 0 / 40

HEX #1F5598

RGB 31 85 152

HSL 213.22, 0.66%, 0.36%

LAB 36.09, 7.36, -41.7

 

CMYK 0 / 80 / 76 / 40

HEX #981F25

RGB 152 31 37

HSL 357.02, 0.66%, 0.36%

LAB 33.54, 49.09, 28.36

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 52 / 80 / 0 / 40

HEX #491F98

RGB 73 31 152

HSL 260.83, 0.66%, 0.36%

LAB 25.75, 47.12, -58.35

 

CMYK 0 / 52 / 80 / 40

HEX #98491F

RGB 152 73 31

HSL 20.83, 0.66%, 0.36%

LAB 40.47, 30.21, 39.03

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 44 / 0 / 40

HEX #1F5598

RGB 31 85 152

HSL 213.22, 0.66%, 0.36%

LAB 36.09, 7.36, -41.7

 

CMYK 0 / 80 / 28 / 40

HEX #981F6D

RGB 152 31 109

HSL 321.32, 0.66%, 0.36%

LAB 35.52, 55.16, -15.17

 

CMYK 0 / 36 / 80 / 40

HEX #98611F

RGB 152 97 31

HSL 32.73, 0.66%, 0.36%

LAB 46.07, 16.73, 44.46

 

CMYK 80 / 0 / 51 / 40

HEX #1F984B

RGB 31 152 75

HSL 141.82, 0.66%, 0.36%

LAB 55.33, -49.44, 31.4

 

CMYK 80 / 68 / 0 / 40

HEX #1F3198

RGB 31 49 152

HSL 231.07, 0.66%, 0.36%

LAB 26.02, 31.69, -58.03

 

CMYK 0 / 80 / 28 / 40

HEX #981F6D

RGB 152 31 109

HSL 321.32, 0.66%, 0.36%

LAB 35.52, 55.16, -15.17

 

CMYK 0 / 12 / 80 / 40

HEX #98861F

RGB 152 134 31

HSL 51.07, 0.66%, 0.36%

LAB 55.91, -4.27, 53.58

 

Description

Color code: HEX #1F984B | qconv.com Color code: HEX #1F984B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 152 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 152 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 51 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 51% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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