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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F4B6A it is the complementary color #E0B495. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F4B6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F4B6A shade: #244B65, #355D78, #466F8B, #57819E and #6893B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F4B6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F4B6A shade: #1F4B6A, #0E3957, #002744, #001531 and #00031E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F4B6A shade: #1E4B6A, #1E366A, #1E226A, #2F1E6A and #441E6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F4B6A shade: #1E4B6A, #1E366A, #1E226A and #1E1E6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F4B6A shade matches the following richer shades: #1E4B6A, #134D75 and #084F80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F4B6A shade: #1E4B6A, #2A495F, #354754, #404549 and #4B433E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F4B6A shade: #1E6A60, #1E606A, #1E4C6A, #1E386A and #1E246A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F4B6A shade: #0C1E2A, #15344A, #1E4B6A, #28628A and #3178AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F4B6A shade: #1F4B6A, #4C1E6A and #6A6A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F4B6A shade: #1F4B6A, #6A1E4C and #4C6A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F4B6A shade: #1F4B6A, #4C1E6A, #6A3D1E and #3D6A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F4B6A shade: #1F4B6A, #631E6A, #6A3D1E and #266A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

Complementary color

CMYK 0 / 20 / 33 / 12

HEX #E0B495

RGB 224 180 149

HSL 24.8, 0.55%, 0.73%

LAB 76.47, 11.62, 21.85

 

CMYK 64 / 26 / 0 / 60

HEX #244B65

RGB 36 75 101

HSL 204, 0.47%, 0.27%

LAB 30.27, -4.97, -19.31

 

CMYK 56 / 23 / 0 / 53

HEX #355D78

RGB 53 93 120

HSL 204.18, 0.39%, 0.34%

LAB 37.74, -5.67, -19.55

 

CMYK 50 / 20 / 0 / 45

HEX #466F8B

RGB 70 111 139

HSL 204.35, 0.33%, 0.41%

LAB 44.99, -6.13, -19.8

 

CMYK 45 / 18 / 0 / 38

HEX #57819E

RGB 87 129 158

HSL 204.51, 0.29%, 0.48%

LAB 52.06, -6.47, -20.05

 

CMYK 41 / 17 / 0 / 31

HEX #6893B1

RGB 104 147 177

HSL 204.66, 0.32%, 0.55%

LAB 58.96, -6.73, -20.32

 

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

CMYK 84 / 34 / 0 / 66

HEX #0E3957

RGB 14 57 87

HSL 204.66, 0.72%, 0.2%

LAB 22.68, -2.56, -22.19

 

CMYK 100 / 43 / 0 / 73

HEX #002744

RGB 0 39 68

HSL 205.59, 1%, 0.13%

LAB 14.78, -0.17, -21.91

 

CMYK 100 / 57 / 0 / 81

HEX #001531

RGB 0 21 49

HSL 214.29, 1%, 0.1%

LAB 6.85, 4.18, -21.07

 

CMYK 100 / 90 / 0 / 88

HEX #00031E

RGB 0 3 30

HSL 234, 1%, 0.06%

LAB 1.43, 4.75, -15

 

CMYK 72 / 29 / 0 / 58

HEX #1E4B6A

RGB 30 75 106

HSL 204.47, 0.56%, 0.27%

LAB 30.28, -4.29, -22.5

 

CMYK 72 / 49 / 0 / 58

HEX #1E366A

RGB 30 54 106

HSL 221.05, 0.56%, 0.27%

LAB 23.52, 9.94, -33.2

 

CMYK 72 / 68 / 0 / 58

HEX #1E226A

RGB 30 34 106

HSL 236.84, 0.56%, 0.27%

LAB 17.74, 24.16, -42.57

 

CMYK 56 / 72 / 0 / 58

HEX #2F1E6A

RGB 47 30 106

HSL 253.42, 0.56%, 0.27%

LAB 18.25, 29.68, -41.68

 

CMYK 36 / 72 / 0 / 58

HEX #441E6A

RGB 68 30 106

HSL 270, 0.56%, 0.27%

LAB 20.82, 34.09, -37.38

 

CMYK 72 / 29 / 0 / 58

HEX #1E4B6A

RGB 30 75 106

HSL 204.47, 0.56%, 0.27%

LAB 30.28, -4.29, -22.5

 

CMYK 72 / 49 / 0 / 58

HEX #1E366A

RGB 30 54 106

HSL 221.05, 0.56%, 0.27%

LAB 23.52, 9.94, -33.2

 

CMYK 72 / 68 / 0 / 58

HEX #1E226A

RGB 30 34 106

HSL 236.84, 0.56%, 0.27%

LAB 17.74, 24.16, -42.57

 

CMYK 72 / 72 / 0 / 58

HEX #1E1E6A

RGB 30 30 106

HSL 240, 0.56%, 0.27%

LAB 16.72, 26.88, -44.23

 

CMYK 72 / 29 / 0 / 58

HEX #1E4B6A

RGB 30 75 106

HSL 204.47, 0.56%, 0.27%

LAB 30.28, -4.29, -22.5

 

CMYK 84 / 34 / 0 / 54

HEX #134D75

RGB 19 77 117

HSL 204.49, 0.72%, 0.27%

LAB 31.19, -2.84, -28.01

 

CMYK 94 / 38 / 0 / 50

HEX #084F80

RGB 8 79 128

HSL 204.5, 0.88%, 0.27%

LAB 32.26, -0.54, -33.17

 

CMYK 72 / 29 / 0 / 58

HEX #1E4B6A

RGB 30 75 106

HSL 204.47, 0.56%, 0.27%

LAB 30.28, -4.29, -22.5

 

CMYK 56 / 23 / 0 / 63

HEX #2A495F

RGB 42 73 95

HSL 204.91, 0.39%, 0.27%

LAB 29.62, -4.4, -16.47

 

CMYK 37 / 15 / 0 / 67

HEX #354754

RGB 53 71 84

HSL 205.16, 0.23%, 0.27%

LAB 29.17, -3.41, -10.03

 

CMYK 12 / 5 / 0 / 71

HEX #404549

RGB 64 69 73

HSL 206.67, 0.07%, 0.27%

LAB 28.97, -1.1, -3.12

 

CMYK 0 / 11 / 17 / 71

HEX #4B433E

RGB 75 67 62

HSL 23.08, 0.09%, 0.27%

LAB 29.05, 2.42, 4.27

 

CMYK 72 / 0 / 9 / 58

HEX #1E6A60

RGB 30 106 96

HSL 172.11, 0.56%, 0.27%

LAB 40.29, -25.35, -1.07

 

CMYK 72 / 9 / 0 / 58

HEX #1E606A

RGB 30 96 106

HSL 187.89, 0.56%, 0.27%

LAB 37.27, -16.87, -11.73

 

CMYK 72 / 28 / 0 / 58

HEX #1E4C6A

RGB 30 76 106

HSL 203.68, 0.56%, 0.27%

LAB 30.61, -4.93, -21.98

 

CMYK 72 / 47 / 0 / 58

HEX #1E386A

RGB 30 56 106

HSL 219.47, 0.56%, 0.27%

LAB 24.15, 8.53, -32.2

 

CMYK 72 / 66 / 0 / 58

HEX #1E246A

RGB 30 36 106

HSL 235.26, 0.56%, 0.27%

LAB 18.27, 22.77, -41.7

 

CMYK 71 / 29 / 0 / 84

HEX #0C1E2A

RGB 12 30 42

HSL 204, 0.56%, 0.11%

LAB 10.36, -2.85, -10.33

 

CMYK 72 / 30 / 0 / 71

HEX #15344A

RGB 21 52 74

HSL 204.91, 0.56%, 0.19%

LAB 20.48, -3.31, -16.97

 

CMYK 72 / 29 / 0 / 58

HEX #1E4B6A

RGB 30 75 106

HSL 204.47, 0.56%, 0.27%

LAB 30.28, -4.29, -22.5

 

CMYK 71 / 29 / 0 / 46

HEX #28628A

RGB 40 98 138

HSL 204.49, 0.55%, 0.35%

LAB 39.62, -5.03, -27.64

 

CMYK 71 / 29 / 0 / 33

HEX #3178AA

RGB 49 120 170

HSL 204.79, 0.55%, 0.43%

LAB 48.25, -5.29, -33.07

 

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

CMYK 28 / 72 / 0 / 58

HEX #4C1E6A

RGB 76 30 106

HSL 276.32, 0.56%, 0.27%

LAB 21.96, 35.96, -35.47

 

CMYK 0 / 0 / 72 / 58

HEX #6A6A1E

RGB 106 106 30

HSL 60, 0.56%, 0.27%

LAB 43.46, -10.19, 40.6

 

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

CMYK 0 / 72 / 28 / 58

HEX #6A1E4C

RGB 106 30 76

HSL 323.68, 0.56%, 0.27%

LAB 25.3, 38.43, -10.04

 

CMYK 28 / 0 / 72 / 58

HEX #4C6A1E

RGB 76 106 30

HSL 83.68, 0.56%, 0.27%

LAB 41.12, -23.76, 37.46

 

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

CMYK 28 / 72 / 0 / 58

HEX #4C1E6A

RGB 76 30 106

HSL 276.32, 0.56%, 0.27%

LAB 21.96, 35.96, -35.47

 

CMYK 0 / 42 / 72 / 58

HEX #6A3D1E

RGB 106 61 30

HSL 24.47, 0.56%, 0.27%

LAB 30.63, 16.73, 27.03

 

CMYK 42 / 0 / 72 / 58

HEX #3D6A1E

RGB 61 106 30

HSL 95.53, 0.56%, 0.27%

LAB 40.24, -29.74, 36.27

 

CMYK 71 / 29 / 0 / 58

HEX #1F4B6A

RGB 31 75 106

HSL 204.8, 0.55%, 0.27%

LAB 30.31, -4.11, -22.43

 

CMYK 7 / 72 / 0 / 58

HEX #631E6A

RGB 99 30 106

HSL 294.47, 0.56%, 0.27%

LAB 25.63, 41.6, -29.4

 

CMYK 0 / 42 / 72 / 58

HEX #6A3D1E

RGB 106 61 30

HSL 24.47, 0.56%, 0.27%

LAB 30.63, 16.73, 27.03

 

CMYK 64 / 0 / 72 / 58

HEX #266A1E

RGB 38 106 30

HSL 113.68, 0.56%, 0.27%

LAB 39.27, -37.07, 34.95

 

Description

Color code: HEX #1F4B6A | qconv.com Color code: HEX #1F4B6A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 75 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 75 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 29 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 29% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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