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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1F406A it is the complementary color #E0BF95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1F406A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1F406A shade: #244065, #355278, #46648B, #57769E and #6888B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1F406A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1F406A shade: #1F406A, #0E2E57, #001C44, #000A31 and #00001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1F406A shade: #1E406A, #1E2B6A, #261E6A, #3A1E6A and #4F1E6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1F406A shade: #1E406A, #1E2B6A and #1E1E6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1F406A shade matches the following richer shades: #1E406A, #133E75 and #083D80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1F406A shade: #1E406A, #2A415F, #354254, #404449 and #4B453E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1F406A shade: #1E696A, #1E556A, #1E416A, #1E2C6A and #251E6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1F406A shade: #0C192A, #152D4A, #1E406A, #28538A and #3166AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1F406A shade: #1F406A, #571E6A and #5F6A1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1F406A shade: #1F406A, #6A1E41 and #416A1E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1F406A shade: #1F406A, #571E6A, #6A481E and #316A1E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1F406A shade: #1F406A, #6A1E66, #6A481E and #1E6A22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

Complementary color

CMYK 0 / 15 / 33 / 12

HEX #E0BF95

RGB 224 191 149

HSL 33.6, 0.55%, 0.73%

LAB 79.2, 5.79, 25.57

 

CMYK 64 / 37 / 0 / 60

HEX #244065

RGB 36 64 101

HSL 214.15, 0.47%, 0.27%

LAB 26.68, 2.24, -24.93

 

CMYK 56 / 32 / 0 / 53

HEX #355278

RGB 53 82 120

HSL 214.03, 0.39%, 0.34%

LAB 34.29, 1.22, -24.91

 

CMYK 50 / 28 / 0 / 45

HEX #46648B

RGB 70 100 139

HSL 213.91, 0.33%, 0.41%

LAB 41.66, 0.5, -24.95

 

CMYK 45 / 25 / 0 / 38

HEX #57769E

RGB 87 118 158

HSL 213.8, 0.29%, 0.48%

LAB 48.82, -0.04, -25.03

 

CMYK 41 / 23 / 0 / 31

HEX #6888B1

RGB 104 136 177

HSL 213.7, 0.32%, 0.55%

LAB 55.81, -0.47, -25.15

 

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

CMYK 84 / 47 / 0 / 66

HEX #0E2E57

RGB 14 46 87

HSL 213.7, 0.72%, 0.2%

LAB 18.95, 5.2, -28.11

 

CMYK 100 / 59 / 0 / 73

HEX #001C44

RGB 0 28 68

HSL 215.29, 1%, 0.13%

LAB 10.91, 8.28, -28.13

 

CMYK 100 / 80 / 0 / 81

HEX #000A31

RGB 0 10 49

HSL 227.76, 1%, 0.1%

LAB 3.96, 10.07, -25.69

 

CMYK 100 / 100 / 0 / 88

HEX #00001E

RGB 0 0 30

HSL 240, 1%, 0.06%

LAB 0.85, 5.95, -15.88

 

CMYK 72 / 40 / 0 / 58

HEX #1E406A

RGB 30 64 106

HSL 213.16, 0.56%, 0.27%

LAB 26.69, 2.98, -28.15

 

CMYK 72 / 59 / 0 / 58

HEX #1E2B6A

RGB 30 43 106

HSL 229.74, 0.56%, 0.27%

LAB 20.22, 17.81, -38.53

 

CMYK 64 / 72 / 0 / 58

HEX #261E6A

RGB 38 30 106

HSL 246.32, 0.56%, 0.27%

LAB 17.37, 28.09, -43.14

 

CMYK 45 / 72 / 0 / 58

HEX #3A1E6A

RGB 58 30 106

HSL 262.11, 0.56%, 0.27%

LAB 19.51, 31.89, -39.57

 

CMYK 25 / 72 / 0 / 58

HEX #4F1E6A

RGB 79 30 106

HSL 278.68, 0.56%, 0.27%

LAB 22.41, 36.67, -34.73

 

CMYK 72 / 40 / 0 / 58

HEX #1E406A

RGB 30 64 106

HSL 213.16, 0.56%, 0.27%

LAB 26.69, 2.98, -28.15

 

CMYK 72 / 59 / 0 / 58

HEX #1E2B6A

RGB 30 43 106

HSL 229.74, 0.56%, 0.27%

LAB 20.22, 17.81, -38.53

 

CMYK 72 / 72 / 0 / 58

HEX #1E1E6A

RGB 30 30 106

HSL 240, 0.56%, 0.27%

LAB 16.72, 26.88, -44.23

 

CMYK 72 / 40 / 0 / 58

HEX #1E406A

RGB 30 64 106

HSL 213.16, 0.56%, 0.27%

LAB 26.69, 2.98, -28.15

 

CMYK 84 / 47 / 0 / 54

HEX #133E75

RGB 19 62 117

HSL 213.67, 0.72%, 0.27%

LAB 26.36, 7.27, -35.7

 

CMYK 94 / 52 / 0 / 50

HEX #083D80

RGB 8 61 128

HSL 213.5, 0.88%, 0.27%

LAB 26.59, 11.76, -42.27

 

CMYK 72 / 40 / 0 / 58

HEX #1E406A

RGB 30 64 106

HSL 213.16, 0.56%, 0.27%

LAB 26.69, 2.98, -28.15

 

CMYK 56 / 32 / 0 / 63

HEX #2A415F

RGB 42 65 95

HSL 213.96, 0.39%, 0.27%

LAB 27.02, 0.82, -20.52

 

CMYK 37 / 21 / 0 / 67

HEX #354254

RGB 53 66 84

HSL 214.84, 0.23%, 0.27%

LAB 27.55, -0.18, -12.49

 

CMYK 12 / 7 / 0 / 71

HEX #404449

RGB 64 68 73

HSL 213.33, 0.07%, 0.27%

LAB 28.66, -0.46, -3.58

 

CMYK 0 / 8 / 17 / 71

HEX #4B453E

RGB 75 69 62

HSL 32.31, 0.09%, 0.27%

LAB 29.66, 1.14, 5.14

 

CMYK 72 / 1 / 0 / 58

HEX #1E696A

RGB 30 105 106

HSL 180.79, 0.56%, 0.27%

LAB 40.28, -21.75, -7.19

 

CMYK 72 / 20 / 0 / 58

HEX #1E556A

RGB 30 85 106

HSL 196.58, 0.56%, 0.27%

LAB 33.59, -10.5, -17.35

 

CMYK 72 / 39 / 0 / 58

HEX #1E416A

RGB 30 65 106

HSL 212.37, 0.56%, 0.27%

LAB 27.01, 2.3, -27.64

 

CMYK 72 / 58 / 0 / 58

HEX #1E2C6A

RGB 30 44 106

HSL 228.95, 0.56%, 0.27%

LAB 20.51, 17.09, -38.06

 

CMYK 65 / 72 / 0 / 58

HEX #251E6A

RGB 37 30 106

HSL 245.53, 0.56%, 0.27%

LAB 17.28, 27.93, -43.29

 

CMYK 71 / 40 / 0 / 84

HEX #0C192A

RGB 12 25 42

HSL 214, 0.56%, 0.11%

LAB 8.49, 0.9, -13.26

 

CMYK 72 / 39 / 0 / 71

HEX #152D4A

RGB 21 45 74

HSL 212.83, 0.56%, 0.19%

LAB 18.06, 1.58, -20.77

 

CMYK 72 / 40 / 0 / 58

HEX #1E406A

RGB 30 64 106

HSL 213.16, 0.56%, 0.27%

LAB 26.69, 2.98, -28.15

 

CMYK 71 / 40 / 0 / 46

HEX #28538A

RGB 40 83 138

HSL 213.67, 0.55%, 0.35%

LAB 34.95, 4.48, -35

 

CMYK 71 / 40 / 0 / 33

HEX #3166AA

RGB 49 102 170

HSL 213.72, 0.55%, 0.43%

LAB 42.85, 5.74, -41.6

 

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

CMYK 18 / 72 / 0 / 58

HEX #571E6A

RGB 87 30 106

HSL 285, 0.56%, 0.27%

LAB 23.66, 38.61, -32.66

 

CMYK 10 / 0 / 72 / 58

HEX #5F6A1E

RGB 95 106 30

HSL 68.68, 0.56%, 0.27%

LAB 42.51, -15.32, 39.34

 

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

CMYK 0 / 72 / 39 / 58

HEX #6A1E41

RGB 106 30 65

HSL 332.37, 0.56%, 0.27%

LAB 24.87, 36.96, -3.27

 

CMYK 39 / 0 / 72 / 58

HEX #416A1E

RGB 65 106 30

HSL 92.37, 0.56%, 0.27%

LAB 40.45, -28.22, 36.56

 

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

CMYK 18 / 72 / 0 / 58

HEX #571E6A

RGB 87 30 106

HSL 285, 0.56%, 0.27%

LAB 23.66, 38.61, -32.66

 

CMYK 0 / 32 / 72 / 58

HEX #6A481E

RGB 106 72 30

HSL 33.16, 0.56%, 0.27%

LAB 33.55, 9.99, 30.26

 

CMYK 54 / 0 / 72 / 58

HEX #316A1E

RGB 49 106 30

HSL 105, 0.56%, 0.27%

LAB 39.67, -33.89, 35.5

 

CMYK 71 / 40 / 0 / 58

HEX #1F406A

RGB 31 64 106

HSL 213.6, 0.55%, 0.27%

LAB 26.73, 3.16, -28.07

 

CMYK 0 / 72 / 4 / 58

HEX #6A1E66

RGB 106 30 102

HSL 303.16, 0.56%, 0.27%

LAB 26.6, 42.64, -25.19

 

CMYK 0 / 32 / 72 / 58

HEX #6A481E

RGB 106 72 30

HSL 33.16, 0.56%, 0.27%

LAB 33.55, 9.99, 30.26

 

CMYK 72 / 0 / 68 / 58

HEX #1E6A22

RGB 30 106 34

HSL 123.16, 0.56%, 0.27%

LAB 39.07, -38.53, 32.82

 

Description

Color code: HEX #1F406A | qconv.com Color code: HEX #1F406A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 64 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 64 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 40 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 40% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - TEKO | Cветодиодный ...
Link: http://led-teko.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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