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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F5DE4 it is the complementary color #E0A21B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F5DE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F5DE4 shade: #245DDF, #356FF2, #4681FF, #5793FF and #68A5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F5DE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F5DE4 shade: #1F5DE4, #0E4BD1, #0039BE, #0027AB and #001598

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F5DE4 shade: #205DE3, #2029E3, #4C20E3, #8020E3 and #B520E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F5DE4 shade: #205DE3, #2029E3 and #2020E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F5DE4 shade matches the following richer shades: #205DE3 and #0C56F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F5DE4 shade: #205DE3, #3465CF, #496CBB, #5D74A6 and #717B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F5DE4 shade: #20C6E3, #2092E3, #205EE3, #202AE3 and #4A20E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F5DE4 shade: #133F9E, #184DC2, #205DE3, #4578E8 and #6A93EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F5DE4 shade: #1F5DE4, #CC20E3 and #ACE320

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F5DE4 shade: #1F5DE4, #E3205E and #5EE320

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F5DE4 shade: #1F5DE4, #CC20E3, #E3A520 and #37E320

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F5DE4 shade: #1F5DE4, #E320BF, #E3A520 and #20E344

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

Complementary color

CMYK 0 / 28 / 88 / 12

HEX #E0A21B

RGB 224 162 27

HSL 41.12, 0.78%, 0.49%

LAB 70.71, 12.62, 70.2

 

CMYK 84 / 58 / 0 / 13

HEX #245DDF

RGB 36 93 223

HSL 221.71, 0.75%, 0.51%

LAB 43.55, 30.23, -71.14

 

CMYK 78 / 54 / 0 / 5

HEX #356FF2

RGB 53 111 242

HSL 221.59, 0.88%, 0.58%

LAB 50.14, 27.3, -71.1

 

CMYK 73 / 49 / 0 / 0

HEX #4681FF

RGB 70 129 255

HSL 220.86, 1%, 0.64%

LAB 56.31, 22.69, -68.29

 

CMYK 66 / 42 / 0 / 0

HEX #5793FF

RGB 87 147 255

HSL 218.57, 1%, 0.67%

LAB 61.75, 14.19, -59.51

 

CMYK 59 / 35 / 0 / 0

HEX #68A5FF

RGB 104 165 255

HSL 215.76, 1%, 0.7%

LAB 67.33, 6.6, -50.6

 

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

CMYK 93 / 64 / 0 / 18

HEX #0E4BD1

RGB 14 75 209

HSL 221.23, 0.87%, 0.44%

LAB 37.35, 35.38, -73.29

 

CMYK 100 / 70 / 0 / 25

HEX #0039BE

RGB 0 57 190

HSL 222, 1%, 0.37%

LAB 30.98, 39.35, -72.71

 

CMYK 100 / 77 / 0 / 33

HEX #0027AB

RGB 0 39 171

HSL 226.32, 1%, 0.34%

LAB 24.93, 43.42, -71.41

 

CMYK 100 / 86 / 0 / 40

HEX #001598

RGB 0 21 152

HSL 231.71, 1%, 0.3%

LAB 19.24, 46.48, -69.29

 

CMYK 86 / 59 / 0 / 11

HEX #205DE3

RGB 32 93 227

HSL 221.23, 0.78%, 0.51%

LAB 43.77, 31.47, -73.06

 

CMYK 86 / 82 / 0 / 11

HEX #2029E3

RGB 32 41 227

HSL 237.23, 0.78%, 0.51%

LAB 32.79, 61.43, -91.17

 

CMYK 67 / 86 / 0 / 11

HEX #4C20E3

RGB 76 32 227

HSL 253.54, 0.78%, 0.51%

LAB 34.22, 67.22, -88.71

 

CMYK 44 / 86 / 0 / 11

HEX #8020E3

RGB 128 32 227

HSL 269.54, 0.78%, 0.51%

LAB 39.86, 72.07, -79.21

 

CMYK 20 / 86 / 0 / 11

HEX #B520E3

RGB 181 32 227

HSL 285.85, 0.78%, 0.51%

LAB 47.5, 79.27, -66.42

 

CMYK 86 / 59 / 0 / 11

HEX #205DE3

RGB 32 93 227

HSL 221.23, 0.78%, 0.51%

LAB 43.77, 31.47, -73.06

 

CMYK 86 / 82 / 0 / 11

HEX #2029E3

RGB 32 41 227

HSL 237.23, 0.78%, 0.51%

LAB 32.79, 61.43, -91.17

 

CMYK 86 / 86 / 0 / 11

HEX #2020E3

RGB 32 32 227

HSL 240, 0.78%, 0.51%

LAB 31.55, 65.12, -93.24

 

CMYK 86 / 59 / 0 / 11

HEX #205DE3

RGB 32 93 227

HSL 221.23, 0.78%, 0.51%

LAB 43.77, 31.47, -73.06

 

CMYK 95 / 65 / 0 / 3

HEX #0C56F7

RGB 12 86 247

HSL 221.11, 0.94%, 0.51%

LAB 43.43, 42.54, -84.9

 

CMYK 86 / 59 / 0 / 11

HEX #205DE3

RGB 32 93 227

HSL 221.23, 0.78%, 0.51%

LAB 43.77, 31.47, -73.06

 

CMYK 75 / 51 / 0 / 19

HEX #3465CF

RGB 52 101 207

HSL 221.03, 0.62%, 0.51%

LAB 45, 20.6, -59.63

 

CMYK 61 / 42 / 0 / 27

HEX #496CBB

RGB 73 108 187

HSL 221.58, 0.46%, 0.51%

LAB 46.62, 12.25, -45.46

 

CMYK 44 / 30 / 0 / 35

HEX #5D74A6

RGB 93 116 166

HSL 221.1, 0.29%, 0.51%

LAB 48.97, 5.17, -29.45

 

CMYK 23 / 16 / 0 / 43

HEX #717B92

RGB 113 123 146

HSL 221.82, 0.13%, 0.51%

LAB 51.56, 1.58, -13.67

 

CMYK 86 / 13 / 0 / 11

HEX #20C6E3

RGB 32 198 227

HSL 188.92, 0.78%, 0.51%

LAB 73.7, -29.45, -25.64

 

CMYK 86 / 36 / 0 / 11

HEX #2092E3

RGB 32 146 227

HSL 204.92, 0.78%, 0.51%

LAB 58.43, -1.55, -49.45

 

CMYK 86 / 59 / 0 / 11

HEX #205EE3

RGB 32 94 227

HSL 220.92, 0.78%, 0.51%

LAB 44.03, 30.83, -72.64

 

CMYK 86 / 81 / 0 / 11

HEX #202AE3

RGB 32 42 227

HSL 236.92, 0.78%, 0.51%

LAB 32.94, 60.98, -90.92

 

CMYK 67 / 86 / 0 / 11

HEX #4A20E3

RGB 74 32 227

HSL 252.92, 0.78%, 0.51%

LAB 34.06, 67.09, -89

 

CMYK 88 / 60 / 0 / 38

HEX #133F9E

RGB 19 63 158

HSL 221.01, 0.79%, 0.35%

LAB 29.82, 23.6, -55.49

 

CMYK 88 / 60 / 0 / 24

HEX #184DC2

RGB 24 77 194

HSL 221.29, 0.78%, 0.43%

LAB 36.74, 28.76, -65.58

 

CMYK 86 / 59 / 0 / 11

HEX #205DE3

RGB 32 93 227

HSL 221.23, 0.78%, 0.51%

LAB 43.77, 31.47, -73.06

 

CMYK 70 / 48 / 0 / 9

HEX #4578E8

RGB 69 120 232

HSL 221.23, 0.78%, 0.59%

LAB 52.42, 19.93, -61.78

 

CMYK 55 / 38 / 0 / 7

HEX #6A93EC

RGB 106 147 236

HSL 221.08, 0.77%, 0.67%

LAB 61.64, 11.41, -49.18

 

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

CMYK 10 / 86 / 0 / 11

HEX #CC20E3

RGB 204 32 227

HSL 292.92, 0.78%, 0.51%

LAB 51.17, 82.91, -60.31

 

CMYK 24 / 0 / 86 / 11

HEX #ACE320

RGB 172 227 32

HSL 76.92, 0.78%, 0.51%

LAB 83.87, -41.51, 78.13

 

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

CMYK 0 / 86 / 59 / 11

HEX #E3205E

RGB 227 32 94

HSL 340.92, 0.78%, 0.51%

LAB 49.7, 72.48, 16.62

 

CMYK 59 / 0 / 86 / 11

HEX #5EE320

RGB 94 227 32

HSL 100.92, 0.78%, 0.51%

LAB 80.42, -66.5, 73.81

 

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

CMYK 10 / 86 / 0 / 11

HEX #CC20E3

RGB 204 32 227

HSL 292.92, 0.78%, 0.51%

LAB 51.17, 82.91, -60.31

 

CMYK 0 / 27 / 86 / 11

HEX #E3A520

RGB 227 165 32

HSL 40.92, 0.78%, 0.51%

LAB 71.79, 12.43, 69.96

 

CMYK 76 / 0 / 86 / 11

HEX #37E320

RGB 55 227 32

HSL 112.92, 0.78%, 0.51%

LAB 79.53, -73.99, 72.69

 

CMYK 86 / 59 / 0 / 11

HEX #1F5DE4

RGB 31 93 228

HSL 221.12, 0.78%, 0.51%

LAB 43.83, 31.79, -73.53

 

CMYK 0 / 86 / 16 / 11

HEX #E320BF

RGB 227 32 191

HSL 311.08, 0.78%, 0.51%

LAB 53.09, 81.84, -36.39

 

CMYK 0 / 27 / 86 / 11

HEX #E3A520

RGB 227 165 32

HSL 40.92, 0.78%, 0.51%

LAB 71.79, 12.43, 69.96

 

CMYK 86 / 0 / 70 / 11

HEX #20E344

RGB 32 227 68

HSL 131.08, 0.78%, 0.51%

LAB 79.42, -74.27, 61.97

 

Description

Color code: HEX #1F5DE4 | qconv.com Color code: HEX #1F5DE4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 93 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 93 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 59 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 59% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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